Air America
(1990) The few. The proud. The totally insane. | Released
Ratings
33%
5.8
5.7
13%
Financials
Revenue: $57,661,269
Budget: $35,000,000
Profit: + $22,661,269
Movie Details
Tag Line: The few. The proud. The totally insane.
Status: Released
Average Rating: 6
Release Date: Aug 10, 1990
Rating: 1990-08-10
Run Time: 1h 52m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: IndieProd Company Productions , Carolco Pictures
Genres
Keywords
People Rated This
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Synopsis
Air America was the CIA's private airline operating in Laos during the Vietnam War, running anything and everything from soldiers to foodstuffs for local villagers. After losing his pilot's license, Billy Covington is recruited, and ends up in the middle of a bunch of lunatic pilots, gun-running by his friend Gene Ryack, and opium smuggling by his own superiors.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Roger Spottiswoode
|
| First Assistant Director |
Albert M. Shapiro
|
|
| Second Assistant Director |
Artist W. Robinson
|
|
| Script Supervisor |
Angela Wharton
|
|
| Writing | Screenplay |
Richard Rush
John Eskow
|
| Novel |
Christopher Robbins
|
|
| Sound | Original Music Composer |
Charles Gross
|
| Music Supervisor |
Becky Mancuso-Winding
Tim Sexton
|
|
| Sound Mixer |
Simon Kaye
|
|
| Boom Operator |
Tommy Staples
|
|
| Supervising Sound Editor |
Lon Bender
|
|
| Foley Artist |
Dan O'Connell
Alicia Stevenson
|
|
| Supervising Music Editor |
Curtis Roush
|
|
| Supervising ADR Editor |
Devon Heffley Curry
|
|
| ADR Editor |
Joseph A. Mayer
Avram D. Gold
|
|
| Foley Supervisor |
Sukey Fontelieu
|
|
| Assistant Sound Editor |
Per Hallberg
Bob Beher
Lisa Miller
|
|
| Sound Re-Recording Mixer |
John T. Reitz
Gregg Rudloff
David E. Campbell
|
|
| Dolby Consultant |
Thom 'Coach' Ehle
|
|
| Camera | Director of Photography |
Roger Deakins
|
| Camera Operator |
Mike Proudfoot
Gordon Hayman
|
|
| Steadicam Operator |
Mark O'Kane
|
|
| Still Photographer |
Frank Connor
|
|
| Aerial Camera |
Fraser Taggart
|
|
| Clapper Loader |
Nikki Williams
|
|
| Editing | Editor |
John Bloom
Lois Freeman-Fox
|
| Associate Editor |
Paul Hodgson
|
|
| First Assistant Editor |
William Henry
|
|
| Negative Cutter |
Brian Ralph
|
|
| Color Timer |
Phil Hetos
|
|
| Production | Producer |
Daniel Melnick
Jon Jashni
|
| Executive Producer |
Mario Kassar
Andrew G. Vajna
|
|
| Line Producer |
Michael J. Kagan
|
|
| Casting |
Janet Hirshenson
Jane Jenkins
|
|
| Co-Producer |
Allen Shapiro
John Eskow
|
|
| Unit Production Manager |
Gerry Levy
|
|
| Post Production Coordinator |
Noori Dehnahi
|
|
| Production Accountant |
Bob Kocourek
|
|
| Production Coordinator |
Patsy de Lord
|
|
| Art | Production Design |
Allan Cameron
|
| Art Direction |
Steve Spence
Tony Reading
|
|
| Set Decoration |
Fred Carter
|
|
| Assistant Art Director |
Dennis Bosher
Lek Chaiyan Chunsuttiwat
|
|
| Crew | Stunts |
Billy D. Lucas
Chere Rae
Steven Lambert
Donna Evans
Dana Dru Evenson
Doug Coleman
John Cenatiempo
|
| Stunt Coordinator |
Vic Armstrong
|
|
| Video Assist Operator |
Robert Toft
|
|
| Unit Publicist |
Rob Harris
|
|
| Armorer |
Carl Schmidt
|
|
| Costume & Make-Up | Costume Design |
John Mollo
|
| Makeup Supervisor |
Lois Burwell
|
|
| Key Makeup Artist |
Peter Robb-King
|
|
| Hair Supervisor |
Elaine Bowerbank
|
|
| Hairstylist |
Tricia Cameron
|
|
| Assistant Costume Designer |
Barbara Rutter
|
|
| Visual Effects | Special Effects Supervisor |
George Gibbs
|
| Lighting | Gaffer |
John Higgins
|
| Best Boy Electric |
Kevin Edland
|
|
| Department | Role | Name |