Ratings
Financials
Revenue: $244,527,583
Budget: $40,000,000
Profit: + $204,527,583
Movie Details
Tag Line: They've saved the best trip for last... But this time they may have gone too far.
Status: Released
Average Rating: 7
Release Date: Dec 17, 2024
Rating: 1990-05-25
Run Time: 1h 59m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Universal Pictures , Amblin Entertainment
Sources:
Genres
Keywords
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Where to watch Back to the Future Part III
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Synopsis
The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
Crew
Department | Role | Name |
---|---|---|
Directing | Director |
Robert Zemeckis
|
First Assistant Director |
David McGiffert
|
|
Additional Second Assistant Director |
Batan Silva
|
|
Second Assistant Director |
Cara Giallanza
|
|
Second Second Assistant Director |
Carla Corwin
|
|
Second Unit Director |
Max Kleven
|
|
Production | Producer |
Neil Canton
Bob Gale
|
Casting |
Mike Fenton
Valorie Massalas
Judy Taylor
|
|
Executive Producer |
Kathleen Kennedy
Frank Marshall
Steven Spielberg
|
|
Associate Producer |
Steve Starkey
|
|
Unit Production Manager |
Joan Bradshaw
|
|
Executive In Charge Of Production |
Jim Morris
|
|
Location Manager |
Michael J. Burmeister
|
|
Production Accountant |
Pam Kaye
|
|
Casting Assistant |
Joni Kearney
|
|
Assistant Accountant |
Colleen Arnaud
|
|
Assistant Production Coordinator |
Jacqueline A. Shea
|
|
General Manager |
Scott Ross
|
|
Production Assistant |
Alia Agha
|
|
Camera | Director of Photography |
Dean Cundey
|
Camera Operator |
Ray Gilberti
|
|
First Assistant Camera |
Clyde E. Bryan
|
|
Key Grip |
Ron Cardarelli
|
|
Grip |
Steve Chase
|
|
Still Photographer |
Sean M. Casey
|
|
Camera Loader |
Jolanda R. Wipfli
|
|
Assistant Camera |
Vance Piper
David Hanks
|
|
Best Boy Grip |
Sid Lucero
|
|
Dolly Grip |
Dave Wachtman
|
|
Second Assistant Camera |
Larry D. Davis
|
|
Sound | Original Music Composer |
Alan Silvestri
|
Sound Recordist |
Albert Romero
|
|
ADR Supervisor |
Larry Singer
|
|
Boom Operator |
Earl Sampson
|
|
Assistant Sound Editor |
Peter C. Barbour
|
|
Music Editor |
Kenneth Karman
|
|
Orchestrator |
James B. Campbell
|
|
Production Sound Mixer |
William B. Kaplan
|
|
Sound Editor |
Paul Timothy Carden
|
|
Supervising Sound Editor |
Charles L. Campbell
|
|
ADR Editor |
Alan L. Nineberg
Jessica Gallavan
|
|
ADR Mixer |
Charleen Richards-Steeves
|
|
Additional Sound Re-Recording Mixer |
Tom Gerard
|
|
Foley Artist |
Kevin Bartnof
|
|
Foley Mixer |
Greg Orloff
|
|
Foley Recordist |
Carolyn Tapp
|
|
Music Programmer |
David Bifano
|
|
Editing | Editor |
Harry Keramidas
Arthur Schmidt
|
Color Timer |
Stephen R. Sheridan
|
|
Editorial Coordinator |
Dawn Oltman
|
|
First Assistant Editor |
Janet Fiona Mason
|
|
Assistant Editor |
Nancy Jencks
|
|
Associate Editor |
Peter Lonsdale
|
|
Negative Cutter |
Ron Fode
|
|
Art | Production Design |
Rick Carter
|
Art Direction |
Margie Stone McShirley
William James Teegarden
|
|
Set Decoration |
Michael Taylor
|
|
Assistant Art Director |
Erin M. Cummins
|
|
Construction Coordinator |
Walt Hadfield
|
|
Construction Foreman |
Jerry Sargent
|
|
Greensman |
Richard Brown
|
|
Leadman |
Tom McCown
|
|
Painter |
Cary Conway
|
|
Production Illustrator |
Martin A. Kline
|
|
Set Designer |
Beverli Eagan
|
|
Property Master |
John Zemansky
|
|
Assistant Property Master |
Jeff Ackerman
|
|
Writing | Screenplay |
Bob Gale
|
Story |
Robert Zemeckis
Bob Gale
|
|
Characters |
Robert Zemeckis
Bob Gale
|
|
Costume & Make-Up | Costume Design |
Joanna Johnston
|
Assistant Costume Designer |
Barcie Waite
|
|
Costume Supervisor |
Chuck Velasco
|
|
Hairstylist |
Dorothy D. Fox
|
|
Key Hair Stylist |
Dorothy Byrne
|
|
Makeup Artist |
Bron Roylance
|
|
Key Makeup Artist |
Michael Mills
|
|
Set Dressing Artist |
Randy Bostic
|
|
Costumer |
Kelly Lindquist
|
|
Crew | Carpenter |
Marc Fambro
|
Choreographer |
Brad Jeffries
|
|
Craft Service |
Willie Radcliff
|
|
Dialect Coach |
Tim Monich
|
|
Driver |
Tom Marchetti
|
|
Makeup Effects |
Brian Wade
|
|
Post Production Supervisor |
Martin Cohen
|
|
Production Controller |
Bonne Radford
|
|
Propmaker |
Tim R. Lafferty
|
|
Special Effects Coordinator |
Judith Weaver
|
|
Stand In |
Robert Bennett
|
|
Stunts |
Will Cascio
Bob Yerkes
R.L. Tolbert
Brian Smrz
Ben Scott
Jimmy Corona Rooney
Jim Pratt
Jeff O'Haco
Daniel O'Haco
Gary Morgan
Daniel K. Moore
Mike H. McGaughy
Walt La Rue
Robert Jauregui
Danny Costa
Marguerite Happy
|
|
Transportation Captain |
Steve Collins
|
|
Transportation Co-Captain |
Keith O'Brien
|
|
Transportation Coordinator |
LeighAnna Frostad
|
|
Unit Publicist |
Michael Klastorin
|
|
Visual Effects Editor |
Timothy Eaton
|
|
Special Sound Effects |
Alan Howarth
|
|
Studio Teachers |
Jack Tice
|
|
Visual Effects Art Director |
John Bell
|
|
Thanks |
Byron Berline
|
|
Stunt Coordinator |
Walter Scott
|
|
Stunt Double |
Charles Croughwell
Debbie Evans
Jennifer Watson-Johnston
|
|
Pyrotechnician |
Michael Meier
|
|
Technical Advisor |
Bret Culpepper
|
|
Lighting | Electrician |
Bill Barr
|
Lighting Technician |
Tom Cantrell
|
|
Rigging Gaffer |
Jack Todd
|
|
Assistant Chief Lighting Technician |
Anthony Wong
|
|
Chief Lighting Technician |
Mark Walthour
|
|
Visual Effects | Animation Supervisor |
Wes Takahashi
|
Visual Effects |
Kendall Nishimine
|
|
Visual Effects Coordinator |
Kim Bromley
|
|
Visual Effects Producer |
Patricia Blau
|
|
Visual Effects Supervisor |
Scott Farrar
Ken Ralston
|
|
VFX Artist |
Loring Doyle
|
|
Visual Effects Camera |
Peter Daulton
|
|
VFX Director of Photography |
Pat Turner
|
|
Rotoscoping Artist |
Kathleen Beeler
|
|
Department | Role | Name |