Blast from the Past
(1999) She'd never met anyone like him. He's never met anyone... Period. | Released
Ratings
48%
6.8
6.6
57%
Financials
Revenue: $40,263,020
Budget: $35,000,000
Profit: + $5,263,020
Movie Details
Tag Line: She'd never met anyone like him. He's never met anyone... Period.
Status: Released
Average Rating: 7
Release Date: Feb 12, 1999
Rating: 2015-08-04
Run Time: 1h 52m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Midnight Sun Pictures , New Line Cinema , Forge
Genres
Keywords
People Rated This
Watch Blast from the Past
Synopsis
Following a bomb scare in the 1960s that locked the Webers into their bomb shelter for 35 years, Adam now ventures forth into Los Angeles to obtain food and supplies for his family, and a non-mutant wife for himself.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Sound Designer |
Lance Brown
|
| Foley Artist |
Christopher Moriana
Michael J. Broomberg
|
|
| Music Editor |
Chris Ledesma
|
|
| Sound Effects Editor |
Kim Secrist
Jay Nierenberg
Glenn Hoskinson
Steve Nelson
Richard E. Yawn
|
|
| Original Music Composer |
Steve Dorff
|
|
| Supervising Sound Editor |
Bruce Stambler
|
|
| Music Supervisor |
Steve Tyrell
|
|
| Sound Re-Recording Mixer |
Jeffrey J. Haboush
Kevin E. Carpenter
Michael Herbick
|
|
| Dialogue Editor |
Robert Troy
Donald L. Warner Jr.
Bernard Weiser
Bruce Fortune
|
|
| Supervising ADR Editor |
Becky Sullivan
|
|
| Foley Editor |
Steve Mann
|
|
| Sound Recordist |
Gary Ritchie
Kathy McCart
|
|
| First Assistant Sound Editor |
Paul Aulicino
|
|
| Utility Sound |
Randy McDonald
|
|
| Sound Mixer |
Mark Hopkins McNabb
|
|
| Foley Supervisor |
Michael Dressel
|
|
| Assistant Sound Editor |
Matthew C. May
|
|
| Foley Mixer |
David Jobe
|
|
| Production | Casting |
Denise Chamian
|
| Producer |
Renny Harlin
Hugh Wilson
|
|
| Production Coordinator |
Diana Zock
|
|
| Executive In Charge Of Production |
Carla Fry
|
|
| Production Executive |
Erik Holmberg
|
|
| Executive In Charge Of Post Production |
Jody Levin
|
|
| Executive Producer |
Sunil Perkash
Claire Rudnick Polstein
Amanda Stern
|
|
| Unit Production Manager |
Mary Kane
|
|
| Co-Producer |
Mary Kane
|
|
| Assistant Location Manager |
Larry Ring
Jim Small
|
|
| Production Secretary |
Cody Zwieg
|
|
| Production Supervisor |
Elizabeth Ervin
|
|
| Location Manager |
Boyd Wilson
|
|
| Casting Associate |
Kara Katsoulis
|
|
| Production Accountant |
Rachel E. Prentiss
|
|
| Camera | Director of Photography |
José Luis Alcaine
|
| Key Grip |
Bobby Huber
|
|
| Second Assistant "A" Camera |
Glenn Kaplan
|
|
| "B" Camera Operator |
David Luckenbach
|
|
| "A" Camera Operator |
Anthony Gaudioz
|
|
| Still Photographer |
Peter Sorel
|
|
| First Assistant "B" Camera |
Dominic Napolitano
|
|
| Grip |
Armen Gharagozian
Alex Klabukov
Ray Garcia
Frank A. Montesanto
Coleman L. Hart
|
|
| Dolly Grip |
John W. Murphy
|
|
| Best Boy Grip |
Scott Hillman
|
|
| Second Assistant "B" Camera |
Jennifer Bell
|
|
| Camera Loader |
Cash Cockerill
|
|
| First Assistant "A" Camera |
Jay Levy
|
|
| Art | Assistant Art Director |
Shepherd Frankel
|
| Production Design |
Bob Ziembicki
|
|
| Art Direction |
Ted Berner
|
|
| Set Decoration |
Michael Taylor
|
|
| Set Designer |
Colin De Rouin
|
|
| Construction Coordinator |
Bill Holmquist
|
|
| Art Department Coordinator |
Aimee Rousey
|
|
| Production Illustrator |
Mark Goerner
|
|
| Storyboard Artist |
P.K. MacCarthy
|
|
| Set Dresser |
Chris Fielding
Kinney Booker
Philip Calhoun
|
|
| Location Scout |
James Lennox
|
|
| Property Master |
Kevin Hughes
|
|
| Construction Foreman |
Mark Balda
David Peck
|
|
| Leadman |
Paul Ford
|
|
| Crew | Choreographer |
Adam Shankman
|
| Utility Stunts |
Brad Bovee
Patricia M. Peters
Joey Preston
|
|
| Digital Effects Supervisor |
Jennifer Law-Stump
|
|
| Special Effects Coordinator |
David Waine
|
|
| Unit Publicist |
Eileen Peterson
|
|
| Transportation Co-Captain |
Timothy P. Ryan
James Brown
|
|
| Transportation Coordinator |
Don Tardino
|
|
| Post Production Supervisor |
Claire O'Brien
|
|
| Production Controller |
Paul Prokop
|
|
| Stand In |
Rob McCabe
Courtney Pakiz
|
|
| Stunt Coordinator |
A.J. Nay
|
|
| Craft Service |
John Starr
|
|
| Studio Teacher |
Michael T. Carter
|
|
| Writing | Screenplay |
Hugh Wilson
Bill Kelly
|
| Directing | Director |
Hugh Wilson
|
| First Assistant Director |
Louis D'Esposito
|
|
| Second Assistant Director |
Michael Viglietta
|
|
| Script Supervisor |
Trudy Ramirez
|
|
| Costume & Make-Up | Makeup Department Head |
Ben Nye Jr.
|
| Costume Design |
Mark Bridges
|
|
| Makeup Artist |
Ronnie Specter
Heidi Seeholzer
|
|
| Assistant Costume Designer |
Kimberly Adams
|
|
| Hairstylist |
Tammy Kusian
Beatrice De Alba
Jill Crosby
|
|
| Costume Supervisor |
Bob Morgan
|
|
| Costumer |
Karla Stevens Flanigan
|
|
| Editing | Editor |
Don Brochu
|
| Color Timer |
Bob McMillian
|
|
| Negative Cutter |
Gary Burritt
|
|
| First Assistant Editor |
Erin Michelle Hopkins
Joe Binford Jr.
|
|
| Visual Effects | Special Effects Supervisor |
David Waine
|
| Visual Effects Supervisor |
Ariel Velasco-Shaw
|
|
| Visual Effects Producer |
David Taritero
|
|
| Lighting | Electrician |
Kevin Massey
|
| Gaffer |
Randy Glass
|
|
| Best Boy Electric |
Rick Wilhoit
|
|
| Rigging Gaffer |
Gordon Hayes
|
|
| Department | Role | Name |
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