In Time
(2011) Live forever or die trying. | Released
Ratings
53%
7
6.7
36%
Financials
Revenue: $173,900,000
Budget: $40,000,000
Profit: + $133,900,000
Movie Details
Tag Line: Live forever or die trying.
Status: Released
Average Rating: 7
Release Date: Oct 27, 2011
Rating: 2012-01-31
Run Time: 1h 49m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: New Regency Pictures , Strike Entertainment
Sources:
Genres
Keywords
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Where to watch In Time
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Synopsis
In the not-too-distant future, the aging gene has been switched off. To avoid overpopulation, time has become the currency and the way people pay for luxuries and necessities. The rich can live forever, while the rest try to negotiate for their immortality. A poor young man who comes into a fortune of time is too late to help his mother from dying. He ends up on the run from a corrupt police force known as the "time keepers".
Crew
| Department | Role | Name |
|---|---|---|
| Costume & Make-Up | Costume Design |
Colleen Atwood
|
| Makeup Department Head |
Michelle Vittone
|
|
| Makeup Artist |
Tracy Manzo
Julie Kristy
Debra Coleman
|
|
| Costume Supervisor |
Cheryl Beasley Blackwell
|
|
| Hairstylist |
Katrina Chevalier
Maggie Hayes-Jackson
Candace Neal
|
|
| Assistant Costume Designer |
Christine L. Cantella
|
|
| Key Costumer |
Carrie Arakaki
|
|
| Key Set Costumer |
Donna O'Neal
|
|
| Set Costumer |
Shelli Nishino
Jay Cheng
Kanani Wolf
|
|
| Hair Department Head |
Terry Baliel
|
|
| Sound | Original Music Composer |
Craig Armstrong
|
| Production Sound Mixer |
Ed Novick
|
|
| Boom Operator |
Knox White
|
|
| Utility Sound |
Christopher Walmer
|
|
| Supervising Sound Editor |
Richard King
Michael Babcock
|
|
| Sound Re-Recording Mixer |
Paul Massey
David Giammarco
|
|
| First Assistant Sound Editor |
Linda Yeaney
|
|
| Assistant Sound Editor |
Andrew Bock
|
|
| Sound Effects Editor |
Jeff Sawyer
Odin Benitez
Paul Berolzheimer
Roland N. Thai
|
|
| ADR Supervisor |
Jessica Gallavan
|
|
| Dialogue Editor |
Kira Roessler
|
|
| Foley Supervisor |
Christopher Flick
Bruce Tanis
|
|
| Foley Artist |
Alyson Dee Moore
John Roesch
David Lee Fein
Hilda Hodges
|
|
| Foley Mixer |
Mary Jo Lang
David Jobe
|
|
| ADR Mixer |
Thomas J. O'Connell
|
|
| ADR Recordist |
Rick Canelli
|
|
| Additional Sound Re-Recording Mixer |
Michael Babcock
|
|
| Dolby Consultant |
James Wright
|
|
| Music Consultant |
Gary Calamar
|
|
| Music Editor |
Zigmund Gron
|
|
| Production | Executive Producer |
Andrew Z. Davis
Amy Israel
Kristel Laiblin
Arnon Milchan
Hutch Parker
|
| Casting |
Denise Chamian
|
|
| Producer |
Marc Abraham
Andrew Niccol
Eric Newman
|
|
| Co-Producer |
Debra James
|
|
| Unit Production Manager |
Debra James
|
|
| Location Manager |
John Panzarella
|
|
| Assistant Location Manager |
S. Dylan Kirkland
|
|
| Production Coordinator |
Paul LaZebnik
|
|
| Production Accountant |
Michael DeSantis
|
|
| First Assistant Accountant |
Michelle Stevens
|
|
| Payroll Accountant |
Alan Kilmer
|
|
| Second Assistant Accountant |
David Bojarski
|
|
| Casting Associate |
Ania O'Hare
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Editing | Editor |
Zach Staenberg
|
| First Assistant Editor |
Tony Bacigalupi
|
|
| Digital Intermediate Editor |
Martha Pike
|
|
| Color Timer |
George Chavez
|
|
| Project Manager |
Ainslie Thomas
|
|
| Directing | Director |
Andrew Niccol
|
| Script Supervisor |
Wilma Garscadden-Gahret
|
|
| First Assistant Director |
Lars P. Winther
|
|
| Second Assistant Director |
Greg Hale
|
|
| Second Second Assistant Director |
Renee Hill-Sweet
Kristina M. Peterson
|
|
| Second Unit Director |
David Leitch
|
|
| Art | Production Design |
Alex McDowell
|
| Art Direction |
Todd Cherniawsky
Vlad Bina
Chris Farmer
Priscilla Elliott
|
|
| Set Decoration |
Karen O'Hara
|
|
| Art Department Coordinator |
Andrea Carter
|
|
| Leadman |
Joel Prihoda
|
|
| Production Illustrator |
Igor Knežević
|
|
| Graphic Designer |
Martin Charles
|
|
| Property Master |
Eugene McCarthy
|
|
| Assistant Property Master |
Ian Kay
John Herrera McElroy
|
|
| Set Decorating Coordinator |
Darlene Salinas
|
|
| Set Dresser |
John Markovich
Gregory Byrne
Art Shippee
Anne Marie Hamill
Christopher Williamson
|
|
| Construction Coordinator |
Bill Holmquist
|
|
| Title Designer |
Ahmet Ahmet
|
|
| Storyboard Artist |
Todd Harris
|
|
| Writing | Screenplay |
Andrew Niccol
|
| Camera | Director of Photography |
Roger Deakins
|
| "B" Camera Operator |
Bela Trutz
|
|
| Steadicam Operator |
Bela Trutz
|
|
| First Assistant "A" Camera |
Andy Harris
|
|
| First Assistant "B" Camera |
Harry Zimmerman
|
|
| Second Assistant "A" Camera |
Matthew Haskins
|
|
| Second Assistant "B" Camera |
Liza Bambenek
|
|
| Camera Loader |
Jessica Ramos
|
|
| Still Photographer |
Stephen Vaughan
|
|
| Key Grip |
Ray Garcia
|
|
| Best Boy Grip |
Rod Farley
|
|
| Dolly Grip |
Bruce Hamme
|
|
| Second Unit Director of Photography |
Paul Hughen
|
|
| Visual Effects | Visual Effects Supervisor |
Dottie Starling
Ellen Somers
|
| Visual Effects Producer |
Ellen Somers
|
|
| Special Effects Supervisor |
Matt Sweeney
|
|
| Crew | Stunts |
Tad Griffith
Jared S. Eddo
Debbie Evans
Oakley Lehman
Billy D. Lucas
Danny Wynands
Zack Duhame
Jeremy Fry
|
| Stunt Coordinator |
David Leitch
|
|
| Armorer |
Ian Kay
|
|
| Unit Publicist |
Guy Adan
|
|
| Video Assist Operator |
Jesse Olivares
|
|
| Transportation Coordinator |
Ted Moser
|
|
| Picture Car Coordinator |
Ted Moser
|
|
| Transportation Captain |
Rick Davis
|
|
| Craft Service |
Willie Radcliff
|
|
| Post Production Supervisor |
Bradley M. Goodman
|
|
| Stunt Double |
Heidi Moneymaker
Renae Moneymaker
|
|
| Stunt Driver |
Chris Palermo
Clay Cullen
Allan Padelford
|
|
| Utility Stunts |
Michelle Rose
Shauna Galligan
|
|
| Lighting | Gaffer |
Chris Napolitano
|
| Best Boy Electric |
Robert B. Dechellis
|
|
| Rigging Gaffer |
R. Michael De Chellis
|
|
| Key Rigging Grip |
Blake Pike
|
|
| Department | Role | Name |