Ratings
Financials
Revenue: $103,100,000
Budget: $35,000,000
Profit: + $68,100,000
Movie Details
Tag Line: Some in-laws were made to be broken.
Status: Released
Average Rating: 6
Release Date: Mar 25, 2005
Rating: 2005-03-25
Run Time: 1h 45m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Columbia Pictures , Regency Enterprises , 3 Arts Entertainment , Tall Trees Productions , Katalyst Films
Sources:
Genres
Keywords
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Synopsis
When a young African-American woman brings her fiancé home to meet her parents, she's neglected to mention one tiny detail - he's white.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Kevin Rodney Sullivan
|
| Second Second Assistant Director |
Jackie C. Lee
|
|
| First Assistant Director |
Jono Oliver
|
|
| Script Supervisor |
Rebecca Robertson
|
|
| Writing | Screenplay |
David Ronn
Peter Tolan
Jay Scherick
|
| Story |
Jay Scherick
David Ronn
|
|
| Production | Producer |
Jason Goldberg
Jenno Topping
Erwin Stoff
|
| Executive Producer |
Steve Greener
Betty Thomas
Joseph M. Caracciolo
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Production Supervisor |
David J. Grant
|
|
| Unit Production Manager |
Joseph M. Caracciolo
|
|
| Sound | Original Music Composer |
John Murphy
|
| Boom Operator |
Raul A. Bruce
|
|
| Sound Re-Recording Mixer |
Kevin O'Connell
Greg P. Russell
|
|
| ADR Mixer |
Howard London
|
|
| Music Editor |
Richard Whitfield
Stephanie Lowry
|
|
| Supervising Sound Editor |
Steven D. Williams
|
|
| Production Sound Mixer |
Douglas B. Arnold
|
|
| Editing | Editor |
Paul Seydor
|
| Negative Cutter |
Mo Henry
|
|
| Color Timer |
Michael Hatzer
|
|
| Camera | Director of Photography |
Karl Walter Lindenlaub
|
| First Assistant "A" Camera |
Tommy Klines
|
|
| "A" Camera Operator |
Gregory Lundsgaard
|
|
| Best Boy Grip |
Sammy Escobar
|
|
| First Assistant "B" Camera |
Thomas Lappin
|
|
| Key Grip |
Loren Corl
|
|
| Dolly Grip |
William D. Wynn
|
|
| Steadicam Operator |
Gregory Lundsgaard
|
|
| "B" Camera Operator |
Dino Parks
|
|
| Still Photographer |
Claudette Barius
|
|
| Art | Property Master |
Will Blount
|
| Set Designer |
Sally Thornton
Bill Taliaferro
|
|
| Assistant Art Director |
Dennis Bradford
|
|
| Construction Coordinator |
Jim Ondrejko
|
|
| Art Department Coordinator |
Francine Byrne
|
|
| Production Design |
Paul Peters
|
|
| Set Decoration |
Kathryn Peters-Cardinale
|
|
| Art Direction |
Gary Kosko
|
|
| Crew | Unit Publicist |
Carol McConnaughey
|
| Video Assist Operator |
David Presley
|
|
| Special Effects Coordinator |
Kelly Kerby
|
|
| Choreographer |
Marguerite Pomerhn Derricks
|
|
| Stunts |
Eugene Collier
Chris Palermo
|
|
| Stunt Coordinator |
Eddie L. Watkins
|
|
| Lighting | Chief Lighting Technician |
Dan Riffel
|
| Assistant Chief Lighting Technician |
Raymond Gonzales
|
|
| Costume & Make-Up | Key Makeup Artist |
Carme Tenuta
|
| Makeup Artist |
Tracey Levy
Vonda K. Morris
|
|
| Key Hair Stylist |
Carla Farmer
|
|
| Key Costumer |
Carrie Bauer
|
|
| Hairstylist |
Teressia Carter
|
|
| Costume Supervisor |
Winnie D. Brown
|
|
| Costume Design |
Judy L. Ruskin
|
|
| Makeup Department Head |
Laini Thompson
|
|
| Hair Department Head |
Edward Morrison
|
|
| Department | Role | Name |






