Corrina, Corrina
(1994) They needed a family. What they got was magic. | Released
Ratings
6.7
6.5
35%
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: They needed a family. What they got was magic.
Status: Released
Average Rating: 7
Release Date: Aug 12, 1994
Rating: PG
Run Time: 1h 55m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: New Line Cinema
Genres
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Synopsis
When Manny Singer's wife dies, his young daughter Molly becomes mute and withdrawn. To help cope with looking after Molly, he hires sassy housekeeper Corrina Washington, who coaxes Molly out of her shell and shows father and daughter a whole new way of life. Manny and Corrina's friendship delights Molly and enrages the other townspeople.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Music |
Thomas Newman
|
| Foley Recordist |
Don Givens
|
|
| Foley Artist |
Zane D. Bruce
Alicia Stevenson
|
|
| ADR Mixer |
Charleen Richards
|
|
| Original Music Composer |
Rick Cox
|
|
| Dialogue Editor |
Lewis Goldstein
James Matheny
Jim Brookshire
Alison Fisher
Kimberly Lambert
|
|
| Music Supervisor |
Bonnie Greenberg
|
|
| Sound Re-Recording Mixer |
Gary Gegan
Matthew Iadarola
|
|
| Boom Operator |
Randall L. Johnson
|
|
| Music Editor |
Will Kaplan
|
|
| ADR Recordist |
Greg Steele
|
|
| Production Sound Mixer |
David Kelson
|
|
| ADR Editor |
Mary Ruth Smith
Darrell Hanzalik
Jeff Watts
|
|
| Supervising Sound Editor |
Steve Richardson
|
|
| Foley Mixer |
David Jobe
|
|
| Assistant Sound Editor |
Catherine Calleson
Paul Silver
Tony Cappelli
|
|
| Supervising Sound Effects Editor |
Joel Valentine
|
|
| Production | Producer |
Steve Tisch
Jessie Nelson
Paula Mazur
|
| Unit Production Manager |
Eric McLeod
|
|
| Line Producer |
Eric McLeod
|
|
| Associate Producer |
Joe Fineman
|
|
| Casting |
Mary Gail Artz
Barbara Cohen
|
|
| Executive Producer |
Bernie Goldmann
Ruth Vitale
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Production Accountant |
Gwen Everman
|
|
| Camera | Director of Photography |
Bruce Surtees
|
| Key Grip |
Charles Saldana
|
|
| Camera Operator |
Geary McLeod
|
|
| Steadicam Operator |
Kirk R. Gardner
|
|
| First Assistant Camera |
Heather Page
|
|
| Still Photographer |
Suzanne Hanover
|
|
| Editing | Editor |
Lee Percy
|
| Additional Editor |
Lynzee Klingman
|
|
| Color Timer |
Mato
|
|
| Directing | Second Assistant Director |
David Minkowski
|
| Director |
Jessie Nelson
|
|
| Script Supervisor |
Benita Brazier
|
|
| First Assistant Director |
Phillip Christon
|
|
| Second Second Assistant Director |
Peggy Hughes
|
|
| Art | Production Design |
Jeannine Oppewall
|
| Art Direction |
Dina Lipton
|
|
| Property Master |
Barbara Benz
|
|
| Set Dresser |
Mike Malone
|
|
| Set Designer |
Louisa Bonnie
|
|
| Construction Foreman |
Steven C. Voll
|
|
| Leadman |
John Maskovich
|
|
| Set Decoration |
Lauren Gabor
|
|
| Construction Coordinator |
Lars Petersen
|
|
| Assistant Property Master |
Michael D'Imperio
|
|
| Writing | Screenplay |
Jessie Nelson
|
| Costume & Make-Up | Makeup Artist |
Deborah La Mia Denaver
|
| Costume Design |
Francine Jamison-Tanchuck
|
|
| Key Makeup Artist |
Michael Germain
|
|
| Key Hair Stylist |
Candy L. Walken
|
|
| Hairstylist |
Julia L. Walker
Michael Pachal
|
|
| Lighting | Best Boy Electric |
Steve Reinhardt
|
| Gaffer |
Alan Brownstein
|
|
| Crew | Stunts |
Ben Scott
Kym Washington Longino
|
| Transportation Coordinator |
Billy G. Arter
|
|
| Department | Role | Name |
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