Ratings
36%
5.8
5.8
28%
Financials
Revenue: $19,900,000
Budget: $70,000,000
Profit: - $-50,100,000
Movie Details
Tag Line: A simple plan. An instant fortune. Just add water.
Status: Released
Average Rating: 6
Release Date: Jan 16, 1998
Rating: 1998-01-16
Run Time: 1h 37m
Original Language: English
Website: -
Production Countries: Denmark , France , Germany , Japan , United Kingdom , United States of America
Production Companies: UGC PH , Marubeni , Mutual Film Company , Paramount Pictures , PolyGram Filmed Entertainment , Stargate Studios , TOHO-TOWA , BBC , Tele München
Sources:
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Mikael Salomon
|
| Assistant Director |
Matt Earl Beesley
|
|
| Script Supervisor |
Mary Anne Seward
|
|
| Second Assistant Director |
Ken Paull
|
|
| Second Second Assistant Director |
Nancy Blewer
|
|
| Second Unit Director |
Ken Arlidge
|
|
| Writing | Screenplay |
Graham Yost
|
| Production | Producer |
Gary Levinsohn
Art Levinson
Ian Bryce
Mark Gordon
|
| Executive Producer |
Allison Lyon Segan
|
|
| Co-Producer |
Christian Slater
|
|
| Casting |
Risa Bramon Garcia
Randi Hiller
|
|
| Location Manager |
James McCabe
|
|
| Production Coordinator |
Kathy Draper
|
|
| Production Manager |
Art Levinson
|
|
| Location Assistant |
Kristina Findley
|
|
| Assistant Production Coordinator |
Tony Patterson
|
|
| Extras Casting |
Jennifer Bender
|
|
| First Assistant Accountant |
Nicki McCain
|
|
| Payroll Accountant |
Karen Scarborough
|
|
| Production Assistant |
Q. DeChambres
|
|
| Production Secretary |
Rick Osako
|
|
| Sound | Original Music Composer |
Christopher Young
|
| Sound Recordist |
Philip Rogers
|
|
| Boom Operator |
Nicholas R. Allen
|
|
| Assistant Sound Editor |
Damon Cohoon
|
|
| Foley |
Scott Curtis
|
|
| Music Editor |
Charles Martin Inouye
|
|
| Orchestrator |
Pete Anthony
|
|
| Production Sound Mixer |
Lee Orloff
|
|
| Sound Designer |
Sandy Berman
|
|
| Sound Effects Editor |
Randle Akerson
|
|
| Supervising Sound Editor |
Sandy Berman
|
|
| Sound |
Tom Ketterer
|
|
| ADR Editor |
John Benson
|
|
| ADR Mixer |
Scott Jones
|
|
| Foley Mixer |
Randy Singer
|
|
| Foley Supervisor |
Christopher Flick
|
|
| Supervising ADR Editor |
Robert Ulrich
|
|
| Supervising Dialogue Editor |
Mike Szakmeister
|
|
| Conductor |
Pete Anthony
|
|
| Music Arranger |
Chris Boardman
|
|
| Supervising Music Editor |
Thomas Milano
|
|
| Camera | Director of Photography |
Peter Menzies Jr.
|
| Camera Operator |
Joseph V. Cicio
|
|
| First Assistant Camera |
Richard Mosier
|
|
| Key Grip |
Tony Whitman
|
|
| Grip |
Eli Golub
|
|
| Aerial Camera |
Dylan Goss
|
|
| Steadicam Operator |
Robert Presley
|
|
| Still Photographer |
Richard Foreman Jr.
|
|
| Assistant Camera |
John-Paul Beeghly
|
|
| Editing | Editor |
Amnon David
Paul Hirsch
Gillian L. Hutshing
|
| Color Timer |
Dennis McNeill
|
|
| Dialogue Editor |
Mark L. Mangino
|
|
| Colorist |
Bryan McMahan
|
|
| Negative Cutter |
Theresa Repola Mohammed
|
|
| Crew | Stunts |
Danny Epper
Paul E. Short
Mickey Giacomazzi
Eric Armao
Jophery C. Brown
|
| CG Supervisor |
Michael Kory
|
|
| Driver |
Robert Gaskill
|
|
| Post Production Supervisor |
Michael J. Harker
|
|
| Propmaker |
Kon Iliov
Tony R. Medina
|
|
| Scenic Artist |
Rick McLean
|
|
| Set Medic |
Mark Gerald
|
|
| Set Production Assistant |
Andrew Ward
|
|
| Special Effects Coordinator |
Jim Schwalm
|
|
| Stunt Coordinator |
Jeff Habberstad
|
|
| Technical Supervisor |
Jerry Tessendorf
|
|
| Unit Publicist |
Michael Hansen
|
|
| Video Assist Operator |
Michael J. Hogan
|
|
| Visual Effects Editor |
Bill Black
|
|
| Stunt Double |
Anita Hart
Talia Botone
|
|
| Special Effects Technician |
Taylor Ball
|
|
| Aerial Coordinator |
Robert 'Bobby Z' Zajonc
|
|
| Art | Production Design |
J. Michael Riva
|
| Supervising Art Director |
David F. Klassen
|
|
| Art Direction |
Richard F. Mays
|
|
| Set Decoration |
Ronald R. Reiss
|
|
| Construction Coordinator |
Terry Scott
|
|
| Greensman |
Tony Castagnola
|
|
| Lead Painter |
David Goldstein
|
|
| Leadman |
William S. Maxwell III
|
|
| Painter |
Jonathan Mikita
|
|
| Set Designer |
Charisse Cardenas
|
|
| Property Master |
Charles Stewart
|
|
| Set Dresser |
Glen Kennedy
|
|
| Assistant Property Master |
John Markovich
|
|
| Storyboard Artist |
Matt Busch
|
|
| Costume & Make-Up | Costume Design |
Kathleen Detoro
|
| Hairstylist |
Colleen Callaghan
|
|
| Set Costumer |
Tom Cummins
|
|
| Set Dressing Artist |
Jim Husbands
|
|
| Costume Assistant |
Patrick Guzzo
|
|
| Lighting | Best Boy Electric |
Simone Perusse
|
| Electrician |
Mike Gerzevitz
|
|
| Gaffer |
Dwight Campbell
|
|
| Lighting Technician |
Kevin Brown
|
|
| Rigging Gaffer |
Dennis J. Lootens
|
|
| Rigging Grip |
John S. Campbell
|
|
| Key Rigging Grip |
Damon Doherty
|
|
| Visual Effects | 3D Animator |
Tim Ketzer
|
| Digital Compositors |
John Cornejo
|
|
| Special Effects Supervisor |
John Frazier
|
|
| Visual Effects Coordinator |
Chris Anderson
|
|
| Visual Effects Producer |
Mitzi Casida-Jones
|
|
| Visual Effects Supervisor |
Ed Jones
|
|
| Compositing Supervisor |
James Valentine
|
|
| Rotoscoping Artist |
Karen Klein
|
|
| Department | Role | Name |
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