Ratings
Financials
Revenue: $215,862,692
Budget: $40,000,000
Profit: + $175,862,692
Movie Details
Tag Line: Love Never Dies.
Status: Released
Average Rating: 7
Release Date: Nov 13, 1992
Rating: 1992-11-13
Run Time: 2h 08m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: American Zoetrope , Osiris Films , Columbia Pictures
Sources:
Genres
Keywords
People Rated This
Where to watch Bram Stoker's Dracula
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Synopsis
In 19th century England, Count Dracula travels to London and meets Mina Harker, a young woman who appears as the reincarnation of his lost love.
Crew
Department | Role | Name |
---|---|---|
Directing | Director |
Francis Ford Coppola
|
Second Unit Director |
Roman Coppola
|
|
First Assistant Director |
Peter Giuliano
|
|
Second Assistant Director |
Kate Davey
|
|
Script Supervisor |
Wilma Garscadden-Gahret
|
|
Production | Producer |
Francis Ford Coppola
Fred Fuchs
Charles Mulvehill
|
Executive Producer |
Michael Apted
Robert O'Connor
|
|
Co-Producer |
James V. Hart
John Veitch
|
|
Associate Producer |
Susan Landau Finch
|
|
Unit Production Manager |
Patricia Churchill
|
|
Casting |
Victoria Thomas
|
|
Sound | Original Music Composer |
Wojciech Kilar
|
Sound Designer |
Leslie Shatz
|
|
Supervising Sound Editor |
Tom C. McCarthy
David E. Stone
|
|
Supervising ADR Editor |
David B. Cohn
|
|
Dialogue Editor |
Harry Cheney
John H. Arrufat
Mark R. La Pointe
|
|
ADR Editor |
Linda Folk
John Sisti
|
|
Sound Effects Editor |
Sanford Ponder
Christopher S. Aud
Greg Stewart
David F. Van Slyke
Mark L. Mangino
David Williams
|
|
ADR Mixer |
Jeff Gomillion
|
|
Foley Supervisor |
Mark Gordon
|
|
Foley Editor |
Catt LeBaigue
John F. Reynolds
Cindy Marty
|
|
Foley Mixer |
Jackson Schwartz
|
|
Boom Operator |
George W. Scott
|
|
Sound Re-Recording Mixer |
Leslie Shatz
Marian Wallace
Aaron Rochin
Dennis S. Sands
|
|
Orchestrator |
Wojciech Kilar
|
|
Camera | Director of Photography |
Michael Ballhaus
|
Camera Operator |
David M. Dunlap
|
|
First Assistant Camera |
Florian Ballhaus
|
|
Second Assistant Camera |
Jeffrey Thorin
|
|
Still Photographer |
Ralph Nelson Jr.
|
|
Key Grip |
J. Patrick Daily
|
|
Dolly Grip |
Kent H. Jorgensen
|
|
Editing | Editor |
Anne Goursaud
Nicholas C. Smith
Glen Scantlebury
|
Negative Cutter |
Donah Bassett
|
|
Writing | Novel |
Bram Stoker
|
Screenplay |
James V. Hart
|
|
Art | Conceptual Illustrator |
Mike Mignola
|
Production Design |
Thomas E. Sanders
|
|
Set Decoration |
Garrett Lewis
|
|
Art Direction |
Andrew Precht
|
|
Costume & Make-Up | Costume Design |
Eiko Ishioka
|
Makeup Designer |
Michèle Burke
|
|
Makeup Department Head |
Michèle Burke
|
|
Makeup Artist |
Carol Schwartz
John Blake
|
|
Special Effects Makeup Artist |
Greg Cannom
|
|
Visual Effects | Visual Effects |
Roman Coppola
|
Visual Effects Supervisor |
Alison Savitch
Gene Warren Jr.
|
|
Visual Effects Camera |
Christopher Warren
|
|
Lighting | Chief Lighting Technician |
James R. Tynes
|
Crew | Stand In |
Johnny Knoxville
|
Stunts |
Thomas Rosales Jr.
Tony Epper
Bobby Burns
Bobby Bass
Ray Bickel
R.J. Chambers
Steven Chambers
Hal Burton
Tommy J. Huff
Clint Lilley
Clay M. Lilley
Jimmy Ortega
Mike Watson
Sven-Ole Thorsen
Joey Box
Cisco Valderrama
|
|
Stunt Double |
Michael Lee Baron
|
|
Stunt Coordinator |
William H. Burton Jr.
|
|
Department | Role | Name |