Ratings
53%
7
6.7
36%
Financials
Revenue: $173,900,000
Budget: $40,000,000
Profit: + $133,900,000
Movie Details
Tag Line: Live forever or die trying.
Status: Released
Average Rating: 7
Release Date: Oct 27, 2011
Rating: PG-13
Run Time: 1h 49m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: New Regency Pictures , Strike Entertainment
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Camera | Director of Photography |
Roger Deakins
|
| Second Unit Director of Photography |
Paul Hughen
|
|
| Dolly Grip |
Bruce Hamme
|
|
| Still Photographer |
Stephen Vaughan
|
|
| First Assistant "B" Camera |
Harry Zimmerman
|
|
| Second Assistant "A" Camera |
Matthew Haskins
|
|
| Steadicam Operator |
Bela Trutz
|
|
| "B" Camera Operator |
Bela Trutz
|
|
| First Assistant "A" Camera |
Andy Harris
|
|
| Best Boy Grip |
Rod Farley
|
|
| Second Assistant "B" Camera |
Liza Bambenek
|
|
| Key Grip |
Ray Garcia
|
|
| Camera Loader |
Jessica Ramos
|
|
| Production | Casting |
Denise Chamian
|
| Executive Producer |
Arnon Milchan
Andrew Z. Davis
Hutch Parker
Amy Israel
Kristel Laiblin
|
|
| Unit Production Manager |
Debra James
|
|
| Co-Producer |
Debra James
|
|
| Producer |
Andrew Niccol
Marc Abraham
Eric Newman
|
|
| Location Manager |
John Panzarella
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Casting Associate |
Ania Kamieniecki-O'Hare
|
|
| Production Accountant |
Michael DeSantis
|
|
| Payroll Accountant |
Alan Kilmer
|
|
| First Assistant Accountant |
Michelle Stevens
|
|
| Production Coordinator |
Paul LaZebnik
|
|
| Assistant Location Manager |
S. Dylan Kirkland
|
|
| Second Assistant Accountant |
David Bojarski
|
|
| Costume & Make-Up | Costume Design |
Colleen Atwood
|
| Key Set Costumer |
Donna O'Neal
|
|
| Hair Department Head |
Terry Baliel
|
|
| Costume Supervisor |
Cheryl Beasley Blackwell
|
|
| Makeup Department Head |
Michelle Vittone
|
|
| Set Costumer |
Kanani Wolf
Jay Cheng
Shelli Nishino
|
|
| Hairstylist |
Candace Neal
Maggie Hayes-Jackson
Katrina Chevalier
|
|
| Key Costumer |
Carrie Arakaki
|
|
| Assistant Costume Designer |
Christine L. Cantella
|
|
| Makeup Artist |
Tracy Manzo
Julie Kristy
Debra Coleman
|
|
| Art | Production Design |
Alex McDowell
|
| Set Decoration |
Karen O'Hara
|
|
| Art Direction |
Chris Farmer
Todd Cherniawsky
Priscilla Elliott
Vlad Bina
|
|
| Property Master |
Eugene McCarthy
|
|
| Construction Coordinator |
Bill Holmquist
|
|
| Art Department Coordinator |
Andrea Carter
|
|
| Set Decorating Coordinator |
Darlene Salinas
|
|
| Assistant Property Master |
Ian Kay
John Herrera McElroy
|
|
| Set Dresser |
Gregory Byrne
John Markovich
Art Shippee
Anne Marie Hamill
Christopher Williamson
|
|
| Title Designer |
Ahmet Ahmet
|
|
| Leadman |
Joel Prihoda
|
|
| Graphic Designer |
Martin Charles
|
|
| Production Illustrator |
Igor Knežević
|
|
| Editing | Editor |
Zach Staenberg
|
| Color Timer |
George Chavez
|
|
| Digital Intermediate Editor |
Martha Pike
|
|
| First Assistant Editor |
Tony Bacigalupi
|
|
| Project Manager |
Ainslie Thomas
|
|
| Sound | Original Music Composer |
Craig Armstrong
|
| Music Editor |
Zigmund Gron
|
|
| Sound Effects Editor |
Roland N. Thai
Odin Benitez
Paul Berolzheimer
Jeff Sawyer
|
|
| Sound Re-Recording Mixer |
David Giammarco
Paul Massey
|
|
| ADR Recordist |
Rick Canelli
|
|
| Boom Operator |
Knox White
|
|
| Foley Artist |
John Roesch
David Lee Fein
Hilda Hodges
Alyson Dee Moore
|
|
| Supervising Sound Editor |
Richard King
Michael Babcock
|
|
| Dolby Consultant |
James Wright
|
|
| Dialogue Editor |
Kira Roessler
|
|
| ADR Supervisor |
Jessica Gallavan
|
|
| Foley Supervisor |
Bruce Tanis
Christopher Flick
|
|
| Additional Sound Re-Recording Mixer |
Michael Babcock
|
|
| Utility Sound |
Christopher Walmer
|
|
| Assistant Sound Editor |
Andrew Bock
|
|
| First Assistant Sound Editor |
Linda Yeaney
|
|
| Foley Mixer |
Mary Jo Lang
David Jobe
|
|
| Production Sound Mixer |
Ed Novick
|
|
| Music Consultant |
Gary Calamar
|
|
| ADR Mixer |
Thomas J. O'Connell
|
|
| Visual Effects | Special Effects Supervisor |
Matt Sweeney
|
| Visual Effects Supervisor |
Dottie Starling
Ellen Somers
|
|
| Visual Effects Producer |
Ellen Somers
|
|
| Writing | Screenplay |
Andrew Niccol
|
| Directing | Director |
Andrew Niccol
|
| Second Unit Director |
David Leitch
|
|
| First Assistant Director |
Lars P. Winther
|
|
| Script Supervisor |
Wilma Garscadden-Gahret
|
|
| Second Assistant Director |
Greg Hale
|
|
| Second Second Assistant Director |
Renee Hill-Sweet
Kristina M. Peterson
|
|
| Crew | Post Production Supervisor |
Bradley M. Goodman
|
| Stunt Coordinator |
David Leitch
|
|
| Stunt Driver |
Chris Palermo
Clay Cullen
|
|
| Utility Stunts |
Michelle Rose
Shauna Galligan
|
|
| Stunts |
Zack Duhame
Billy D. Lucas
Debbie Evans
Oakley Lehman
Jeremy Fry
Danny Wynands
Tad Griffith
Jared S. Eddo
|
|
| Picture Car Coordinator |
Ted Moser
|
|
| Transportation Coordinator |
Ted Moser
|
|
| Unit Publicist |
Guy Adan
|
|
| Armorer |
Ian Kay
|
|
| Stunt Double |
Heidi Moneymaker
Renae Moneymaker
|
|
| Video Assist Operator |
Jesse Olivares
|
|
| Craft Service |
Willie Radcliff
|
|
| Transportation Captain |
Rick Davis
|
|
| Lighting | Gaffer |
Chris Napolitano
|
| Key Rigging Grip |
Blake Pike
|
|
| Rigging Gaffer |
R. Michael De Chellis
|
|
| Best Boy Electric |
Robert B. Dechellis
|
|
| Department | Role | Name |
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