Deep Cover
(1992) There's a thin line between catching a criminal... and becoming one. | Released
Ratings
6.7
6.9
85%
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: There's a thin line between catching a criminal... and becoming one.
Status: Released
Average Rating: 7
Release Date: Apr 15, 1992
Rating: 2021-07-13
Run Time: 1h 48m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Image Organization , New Line Cinema
Genres
Keywords
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Synopsis
Black police officer Russell Stevens applies for a special anti-drug squad which targets the highest boss of cocaine delivery to LA—the Colombian foreign minister's nephew. Russell works his way up from the bottom undercover, until he reaches the boss.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Bill Duke
|
| Second Unit Director |
Greg Wayne Elam
Conrad E. Palmisano
|
|
| First Assistant Director |
Hope R. Goodwin
|
|
| Second Assistant Director |
Sandra M. Middleton
|
|
| Second Second Assistant Director |
Robert Scott
|
|
| Second Unit First Assistant Director |
Willie E. Simmons, Jr.
|
|
| Additional Second Assistant Director |
Warren R. Turner
|
|
| Production | Casting |
Kimberly Hardin
Chemin Sylvia Bernard
|
| Producer |
Pierre David
Henry Bean
|
|
| Co-Producer |
Deborah Moore
|
|
| Associate Producer |
Ron Stacker Thompson
|
|
| Co-Executive Producer |
Michael De Luca
|
|
| Executive Producer |
David Streit
|
|
| Unit Production Manager |
Margaret E. Fannin
|
|
| Executive In Charge Of Post Production |
Joe Fineman
|
|
| Executive In Charge Of Production |
Cindy Hornickel
|
|
| Editing | Editor |
John Carter
|
| Art | Art Direction |
Daniel Bickel
|
| Production Design |
Pamela B. Warner
|
|
| Set Decoration |
Donald Elmblad
|
|
| Title Designer |
Dan Perri
|
|
| Construction Coordinator |
Daniel Bickel
|
|
| Art Department Coordinator |
Chris Carriveau
|
|
| Leadman |
Christopher Harwood
|
|
| Storyboard Artist |
Darryl Henley
|
|
| Construction Foreman |
John McFarlane
|
|
| Property Master |
Jeffrey Moore
|
|
| Writing | Screenplay |
Henry Bean
Michael Tolkin
|
| Story |
Michael Tolkin
|
|
| Costume & Make-Up | Costume Design |
Arline Burks Gant
|
| Hairstylist |
Fay Kelly
Erma Kent
Ann Wadlington
Kenneth Walker
Shaka Ken Walter
|
|
| Hair Assistant |
Barrie Buckner
|
|
| Assistant Makeup Artist |
Barrie Buckner
Douglas Noe
|
|
| Key Makeup Artist |
Suzanne Parker Sanders
|
|
| Camera | Still Photographer |
Joel David Warren
|
| Director of Photography |
Bojan Bazelli
|
|
| Sound | Original Music Composer |
Michel Colombier
|
| Foley Artist |
Gregg Barbanell
Vince Nicastro
|
|
| Supervising Sound Editor |
Brad Blake
|
|
| Sound Designer |
Harry Cohen
|
|
| Sound Effects Editor |
Harry Cohen
Lewis Goldstein
Peter J. Lehman
Ann Scibelli
|
|
| Supervising Dialogue Editor |
Richard Corwin
|
|
| Dolby Consultant |
Thom 'Coach' Ehle
|
|
| ADR Recordist |
William Freesh
|
|
| Sound Editor |
Tim Gedemer
Cathie Speakman
|
|
| Foley Mixer |
Brian Geer
|
|
| Boom Operator |
Paul Vik Marshall
|
|
| ADR Mixer |
Terry O'Bright
|
|
| Sound Mixer |
Terry O'Bright
|
|
| Assistant Sound Editor |
Mark Petersen
|
|
| Sound Re-Recording Mixer |
Ken S. Polk
Ken Teaney
|
|
| Production Sound Mixer |
Tony Smyles
|
|
| Additional Production Sound Mixer |
Aletha Rodgers
|
|
| Crew | Makeup Effects |
Suzanne Parker Sanders
|
| Post Production Supervisor |
Pamela Winn-Barnett
|
|
| Special Effects Assistant |
Mark R. Byers
Gary Jones
|
|
| Special Effects Coordinator |
Frank Ceglia
|
|
| Stunts |
Steven Lambert
Alisa Christensen
Bob Minor
Thomas Rosales Jr.
Eugene Collier
Mary Peters
Barbara Anne Klein
Henry Kingi
Tony Brubaker
Sonja Davis
Conrad E. Palmisano
Steve Kelso
|
|
| Department | Role | Name |
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