Ratings
6.8
6.9
85%
Financials
Revenue: $16,600,000
Budget: $8,000,000
Profit: + $8,600,000
Movie Details
Tag Line: There's a thin line between catching a criminal... and becoming one.
Status: Released
Average Rating: 7
Release Date: Apr 15, 1992
Rating: 2021-07-13
Run Time: 1h 48m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Image Organization , New Line Cinema
Sources:
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Bill Duke
|
| Second Unit Director |
Greg Wayne Elam
Conrad E. Palmisano
|
|
| First Assistant Director |
Hope R. Goodwin
|
|
| Second Assistant Director |
Sandra M. Middleton
|
|
| Second Second Assistant Director |
Robert Scott
|
|
| Second Unit First Assistant Director |
Willie E. Simmons, Jr.
|
|
| Additional Second Assistant Director |
Warren R. Turner
|
|
| Production | Casting |
Kimberly Hardin
Chemin Sylvia Bernard
|
| Producer |
Henry Bean
Pierre David
|
|
| Co-Producer |
Deborah Moore
|
|
| Co-Executive Producer |
Michael De Luca
|
|
| Associate Producer |
Ron Stacker Thompson
|
|
| Executive Producer |
David Streit
|
|
| Unit Production Manager |
Margaret E. Fannin
|
|
| Executive In Charge Of Post Production |
Joe Fineman
|
|
| Executive In Charge Of Production |
Cindy Hornickel
|
|
| Editing | Editor |
John Carter
|
| Writing | Screenplay |
Henry Bean
Michael Tolkin
|
| Story |
Michael Tolkin
|
|
| Art | Production Design |
Pamela B. Warner
|
| Art Direction |
Daniel Bickel
|
|
| Set Decoration |
Donald Elmblad
|
|
| Title Designer |
Dan Perri
|
|
| Construction Coordinator |
Daniel Bickel
|
|
| Art Department Coordinator |
Chris Carriveau
|
|
| Leadman |
Christopher Harwood
|
|
| Storyboard Artist |
Darryl Henley
|
|
| Construction Foreman |
John McFarlane
|
|
| Property Master |
Jeffrey Moore
|
|
| Costume & Make-Up | Costume Design |
Arline Burks Gant
|
| Hairstylist |
Fay Kelly
Erma Kent
Ann Wadlington
Kenneth Walker
Shaka Ken Walter
|
|
| Hair Assistant |
Barrie Buckner
|
|
| Assistant Makeup Artist |
Barrie Buckner
Douglas Noe
|
|
| Key Makeup Artist |
Suzanne Parker Sanders
|
|
| Camera | Still Photographer |
Joel David Warren
|
| Director of Photography |
Bojan Bazelli
|
|
| Sound | Original Music Composer |
Michel Colombier
|
| Foley Artist |
Gregg Barbanell
Vince Nicastro
|
|
| Supervising Sound Editor |
Brad Blake
|
|
| Sound Designer |
Harry Cohen
|
|
| Sound Effects Editor |
Harry Cohen
Lewis Goldstein
Peter J. Lehman
Ann Scibelli
|
|
| Supervising Dialogue Editor |
Richard Corwin
|
|
| Dolby Consultant |
Thom 'Coach' Ehle
|
|
| ADR Recordist |
William Freesh
|
|
| Sound Editor |
Tim Gedemer
Cathie Speakman
|
|
| Foley Mixer |
Brian Geer
|
|
| Boom Operator |
Paul Vik Marshall
|
|
| ADR Mixer |
Terry O'Bright
|
|
| Sound Mixer |
Terry O'Bright
|
|
| Assistant Sound Editor |
Mark Petersen
|
|
| Sound Re-Recording Mixer |
Ken S. Polk
Ken Teaney
|
|
| Production Sound Mixer |
Tony Smyles
|
|
| Additional Production Sound Mixer |
Aletha Rodgers
|
|
| Crew | Makeup Effects |
Suzanne Parker Sanders
|
| Post Production Supervisor |
Pamela Winn-Barnett
|
|
| Special Effects Assistant |
Mark R. Byers
Gary Jones
|
|
| Special Effects Coordinator |
Frank Ceglia
|
|
| Stunts |
Steven Lambert
Alisa Christensen
Bob Minor
Thomas Rosales Jr.
Eugene Collier
Mary Peters
Barbara Anne Klein
Henry Kingi
Tony Brubaker
Sonja Davis
Conrad E. Palmisano
Steve Kelso
Tom Morga
|
|
| Department | Role | Name |
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