Ratings
6.7
6.5
35%
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: They needed a family. What they got was magic.
Status: Released
Average Rating: 7
Release Date: Aug 12, 1994
Rating: PG
Run Time: 1h 55m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: New Line Cinema
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Music |
Thomas Newman
|
| Foley Recordist |
Don Givens
|
|
| Foley Artist |
Zane D. Bruce
Alicia Stevenson
|
|
| ADR Mixer |
Charleen Richards
|
|
| Original Music Composer |
Rick Cox
|
|
| Dialogue Editor |
Lewis Goldstein
James Matheny
Jim Brookshire
Alison Fisher
Kimberly Lambert
|
|
| Music Supervisor |
Bonnie Greenberg
|
|
| Sound Re-Recording Mixer |
Gary Gegan
Matthew Iadarola
|
|
| Boom Operator |
Randall L. Johnson
|
|
| Music Editor |
Will Kaplan
|
|
| ADR Recordist |
Greg Steele
|
|
| Production Sound Mixer |
David Kelson
|
|
| ADR Editor |
Mary Ruth Smith
Darrell Hanzalik
Jeff Watts
|
|
| Supervising Sound Editor |
Steve Richardson
|
|
| Foley Mixer |
David Jobe
|
|
| Assistant Sound Editor |
Catherine Calleson
Paul Silver
Tony Cappelli
|
|
| Supervising Sound Effects Editor |
Joel Valentine
|
|
| Production | Producer |
Steve Tisch
Jessie Nelson
Paula Mazur
|
| Unit Production Manager |
Eric McLeod
|
|
| Line Producer |
Eric McLeod
|
|
| Associate Producer |
Joe Fineman
|
|
| Casting |
Mary Gail Artz
Barbara Cohen
|
|
| Executive Producer |
Bernie Goldmann
Ruth Vitale
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Production Accountant |
Gwen Everman
|
|
| Camera | Director of Photography |
Bruce Surtees
|
| Key Grip |
Charles Saldana
|
|
| Camera Operator |
Geary McLeod
|
|
| Steadicam Operator |
Kirk R. Gardner
|
|
| First Assistant Camera |
Heather Page
|
|
| Still Photographer |
Suzanne Hanover
|
|
| Editing | Editor |
Lee Percy
|
| Additional Editor |
Lynzee Klingman
|
|
| Color Timer |
Mato
|
|
| Directing | Second Assistant Director |
David Minkowski
|
| Director |
Jessie Nelson
|
|
| Script Supervisor |
Benita Brazier
|
|
| First Assistant Director |
Phillip Christon
|
|
| Second Second Assistant Director |
Peggy Hughes
|
|
| Art | Production Design |
Jeannine Oppewall
|
| Art Direction |
Dina Lipton
|
|
| Property Master |
Barbara Benz
|
|
| Set Dresser |
Mike Malone
|
|
| Set Designer |
Louisa Bonnie
|
|
| Construction Foreman |
Steven C. Voll
|
|
| Leadman |
John Maskovich
|
|
| Set Decoration |
Lauren Gabor
|
|
| Construction Coordinator |
Lars Petersen
|
|
| Assistant Property Master |
Michael D'Imperio
|
|
| Writing | Screenplay |
Jessie Nelson
|
| Costume & Make-Up | Makeup Artist |
Deborah La Mia Denaver
|
| Costume Design |
Francine Jamison-Tanchuck
|
|
| Key Makeup Artist |
Michael Germain
|
|
| Key Hair Stylist |
Candy L. Walken
|
|
| Hairstylist |
Julia L. Walker
Michael Pachal
|
|
| Lighting | Best Boy Electric |
Steve Reinhardt
|
| Gaffer |
Alan Brownstein
|
|
| Crew | Stunts |
Ben Scott
Kym Washington Longino
|
| Transportation Coordinator |
Billy G. Arter
|
|
| Department | Role | Name |
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