Bull Durham
(1988) Romance is a lot like baseball. It's not whether you win or lose. It's how you play the game. | Released
Ratings
73%
6.7
7.1
97%
Financials
Revenue: $50,888,000
Budget: $7,000,000
Profit: + $43,888,000
Movie Details
Tag Line: Romance is a lot like baseball. It's not whether you win or lose. It's how you play the game.
Status: Released
Average Rating: 7
Release Date: Jun 15, 1988
Rating: R
Run Time: 1h 48m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: The Mount Company , Metro-Goldwyn-Mayer , Orion Pictures
Genres
Keywords
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Synopsis
Veteran catcher Crash Davis is brought to the minor league Durham Bulls to help their up and coming pitching prospect, "Nuke" Laloosh. Their relationship gets off to a rocky start and is further complicated when baseball groupie Annie Savoy sets her sights on the two men.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Bonnie Timmermann
|
| Producer |
Mark Burg
Thom Mount
|
|
| Associate Producer |
Charles Hirschhorn
|
|
| Executive Producer |
David V. Lester
|
|
| Unit Production Manager |
David V. Lester
|
|
| Production Coordinator |
Janice F. Sperling
|
|
| Local Casting |
Karen Standard
|
|
| Camera | Additional Photography |
Charles Minsky
|
| Director of Photography |
Bobby Byrne
|
|
| Second Unit Director of Photography |
Robert Hillman
|
|
| Camera Operator |
Eric Engler
Richard Craig Meinardus
|
|
| Still Photographer |
Joel David Warren
|
|
| First Assistant Camera |
Robert Allan Guernsey
Christian H. Burton
|
|
| Second Assistant Camera |
Perry Adleman
|
|
| Editing | Editor |
Robert Leighton
Adam Weiss
|
| Assistant Editor |
Steven Nevius
Margaret Goodspeed
Celeste Beard
|
|
| Directing | Director |
Ron Shelton
|
| First Assistant Director |
Ric Kidney
|
|
| Second Second Assistant Director |
Donald J. Lee Jr.
|
|
| Second Assistant Director |
Nina K. Noble
|
|
| Second Unit Director |
Eugene Corr
|
|
| Script Supervisor |
Karen Golden
|
|
| Second Unit First Assistant Director |
Ken Goch
|
|
| Writing | Writer |
Ron Shelton
|
| Sound | Original Music Composer |
Michael Convertino
|
| Music Editor |
Ellen Segal
|
|
| Supervising Sound Editor |
Lon Bender
Larry Kemp
|
|
| ADR Mixer |
Alan Holly
|
|
| Sound Re-Recording Mixer |
Robert W. Glass Jr.
Robert Thirlwell
Bob Minkler
|
|
| Foley Artist |
James Moriana
Paul Holzborn
|
|
| Sound Editor |
Kevin Hearst
Wylie Stateman
Lorna Anderson
Dan M. Rich
Lou Kleinman
Jeff Watts
Neal Burger
|
|
| Foley Mixer |
Richard L. Morrison
Jeff Courtie
|
|
| ADR Editor |
Frank Smathers
Stan Gilbert
|
|
| ADR Supervisor |
Devon Heffley Curry
|
|
| Music Supervisor |
Danny Bramson
|
|
| Sound Mixer |
Kirk Francis
David Terry
|
|
| Foley |
Paul Holzborn
|
|
| Assistant Sound Editor |
William Dotson
Scott Warner
|
|
| Boom Operator |
Mychal D. Smith
|
|
| ADR Recordist |
Steve Cohen
David W. Alstadter
|
|
| Foley Recordist |
Steve Cohen
David W. Alstadter
|
|
| Sound Recordist |
Michael Boudry
|
|
| Scoring Mixer |
Paul Brown
|
|
| Art | Production Design |
Armin Ganz
|
| Art Direction |
David Lubin
|
|
| Set Decoration |
Kris Boxell
|
|
| Set Dresser |
Polar Bear Shaw
Robert Beck
Ron Servicky
Kim McClees
|
|
| Construction Coordinator |
Jim Hill
|
|
| Title Designer |
Dan Perri
|
|
| Costume & Make-Up | Costume Design |
Louise Frogley
|
| Hairstylist |
Leslie Ann Anderson
|
|
| Costume Supervisor |
Deborah Latham
|
|
| Costumer |
Alonzo Wilson
Robin Hill
|
|
| Makeup Artist |
Cynthia Barr
|
|
| Key Dresser |
Dwain Wilson
|
|
| Assistant Makeup Artist |
Doreen Van Tyne
|
|
| Seamstress |
Selma F. Hill
|
|
| Crew | Special Effects Technician |
Jeff Hyde
Vern Hyde
|
| Stunt Coordinator |
Webster Whinery
|
|
| Sound Recordist |
Steven B. Cohen
Larry Boudry
|
|
| Scenic Artist |
John A. Kelly
|
|
| Poem |
Walt Whitman
|
|
| Lighting | Gaffer |
John Ferguson
|
| Department | Role | Name |