Ratings
Financials
Revenue: $173,900,000
Budget: $40,000,000
Profit: + $133,900,000
Movie Details
Tag Line: Live forever or die trying.
Status: Released
Average Rating: 7
Release Date: Oct 27, 2011
Rating: PG-13
Run Time: 1h 49m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: New Regency Pictures , Strike Entertainment
Genres
Keywords
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Synopsis
In the not-too-distant future, the aging gene has been switched off. To avoid overpopulation, time has become the currency and the way people pay for luxuries and necessities. The rich can live forever, while the rest try to negotiate for their immortality. A poor young man who comes into a fortune of time is too late to help his mother from dying. He ends up on the run from a corrupt police force known as the "time keepers".
Crew
Department | Role | Name |
---|---|---|
Camera | Director of Photography |
Roger Deakins
|
Second Unit Director of Photography |
Paul Hughen
|
|
Dolly Grip |
Bruce Hamme
|
|
Still Photographer |
Stephen Vaughan
|
|
First Assistant "B" Camera |
Harry Zimmerman
|
|
Second Assistant "A" Camera |
Matthew Haskins
|
|
Steadicam Operator |
Bela Trutz
|
|
"B" Camera Operator |
Bela Trutz
|
|
First Assistant "A" Camera |
Andy Harris
|
|
Best Boy Grip |
Rod Farley
|
|
Second Assistant "B" Camera |
Liza Bambenek
|
|
Key Grip |
Ray Garcia
|
|
Camera Loader |
Jessica Ramos
|
|
Production | Casting |
Denise Chamian
|
Executive Producer |
Arnon Milchan
Andrew Z. Davis
Hutch Parker
Amy Israel
Kristel Laiblin
|
|
Unit Production Manager |
Debra James
|
|
Co-Producer |
Debra James
|
|
Producer |
Andrew Niccol
Marc Abraham
Eric Newman
|
|
Location Manager |
John Panzarella
|
|
ADR Voice Casting |
Barbara Harris
|
|
Casting Associate |
Ania Kamieniecki-O'Hare
|
|
Production Accountant |
Michael DeSantis
|
|
Payroll Accountant |
Alan Kilmer
|
|
First Assistant Accountant |
Michelle Stevens
|
|
Production Coordinator |
Paul LaZebnik
|
|
Assistant Location Manager |
S. Dylan Kirkland
|
|
Second Assistant Accountant |
David Bojarski
|
|
Costume & Make-Up | Costume Design |
Colleen Atwood
|
Key Set Costumer |
Donna O'Neal
|
|
Hair Department Head |
Terry Baliel
|
|
Costume Supervisor |
Cheryl Beasley Blackwell
|
|
Makeup Department Head |
Michelle Vittone
|
|
Set Costumer |
Kanani Wolf
Jay Cheng
Shelli Nishino
|
|
Hairstylist |
Candace Neal
Maggie Hayes-Jackson
Katrina Chevalier
|
|
Key Costumer |
Carrie Arakaki
|
|
Assistant Costume Designer |
Christine L. Cantella
|
|
Makeup Artist |
Tracy Manzo
Julie Kristy
Debra Coleman
|
|
Art | Production Design |
Alex McDowell
|
Set Decoration |
Karen O'Hara
|
|
Art Direction |
Chris Farmer
Todd Cherniawsky
Priscilla Elliott
Vlad Bina
|
|
Property Master |
Eugene McCarthy
|
|
Construction Coordinator |
Bill Holmquist
|
|
Art Department Coordinator |
Andrea Carter
|
|
Set Decorating Coordinator |
Darlene Salinas
|
|
Assistant Property Master |
Ian Kay
John Herrera McElroy
|
|
Set Dresser |
Gregory Byrne
John Markovich
Art Shippee
Anne Marie Hamill
Christopher Williamson
|
|
Title Designer |
Ahmet Ahmet
|
|
Leadman |
Joel Prihoda
|
|
Graphic Designer |
Martin Charles
|
|
Production Illustrator |
Igor Knežević
|
|
Editing | Editor |
Zach Staenberg
|
Color Timer |
George Chavez
|
|
Digital Intermediate Editor |
Martha Pike
|
|
First Assistant Editor |
Tony Bacigalupi
|
|
Project Manager |
Ainslie Thomas
|
|
Sound | Original Music Composer |
Craig Armstrong
|
Music Editor |
Zigmund Gron
|
|
Sound Effects Editor |
Roland N. Thai
Odin Benitez
Paul Berolzheimer
Jeff Sawyer
|
|
Sound Re-Recording Mixer |
David Giammarco
Paul Massey
|
|
ADR Recordist |
Rick Canelli
|
|
Boom Operator |
Knox White
|
|
Foley Artist |
John Roesch
David Lee Fein
Hilda Hodges
Alyson Dee Moore
|
|
Supervising Sound Editor |
Richard King
Michael Babcock
|
|
Dolby Consultant |
James Wright
|
|
Dialogue Editor |
Kira Roessler
|
|
ADR Supervisor |
Jessica Gallavan
|
|
Foley Supervisor |
Bruce Tanis
Christopher Flick
|
|
Additional Sound Re-Recording Mixer |
Michael Babcock
|
|
Utility Sound |
Christopher Walmer
|
|
Assistant Sound Editor |
Andrew Bock
|
|
First Assistant Sound Editor |
Linda Yeaney
|
|
Foley Mixer |
Mary Jo Lang
David Jobe
|
|
Production Sound Mixer |
Ed Novick
|
|
Music Consultant |
Gary Calamar
|
|
ADR Mixer |
Thomas J. O'Connell
|
|
Visual Effects | Special Effects Supervisor |
Matt Sweeney
|
Visual Effects Supervisor |
Dottie Starling
Ellen Somers
|
|
Visual Effects Producer |
Ellen Somers
|
|
Writing | Screenplay |
Andrew Niccol
|
Directing | Director |
Andrew Niccol
|
Second Unit Director |
David Leitch
|
|
First Assistant Director |
Lars P. Winther
|
|
Script Supervisor |
Wilma Garscadden-Gahret
|
|
Second Assistant Director |
Greg Hale
|
|
Second Second Assistant Director |
Renee Hill-Sweet
Kristina M. Peterson
|
|
Crew | Post Production Supervisor |
Bradley M. Goodman
|
Stunt Coordinator |
David Leitch
|
|
Stunt Driver |
Chris Palermo
Clay Cullen
|
|
Utility Stunts |
Michelle Rose
Shauna Galligan
|
|
Stunts |
Zack Duhame
Billy D. Lucas
Debbie Evans
Oakley Lehman
Jeremy Fry
Danny Wynands
Tad Griffith
Jared S. Eddo
|
|
Picture Car Coordinator |
Ted Moser
|
|
Transportation Coordinator |
Ted Moser
|
|
Unit Publicist |
Guy Adan
|
|
Armorer |
Ian Kay
|
|
Stunt Double |
Heidi Moneymaker
Renae Moneymaker
|
|
Video Assist Operator |
Jesse Olivares
|
|
Craft Service |
Willie Radcliff
|
|
Transportation Captain |
Rick Davis
|
|
Lighting | Gaffer |
Chris Napolitano
|
Key Rigging Grip |
Blake Pike
|
|
Rigging Gaffer |
R. Michael De Chellis
|
|
Best Boy Electric |
Robert B. Dechellis
|
|
Department | Role | Name |