Ratings
Financials
Revenue: $355,237,933
Budget: $52,000,000
Profit: + $303,237,933
Movie Details
Tag Line: "Houston, we have a problem."
Status: Released
Average Rating: 7
Release Date: Oct 28, 2025
Rating: 2002-09-20
Run Time: 2h 20m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Imagine Entertainment , Universal Pictures
Sources:
Genres
Keywords
People Rated This
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Synopsis
The true story of technical troubles that scuttle the Apollo 13 lunar mission in 1970, risking the lives of astronaut Jim Lovell and his crew, with the failed journey turning into a thrilling saga of heroism. Drifting more than 200,000 miles from Earth, the astronauts work furiously with the ground crew to avert tragedy.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Screenplay |
William Broyles Jr.
Al Reinert
|
| Novel |
Jim Lovell
Jeffrey Kluger
|
|
| Storyboard |
Ricardo F. Delgado
|
|
| Directing | Director |
Ron Howard
|
| Script Supervisor |
Eva Z. Cabrera
Janna Stern
|
|
| First Assistant Director |
Aldric La'Auli Porter
Bruce Moriarty
|
|
| Second Assistant Director |
Jane Paul
Susan Pickett
|
|
| Second Unit Director |
Todd Hallowell
|
|
| Second Second Assistant Director |
William M. Connor
|
|
| Editing | Editor |
Mike Hill
Daniel P. Hanley
|
| Color Timer |
William Pine
|
|
| First Assistant Editor |
Roger Tweten
|
|
| Assistant Editor |
Glenn Allen
Tim Silano
Guy Barresi
Richard Friedlander
Carolyn Calvert
|
|
| Negative Cutter |
Gary Burritt
|
|
| Project Manager |
Stephen Sobisky
|
|
| Sound | Sound Effects Editor |
Richard L. Anderson
Patricio A. Libenson
Dean Beville
Warren Hamilton Jr.
Elliott Koretz
Eric Lindemann
|
| Original Music Composer |
James Horner
|
|
| Sound Re-Recording Mixer |
Rick Dior
Steve Pederson
Ezra Dweck
Scott Millan
Bob Chefalas
|
|
| Supervising Sound Editor |
Stephen Hunter Flick
|
|
| Foley Editor |
Matthew C. Beville
Frank Smathers
|
|
| Orchestrator |
Steven Bramson
James Horner
|
|
| Boom Operator |
Steve Bowerman
Craig Woods
Bill J. DiDonna
|
|
| Sound Mixer |
David MacMillan
John Sutton
Geoffrey Patterson
|
|
| Scoring Mixer |
Shawn Murphy
|
|
| Music Editor |
Thomas S. Drescher
|
|
| Dialogue Editor |
Bitty O'Sullivan-Smith
Thomas A. Gulino
Louis Cerborino
Dan Sable
|
|
| Supervising Dialogue Editor |
Anthony J. Ciccolini III
|
|
| ADR Editor |
Harry Peck Bolles
Stuart Stanley
|
|
| Sound Recordist |
Bob Olari
|
|
| Supervising ADR Editor |
Lisa J. Levine
|
|
| ADR Mixer |
Paul J. Zydel
Dean Drabin
|
|
| ADR Recordist |
Ann Hadsell
Douglas Murray
|
|
| Supervising Music Editor |
Jim Henrikson
|
|
| Assistant Dialogue Editor |
Yvette Nabel
Lynn Sable
|
|
| Foley Recordist |
Don Givens
|
|
| Sound Assistant |
Linda Yeaney
Dana Gustafson
|
|
| Playback Singer |
Annie Lennox
|
|
| Foley Mixer |
David Jobe
|
|
| Utility Sound |
Kevin E. Patterson
|
|
| Camera | Director of Photography |
Dean Cundey
|
| Camera Operator |
Casey Hotchkiss
Josh Bleibtreu
David Norris
Raymond Stella
|
|
| Still Photographer |
Ronald Batzdorff
|
|
| Key Grip |
Ron Cardarelli
Jeff 'Moose' Howery
Steven Cardarelli
|
|
| Steadicam Operator |
Glenn DiVincenzo
|
|
| Camera Technician |
Scott Johnson
|
|
| First Assistant Camera |
Clyde E. Bryan
Scott Smith
Christopher Duskin
Scott Fuller
|
|
| Grip |
Marty Dobkousky
Eugene Siegmund
Michael D. Hightower
Ron Peebles
Luke Halpin
Troy Webb
Steve Graves
Jimmy Giacona
Bryan Ashford
Kevin Edwards
|
|
| Second Assistant Camera |
Stephen Sfetku
Jolanda R. Wipfli
|
|
| Best Boy Grip |
Brian Marincic
|
|
| Additional Second Assistant Camera |
Chip Byrd
|
|
| Camera Loader |
Trevor Loomis
John Hynes
|
|
| Second Unit Director of Photography |
Raymond Stella
|
|
| Dolly Grip |
Dave Wachtman
|
|
| Assistant Camera |
David S. Campbell
Michole Bergstrom
|
|
| First Assistant "B" Camera |
Larry D. Davis
|
|
| Additional First Assistant Camera |
J. Steven Latham
|
|
| Production | Casting |
Jane Jenkins
Janet Hirshenson
|
| Producer |
Brian Grazer
|
|
| Location Manager |
Ned R. Shapiro
|
|
| Publicist |
Andrew Lipschultz
|
|
| Production Supervisor |
Michelle Morrissey
|
|
| Associate Producer |
Louisa Velis
Michael Bostick
Aldric La'Auli Porter
|
|
| Executive Producer |
Todd Hallowell
|
|
| Casting Associate |
Susanna Griffith
|
|
| Unit Production Manager |
Carl Clifford
|
|
| Production Coordinator |
Kelly L'Estrange
Brooke Rand McDonald
Virginia Dнaz
Wendi Haas
Lisa J. Watters
|
|
| Assistant Accountant |
Hope Shaw
Keri Weisblum
Rosario Aguirre
Susan Giordano
|
|
| Assistant Production Coordinator |
Lila Yacoub
|
|
| Production Assistant |
Chris Clifton
Dennis Clay
Lars Sloan
Jimmy Lindsey
Michael Barson
Michael McDevitt
Kirk Douglas
Misty Conn
Alfred Cervantes
Susan Jamison
Paul Swen
K. Marshall Smith
Jeffray C. Eagle
|
|
| Extras Casting |
Ajay Dass
|
|
| Assistant Location Manager |
Andrew L. Ullman
|
|
| Location Assistant |
Anthony J. Saenz
Matthew Pook
|
|
| First Assistant Accountant |
Kathryn Mindala
|
|
| ADR Voice Casting |
Lynne Redding
|
|
| General Manager |
Scott Ross
|
|
| Visual Effects | Visual Effects |
Shoshana Abrass
|
| Visual Effects Producer |
Jenny Fulle
|
|
| Special Effects Supervisor |
John Palmer
|
|
| Digital Compositors |
Feliciano di Giorgio
|
|
| Visual Effects Coordinator |
Chad Merriam
|
|
| Visual Effects Supervisor |
Robert Legato
|
|
| Digital Compositor |
Bryan Grill
Jerry Hall
Laurie Resnick
Jammie Friday
Martine Tomczyk
Pablo Helman
Ethan Ormsby
|
|
| Modeling |
Bradford Plows
Gordon Forkert
Sabine Meyer zu Recendorf
Felix Ojeda
Eugene P. Rizzardi
John Ferrari
George Stevens
Gerald McClung
Brian Ripley
Greg Bryant
Michael Possert Jr.
|
|
| VFX Director of Photography |
Erik Nash
|
|
| Visual Effects Assistant Editor |
Josh Margolies
Tommy Dorsett
|
|
| Digital Effects Producer |
Amy Jupiter
Mark Lohff
|
|
| Modelling Supervisor |
Patrick McClung
|
|
| Art | Production Design |
Michael Corenblith
|
| Art Direction |
David J. Bomba
Bruce Alan Miller
|
|
| Set Decoration |
Merideth Boswell
|
|
| Construction Coordinator |
David T. Cannon
|
|
| Art Department Coordinator |
Angela O'Neill
|
|
| Set Designer |
Lori Rowbotham
Joseph Hodges
|
|
| Leadman |
Wayne Shepherd
|
|
| Painter |
Dan Dorfer
|
|
| Art Department Assistant |
Joshua A. Sipe
|
|
| Greensman |
William Matzner
Anthony Vitagliano
Jason Vanover
|
|
| Construction Foreman |
David A. Weinman
|
|
| Property Master |
Steven M. Levine
|
|
| Assistant Property Master |
James Robinson II
Bobby Amor
|
|
| Set Dresser |
John Maskovich
Richard M. Jones
Edward J. McCarthy
Scott G. Jones
Chris Pascuzzo
Greg Wilkinson
Larry A. Cornick
|
|
| Storyboard Artist |
Eric Ramsey
|
|
| Set Painter |
Felisa Finn
|
|
| Costume & Make-Up | Makeup Artist |
Larry Abbott
Hallie D'Amore
Michael Lorenz
|
| Costume Design |
Rita Ryack
|
|
| Costume Supervisor |
Dan Bronson
|
|
| Set Costumer |
Mary Elizabeth Still
Bob Moore Jr.
|
|
| Seamstress |
Carmen Mazarow
|
|
| Hairstylist |
Audrey L. Anzures
Joy Zapata
Carolyn Elias
Hazel Catmull
|
|
| Assistant Costume Designer |
Marjorie McCown
|
|
| Key Hair Stylist |
Kathryn Blondell
|
|
| Costumer |
Leslie Weir
Joe McCloskey
Danna Edwards
Elaine Ramires
|
|
| Key Makeup Artist |
Daniel C. Striepeke
|
|
| Crew | Stunts |
Heather Burton
Joe Finnegan
John Robotham
Vincent Mazella Jr.
Kim Robert Koscki
|
| Unit Publicist |
Andrew Lipschultz
|
|
| Visual Effects Editor |
Debra Wolff
|
|
| Studio Teachers |
Elise Ganz
|
|
| Thanks |
Walter Cronkite
|
|
| Stunt Coordinator |
Mickey Gilbert
James M. Halty
|
|
| Transportation Coordinator |
Joel Marrow
|
|
| Video Assist Operator |
Roger C. Johnson
|
|
| Production Controller |
Kieran Woo
Kathleen McGill
|
|
| Set Medic |
David O. Krupnick
|
|
| Set Production Assistant |
Stephanie Axe
Eddee Kolos
Jonathan McGarry
Laurel Robinson
Dylan K. Massin
Matt Rebenkoff
Colin Hanks
|
|
| Driver |
Johnny Bartlet
Paulie DiCocco
Gavin Grazer
James E. Vargas
William Esparza
Dan Brizendine
Joseph Sullivan
Bud Lacy
Rodney Lee Bennett
|
|
| Machinist |
John Lisman
|
|
| Craft Service |
Beverly Burton
|
|
| Transportation Captain |
Randy Cantor
|
|
| Special Effects Coordinator |
Matt Sweeney
|
|
| Digital Effects Supervisor |
Karen E. Goulekas
John McLaughlin
Mark A. Lasoff
|
|
| Executive Music Producer |
Brian Grazer
Ron Howard
|
|
| Systems Administrators & Support |
Shoshana Abrass
Matt Coohill
|
|
| Special Sound Effects |
Donald Flick
John Pospisil
Steve Lee
|
|
| Propmaker |
Matthew Martin
|
|
| Technical Advisor |
Jim Lovell
Jeffrey Kluger
Gerry Griffin
Dave Scott
Max L. Ary
Jerry Bostick
|
|
| Pilot |
Michael Tamburro
Alan D. Purwin
Robert 'Bobby Z' Zajonc
|
|
| Special Effects Assistant |
William Centonze
Jan Aaris
Gary Zink
Tony Centonze
Manuel S. Epstein
Donald Krause
Fred Tessaro
Bruce Y. Kuroyama
James M. Hart
Rocky Severy
Larry L. Fuentes
Lucinda Strub
Jeffrey Machit
Kent D'Huet
Michael Wilmot
R. Michael Bisetti
Paul Sabourin
Steve Luport
Harold Selig
Rich E. Cordobes
|
|
| Actor's Assistant |
Terry Odem
Erik Bork
|
|
| Visual Effects Design Consultant |
James Cameron
|
|
| Additional Writing |
John Sayles
|
|
| Lighting | Electrician |
Darren Langer
Keith Orefice
Dennis Hus
Gary Ware
Peter Eisner
Atillio Orefice
Ben O. Graham
|
| Gaffer |
Tony Anderson
|
|
| Rigging Grip |
Gary Brostrom
Randy Troyanek
|
|
| Rigging Gaffer |
Mark Soucie
|
|
| Best Boy Electric |
Rick Petretti
Glenn E. Moran
|
|
| Assistant Chief Lighting Technician |
Keith Roverud
O'Shana Walker
Steve Chandler
Jim Fine
|
|
| Chief Lighting Technician |
Joseph J. Orefice
Andy Ryan
Michael Orefice
|
|
| Department | Role | Name |







