Dolores Claiborne
(1995) Sometimes, an accident can be an unhappy woman's best friend. | Released
Ratings
62%
7.2
7.4
83%
Financials
Revenue: $46,400,000
Budget: $13,000,000
Profit: + $33,400,000
Movie Details
Tag Line: Sometimes, an accident can be an unhappy woman's best friend.
Status: Released
Average Rating: 7
Release Date: Mar 24, 1995
Rating: R
Run Time: 2h 12m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Castle Rock Entertainment , Columbia Pictures
Genres
Keywords
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Synopsis
Dolores Claiborne was accused of killing her abusive husband twenty years ago, but the court's findings were inconclusive and she was allowed to walk free. Now she has been accused of killing her employer, Vera Donovan, and this time there is a witness who can place her at the scene of the crime. Things look bad for Dolores when her daughter Selena, a successful Manhattan magazine writer, returns to cover the story.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Original Music Composer |
Danny Elfman
|
| Sound Re-Recording Mixer |
Richard Portman
Gary C. Bourgeois
|
|
| ADR Mixer |
Doc Kane
|
|
| Foley Mixer |
Marilyn Graf
|
|
| Music Editor |
Curt Sobel
|
|
| Foley Artist |
Vanessa Theme Ament
Hilda Hodges
|
|
| Boom Operator |
John Fundus
|
|
| ADR Editor |
Julia Evershade
Thomas Whiting
|
|
| Sound Effects Editor |
Paul Timothy Carden
Curt Schulkey
Elliott Koretz
Michael J. Benavente
William Jacobs
|
|
| Foley Editor |
Ed Callahan
|
|
| Supervising Sound Editor |
David E. Stone
|
|
| Production Sound Mixer |
Glen Gauthier
|
|
| Assistant Sound Editor |
Oscar Mitt
Sonny Pettijohn
Courtenay Marvin
|
|
| Music Consultant |
Arlene Fishbach
|
|
| Foley Recordist |
Roberta Alstadter
|
|
| Editing | Editor |
Mark Warner
|
| Assistant Editor |
Steven Ramirez
Ray Neapolitan
Vaune Kirby Frechette
|
|
| Color Timer |
Bob Kaiser
|
|
| Negative Cutter |
Mo Henry
|
|
| Writing | Novel |
Stephen King
|
| Screenplay |
Tony Gilroy
|
|
| Production | Producer |
Charles Mulvehill
Taylor Hackford
|
| Casting |
Nancy Klopper
|
|
| Production Manager |
Joseph Boccia
|
|
| Casting Associate |
Stacey Rosen
|
|
| Location Manager |
Debra Beers
Gary Swim
|
|
| Production Coordinator |
Gina Fowler
|
|
| Assistant Location Manager |
Andrew McInnes
|
|
| Production Accountant |
K. Lenna Katich
|
|
| Art | Production Design |
Bruno Rubeo
|
| Art Direction |
Dan Yarhi
|
|
| Set Decoration |
Steve Shewchuk
|
|
| Greensman |
Stephanie Waldron
|
|
| Property Master |
Grant Swain
|
|
| Assistant Property Master |
Dean Eilertson
|
|
| Assistant Set Decoration |
Patricia Larman
|
|
| First Assistant Art Direction |
Angela Murphy
|
|
| Art Department Trainee |
Darlene Shiels
|
|
| Directing | First Assistant Director |
Josh McLaglen
|
| Director |
Taylor Hackford
|
|
| Third Assistant Director |
Lars P. Winther
|
|
| Script Supervisor |
Shelley Crawford
|
|
| Second Second Assistant Director |
Kristie Sills
|
|
| Costume & Make-Up | Costume Design |
Shay Cunliffe
|
| Hairstylist |
Aldo Signoretti
Réjean Goderre
|
|
| Makeup Artist |
Micheline Trépanier
|
|
| Camera | Director of Photography |
Gabriel Beristain
|
| Camera Operator |
Freddie Cooper
|
|
| Still Photographer |
John Clifford
|
|
| First Assistant Camera |
Tony Guerin
Michael Hall
|
|
| Steadicam Operator |
Jeff Mart
|
|
| Second Assistant Camera |
Ciaran Copelin
|
|
| Crew | Stunt Coordinator |
Gary Davis
|
| Stunts |
Shelley Cook
Ron Van Hart
Sammy Thurman
|
|
| Dialect Coach |
Elizabeth Himelstein
|
|
| Lighting | Gaffer |
Vojislav Mikulic
|
| Key Rigging Grip |
Matthew Pill
|
|
| Department | Role | Name |