Ratings
Financials
Revenue: $159,773,545
Budget: $50,000,000
Profit: + $109,773,545
Movie Details
Tag Line: 3 times the suspense. 3 times the danger. 3 times the terror.
Status: Released
Average Rating: 6
Release Date: May 22, 1992
Rating: R
Run Time: 1h 54m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: 20th Century Fox , Brandywine Productions
Genres
Keywords
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Synopsis
After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can.
Crew
Department | Role | Name |
---|---|---|
Production | Casting Assistant |
Lucinda Syson
|
Producer |
David Giler
Walter Hill
Gordon Carroll
|
|
Casting |
Billy Hopkins
Priscilla John
|
|
Co-Producer |
Sigourney Weaver
|
|
Production Supervisor |
Patricia Carr
|
|
Executive Producer |
Ezra Swerdlow
|
|
Location Manager |
Kevin De La Noy
Gill Case
|
|
ADR Voice Casting |
Barbara Harris
|
|
Production Coordinator |
Janine Modder
Gretchen van Zeebroeck
|
|
Production Accountant |
Avi Levy
Carolyn Hall
|
|
Art | Art Direction |
Jim Morahan
|
Production Design |
Norman Reynolds
|
|
Draughtsman |
Andrew Ackland-Snow
Michael Boone
|
|
Supervising Art Director |
Fred Hole
|
|
Assistant Art Director |
Jonathan McKinstry
|
|
Concept Artist |
Greg Pruss
Jake Scott
|
|
Set Decoration |
Belinda Edwards
|
|
Construction Manager |
Bill Welch
|
|
Construction Coordinator |
Gary A. Krakoff
Robert J. Carlyle
|
|
Property Master |
John Allenby
|
|
Sculptor |
Janet Stevens
Roy Rodgers
|
|
Storyboard Artist |
Brent Boates
Martin Asbury
Mike Swift
Bill Stallion
|
|
Graphic Designer |
Cathe Jones
|
|
Standby Carpenter |
Laurence Burns
|
|
Standby Painter |
Antonio Caccavale
|
|
Supervising Carpenter |
Tony Youd
|
|
Title Designer |
John Beach
|
|
Writing | Screenplay |
Larry Ferguson
David Giler
Walter Hill
|
Characters |
Dan O'Bannon
Ronald Shusett
|
|
Story |
Vincent Ward
|
|
Costume & Make-Up | Costume Design |
Bob Ringwood
David Perry
|
Key Makeup Artist |
Nick Dudman
Jane Royle
|
|
Makeup Department Head |
Peter Robb-King
|
|
Makeup Supervisor |
Peter Robb-King
|
|
Special Effects Makeup Artist |
Greg Cannom
Scott Oshita
Gary Bunn
|
|
Hairstylist |
Lisa Tomblin
Carol Meikle
|
|
Wardrobe Master |
Joe Hobbs
|
|
Makeup Artist |
Susan A. Cabral
|
|
Assistant Costume Designer |
Graham Churchyard
|
|
Wardrobe Supervisor |
Janet Tebrooke
|
|
Wardrobe Assistant |
Janet Lucas-Wakely
|
|
Editing | Editor |
Terry Rawlings
David Crowther
|
Color Timer |
David Orr
Keith Parrish
|
|
Assistant Editor |
Tony Tromp
Joanna Jimenez
|
|
Visual Effects | Creature Design |
H. R. Giger
|
Special Effects Supervisor |
George Gibbs
|
|
Visual Effects Producer |
Richard Edlund
|
|
Matte Painter |
Paul Lasaine
|
|
Visual Effects Coordinator |
Julia Frey
Russ Woolnough
|
|
Visual Effects Supervisor |
Rick Fichter
|
|
Rotoscoping Artist |
Jammie Friday
Maura Alvarez
Nina Salerno
|
|
Roto Supervisor |
Annick Therrien
|
|
Animation Supervisor |
Mauro Maressa
|
|
CG Animator |
Larry Weiss
|
|
Effects Supervisor |
Philip Crescenzo
|
|
Sound | Original Music Composer |
Elliot Goldenthal
|
ADR Editor |
Jim Shields
Juno J. Ellis
Petra Bach
John Morrisey
|
|
Supervising ADR Editor |
William C. Carruth
|
|
ADR Mixer |
Brad Brock
Peter Lacey
|
|
Sound Re-Recording Mixer |
Chris David
Richard Overton
Sergio Reyes
|
|
Music Producer |
Matthias Gohl
|
|
Foley |
David Lee Fein
|
|
Foley Artist |
David Lee Fein
Ken Dufva
|
|
Supervising Music Editor |
Craig Pettigrew
|
|
Sound Recordist |
Robert Renga
|
|
Supervising Sound Editor |
Gary S. Gerlich
|
|
Sound Designer |
Harry E. Snodgrass
|
|
Foley Mixer |
Greg Curda
|
|
Music Coordinator |
Christopher Brooks
|
|
Foley Editor |
Jerry Jacobson
Victoria Martin
David L. Horton Jr.
|
|
Assistant Sound Editor |
Samuel Webb
Ron S. Herbes
|
|
Boom Operator |
John Samworth
|
|
Directing | Director |
David Fincher
|
Second Unit First Assistant Director |
Josh McLaglen
|
|
Script Supervisor |
June Randall
|
|
First Assistant Director |
Chris Carreras
Ken Shane
|
|
Third Assistant Director |
Jamie Christopher
Richard Styles
|
|
Second Assistant Director |
Marcia Gay
|
|
Second Unit Director |
Martin Brierley
|
|
Crew | Stunts |
Nick Gillard
Paul Jennings
Simon Crane
Valentino Musetti
Sean McCabe
Mark Anthony Newman
Rann Miner
|
Stunt Coordinator |
Marc Boyle
|
|
Special Effects |
Chris Cunningham
|
|
Armorer |
Simon Atherton
|
|
Scenic Artist |
Brian Bishop
|
|
Visual Effects Editor |
Robert Wait
|
|
Digital Effects Supervisor |
Jim Rygiel
|
|
Carpenter |
Laurie Kerr
Jamie White
|
|
Generator Operator |
Mark Joiner
|
|
Camera | Camera Operator |
David Worley
Neil Binney
William D. Barber
Wally Byatt
Mike Frift
|
Second Assistant Camera |
Clive Mackey
Chyna Thomson
Nick Penn
Adam Cooper
|
|
Director of Photography |
Alex Thomson
|
|
Key Grip |
Charles Saldana
|
|
Still Photographer |
Bob Penn
|
|
First Assistant Camera |
Martin Kenzie
Stefan Stankowski
Keith Thomas
|
|
Steadicam Operator |
Peter Robinson
|
|
Second Unit Director of Photography |
Nic Morris
|
|
Dolly Grip |
Colin Manning
Gary Hutchings
Tony Cridlin
|
|
Lighting | Chief Lighting Technician |
Dwight Campbell
|
Gaffer |
Alan Martin
David Morani
Steve Kitchen
Dennis Brock
Jack Collins
Vince Goddard
|
|
Department | Role | Name |