Ratings
Financials
Revenue: $57,700,000
Budget: $35,000,000
Profit: + $22,700,000
Movie Details
Tag Line: The few. The proud. The totally insane.
Status: Released
Average Rating: 6
Release Date: Aug 10, 1990
Rating: 1990-08-10
Run Time: 1h 52m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: IndieProd Company Productions , Carolco Pictures
Genres
Keywords
People Rated This
Watch Air America
Synopsis
Air America was the CIA's private airline operating in Laos during the Vietnam War, running anything and everything from soldiers to foodstuffs for local villagers. After losing his pilot's license, Billy Covington is recruited into it, and ends up in the middle of a bunch of lunatic pilots, gun-running by his friend Gene Ryack, and opium smuggling by his own superiors.
Crew
Department | Role | Name |
---|---|---|
Camera | Director of Photography |
Roger Deakins
|
Steadicam Operator |
Mark O'Kane
|
|
Camera Operator |
Mike Proudfoot
Gordon Hayman
|
|
Still Photographer |
Frank Connor
|
|
Aerial Camera |
Fraser Taggart
|
|
Clapper Loader |
Nikki Williams
|
|
Directing | Director |
Roger Spottiswoode
|
Second Assistant Director |
Artist W. Robinson
|
|
Script Supervisor |
Angela Wharton
|
|
First Assistant Director |
Albert M. Shapiro
|
|
Production | Casting |
Janet Hirshenson
Jane Jenkins
|
Executive Producer |
Mario Kassar
Andrew G. Vajna
|
|
Producer |
Daniel Melnick
Jon Jashni
|
|
Co-Producer |
John Eskow
Allen Shapiro
|
|
Line Producer |
Michael J. Kagan
|
|
Production Coordinator |
Patsy de Lord
|
|
Production Accountant |
Bob Kocourek
|
|
Unit Production Manager |
Gerry Levy
|
|
Post Production Coordinator |
Noori Dehnahi
|
|
Costume & Make-Up | Costume Design |
John Mollo
|
Key Makeup Artist |
Peter Robb-King
|
|
Hairstylist |
Tricia Cameron
|
|
Makeup Supervisor |
Lois Burwell
|
|
Assistant Costume Designer |
Barbara Rutter
|
|
Hair Supervisor |
Elaine Bowerbank
|
|
Sound | Assistant Sound Editor |
Bob Beher
Per Hallberg
Lisa Miller
|
Supervising Sound Editor |
Lon Bender
|
|
Sound Mixer |
Simon Kaye
|
|
Original Music Composer |
Charles Gross
|
|
Foley Artist |
Alicia Stevenson
Dan O'Connell
|
|
Sound Re-Recording Mixer |
David E. Campbell
Gregg Rudloff
John T. Reitz
|
|
ADR Editor |
Avram D. Gold
Joseph A. Mayer
|
|
Supervising Music Editor |
Curtis Roush
|
|
Dolby Consultant |
Thom 'Coach' Ehle
|
|
Supervising ADR Editor |
Devon Heffley Curry
|
|
Music Supervisor |
Becky Mancuso-Winding
Tim Sexton
|
|
Foley Supervisor |
Sukey Fontelieu
|
|
Boom Operator |
Tommy Staples
|
|
Editing | Editor |
John Bloom
Lois Freeman-Fox
|
Color Timer |
Phil Hetos
|
|
First Assistant Editor |
William Henry
|
|
Associate Editor |
Paul Hodgson
|
|
Negative Cutter |
Brian Ralph
|
|
Art | Production Design |
Allan Cameron
|
Art Direction |
Tony Reading
Steve Spence
|
|
Assistant Art Director |
Dennis Bosher
Lek Chaiyan Chunsuttiwat
|
|
Set Decoration |
Fred Carter
|
|
Visual Effects | Special Effects Supervisor |
George Gibbs
|
Crew | Stunt Coordinator |
Vic Armstrong
|
Stunts |
Steven Lambert
Doug Coleman
John Cenatiempo
Billy D. Lucas
Donna Evans
Dana Dru Evenson
Chere Rae
|
|
Unit Publicist |
Rob Harris
|
|
Armorer |
Carl Schmidt
|
|
Video Assist Operator |
Robert Toft
|
|
Writing | Screenplay |
Richard Rush
John Eskow
|
Novel |
Christopher Robbins
|
|
Lighting | Gaffer |
John Higgins
|
Best Boy Electric |
Kevin Edland
|
|
Department | Role | Name |