Ratings
Financials
Revenue: $10,686,841
Budget: $20,000,000
Profit: - $-9,313,159
Movie Details
Tag Line: Harry Block wrote a bestseller about his best friends. Now, his best friends are about to become his worst enemies.
Status: Released
Average Rating: 7
Release Date: Dec 12, 1997
Rating: R
Run Time: 1h 36m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Sweetland Films , Jean Doumanian Productions , Magnolia Productions , Fine Line Features
Genres
Keywords
People Rated This
Watch Deconstructing Harry
Stream with a subscription
Purchase (Rent or Buy this movie)
Synopsis
Writer Harry Block draws inspiration from people he knows, and from events that happened to him, sometimes causing these people to become alienated from him as a result.
Crew
Department | Role | Name |
---|---|---|
Production | Casting |
Juliet Taylor
|
Co-Executive Producer |
Letty Aronson
Charles H. Joffe
Jack Rollins
|
|
Casting Associate |
Patricia Kerrigan DiCerto
|
|
Producer |
Jean Doumanian
|
|
Executive Producer |
J.E. Beaucaire
|
|
Co-Producer |
Richard Brick
|
|
Extras Casting |
Fleet Emerson
Sylvia Fay
|
|
Location Assistant |
Marcy Shaffer
Justin Reinsilber
Diane Howells
|
|
Production Secretary |
Michael P. Fox
|
|
Production Coordinator |
Shell Hecht
|
|
Location Manager |
Drew Dillard
|
|
Production Manager |
Charles Darby
|
|
Producer's Assistant |
David DiCerto
|
|
Assistant Production Coordinator |
Bronwen Epstein
|
|
Writing | Screenplay |
Woody Allen
|
Directing | Director |
Woody Allen
|
Script Supervisor |
Kay Chapin
|
|
First Assistant Director |
Richard Patrick
|
|
Second Assistant Director |
Lisa M. Rowe
|
|
Crew | Creative Consultant |
Dennis Muren
|
Key Scenic Artist |
James Sorice
|
|
Production Intern |
Jeremy Strong
|
|
Visual Effects Editor |
Greg Hyman
|
|
Special Effects Coordinator |
John Ottesen
|
|
Post Production Supervisor |
Linda Saffire
|
|
Craft Service |
Joe Facey
|
|
Scenic Artist |
Cliff Schorr
|
|
Projection |
Carl Turnquest
|
|
Transportation Captain |
Edward Iacobelli
|
|
Cableman |
Toussaint Kotright
|
|
Editing | Assistant Editor |
Mark Livolsi
William Kruzykowski
|
Editor |
Susan E. Morse
|
|
Art | Art Direction |
Tom Warren
|
Production Design |
Santo Loquasto
|
|
Location Scout |
Ken Halsband
Tom Yeager
Joseph Zolfo
|
|
Set Decoration |
Elaine O'Donnell
Susan Kaufman
|
|
Construction Coordinator |
Ron Petagna
|
|
Head Carpenter |
Frank Didio
|
|
Property Master |
Peter Gelfman
|
|
Art Department Coordinator |
Glenn Lloyd
|
|
Set Dresser |
Daniel K. Grosso
|
|
Key Construction Grip |
Vincent Guarriello
|
|
Costume & Make-Up | Costume Design |
Suzy Benzinger
|
Hairstylist |
Romaine Greene
Peggy Nicholson
|
|
Makeup Artist |
Margot Boccia
Rosemary Zurlo
|
|
Wardrobe Supervisor |
Kevin P. Faherty
Melissa Stanton
|
|
Assistant Costume Designer |
Juliet Ouyoung
Debra Tennenbaum
Patrick Chevillot
Lars Andersen
|
|
Sound | Supervising Sound Editor |
Robert Hein
|
Foley Editor |
Kam Chan
|
|
Assistant Sound Editor |
Benjamin Cheah
Nancy Allen
David Wahnon
|
|
Foley Artist |
Marko Costanzo
|
|
Sound Re-Recording Mixer |
Lee Dichter
|
|
Boom Operator |
Anthony Ortiz
|
|
Dolby Consultant |
Bradford L. Hohle
|
|
Dialogue Editor |
Sylvia Menno
|
|
Production Sound Mixer |
Les Lazarowitz
|
|
Foley Supervisor |
Bruce Pross
|
|
Camera | Director of Photography |
Carlo Di Palma
|
First Assistant Camera |
Gary Muller
|
|
Still Photographer |
John Clifford
|
|
Camera Operator |
Michael Green
|
|
Key Grip |
Robert Ward
|
|
Second Assistant Camera |
David E. Baron
|
|
Camera Trainee |
A. Lee Morris
|
|
Best Boy Grip |
Edward J. Egan III
|
|
Visual Effects | Digital Compositor |
Greg Maloney
|
Visual Effects Producer |
Camille Geier
|
|
Visual Effects Coordinator |
Janet Lewin
|
|
Visual Effects Supervisor |
Thomas Rosseter
|
|
Rotoscoping Artist |
Cathy Burrow
Tami Carter
Katharine Baird
|
|
Lighting | Best Boy Electric |
Jack Coffen
|
Gaffer |
Michael Proscia Jr.
|
|
Department | Role | Name |