Indiana Jones and the Dial of Destiny
(2023) His final adventure will be his greatest. | Released
Ratings
6.6
Financials
Revenue: $383,963,057
Budget: $294,700,000
Profit: + $89,263,057
Movie Details
Tag Line: His final adventure will be his greatest.
Status: Released
Average Rating: 7
Release Date: Jun 25, 2023
Rating: 2024-11-17
Run Time: 2h 35m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Lucasfilm Ltd.
Genres
Keywords
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Synopsis
Finding himself in a new era, and approaching retirement, Indy wrestles with fitting into a world that seems to have outgrown him. But as the tentacles of an all-too-familiar evil return in the form of an old rival, Indy must don his hat and pick up his whip once more to make sure an ancient and powerful artifact doesn't fall into the wrong hands.
Crew
| Department | Role | Name |
|---|---|---|
| Camera | Director of Photography |
Phedon Papamichael
|
| Key Grip |
David Appleby
|
|
| Still Photographer |
Jonathan Olley
|
|
| First Assistant "C" Camera |
David Pearce
|
|
| First Assistant Camera |
Olly Tellett
|
|
| Production | Producer |
Simon Emanuel
Kathleen Kennedy
Frank Marshall
Zakaria Alaoui
|
| Associate Producer |
Blake Simon
Nathan Woods
|
|
| Production Manager |
Simon Mills
|
|
| Production Supervisor |
Kelly Lee
|
|
| Executive Producer |
George Lucas
Steven Spielberg
|
|
| Post Production Coordinator |
A.R. Björklund
|
|
| Production Coordinator |
Kirsty Barham
|
|
| Location Manager |
Lex Donovan
|
|
| Casting |
Nina Gold
|
|
| Co-Producer |
Anthony Dixon
Candice D. Campos
|
|
| Writing | Characters |
Philip Kaufman
George Lucas
|
| Writer |
Jez Butterworth
John-Henry Butterworth
David Koepp
James Mangold
|
|
| Visual Effects | Visual Effects Coordinator |
Lily-May Licorish
|
| VFX Editor |
John Berri
Matt Blouin
|
|
| Special Effects Supervisor |
Hanin Ouidder
Alistair Williams
|
|
| Visual Effects Supervisor |
Nicolas Hernandez
Laurens Ehrmann
Andrew Whitehurst
Robert Weaver
Berj Bannayan
Keith Sellers
Julien Martins
|
|
| VFX Artist |
Reetu Aggarwal
|
|
| Visual Effects Producer |
Kathy Siegel
|
|
| Sound | Production Sound Mixer |
Stuart Wilson
|
| Sound Re-Recording Mixer |
Paul Massey
Juan Peralta
David Giammarco
|
|
| Music Editor |
Ramiro Belgardt
Ted Caplan
|
|
| Sound Designer |
Josh Gold
Warren Hendriks
Kyrsten Mate
|
|
| Dialogue Editor |
Polly McKinnon
|
|
| Sound Engineer |
Erin Michael Rettig
George Hart
|
|
| Sound Effects Editor |
Eric A. Norris
Lee Gilmore
Samson Neslund
David Chrastka
Rich Danhakl
|
|
| Foley Artist |
Jana Vance
Ronni Brown
|
|
| Foley Mixer |
Richard Duarte
|
|
| Foley Editor |
Chris Manning
Greg J. Peterson
|
|
| ADR Mixer |
David Betancourt
Mark Appleby
Simon Diggins
Mike Tehrani
|
|
| ADR Engineer |
Dave Tourkow
|
|
| ADR Recordist |
Christine Sirois
|
|
| Supervising Sound Editor |
Gary Rydstrom
Donald Sylvester
|
|
| Original Music Composer |
John Williams
|
|
| ADR & Dubbing |
A.R. Björklund
|
|
| Additional Sound Re-Recording Mixer |
Gary Rydstrom
|
|
| Foley Supervisor |
Brian Chumney
|
|
| Conductor |
William Ross
John Williams
|
|
| Orchestrator |
John Williams
William Ross
|
|
| Other |
Tom Williams
|
|
| Crew | Stunt Coordinator |
Mike Massa
Ben Cooke
|
| Unit Publicist |
Moira Houlihan
|
|
| Military Consultant |
Paul Biddiss
|
|
| Post Production Supervisor |
Matthew Wells
|
|
| In Memory Of |
Nic Cupac
Michael DeBeer
|
|
| Special Effects Coordinator |
Fiona Cousins
|
|
| Animal Wrangler |
Edoardo Martino
|
|
| Thanks |
Fredrik T. Hiebert
|
|
| Other |
Alex King
|
|
| Production Controller |
Nathan Woods
|
|
| Stunts |
Dan Adams
Roman Neso Laupmaa
Joel Adrian
James Apps
Miguel Arregui
Mehrzad Asgi-Kermani
Luciano Bacheta
Abdelaaziz Attougui
Adam Basil
Matthew Bell
Josh Dyer
|
|
| Art | Storyboard Artist |
Gabriel Hardman
|
| Set Decoration |
Anna Pinnock
|
|
| Art Direction |
Peter Dorme
Tim Dutton
Oliver Goodier
Kate Grimble
Charlotte Malynn
Isona Rigau
Quinn Robinson
Oli van der Vijver
Jake Hall
Sam Leake
Andrew Palmer
Elicia Scales
|
|
| Supervising Art Director |
Martin Foley
|
|
| Construction Coordinator |
Siobhan Walsh
|
|
| Production Design |
Adam Stockhausen
|
|
| Costume & Make-Up | Makeup Designer |
Frances Hannon
|
| Hair Designer |
Frances Hannon
|
|
| Costume Design |
Joanna Johnston
|
|
| Costume Supervisor |
Charlotte Finlay
|
|
| Makeup Supervisor |
Karen Cohen
Angie Mudge
|
|
| Hair Supervisor |
Karen Cohen
|
|
| Hairstylist |
Karen Asano-Myers
Emma Leigh Porter
|
|
| Prosthetic Makeup Artist |
Sophie Ashworth
Charlotte Rogers
Sarah Nuth
|
|
| Makeup Artist |
Bill Corso
|
|
| Makeup & Hair |
Sally Crouch
Adrian Rigby
Jo Barrass-Short
Debbie Black
Jean Carlos de Blas
Madeleine Drewell
Amy Haida
Olivia Jerrard
Gabor Kerekes
Clementine Ollerenshaw
Lucy Rowley
Emma J. Slater
Hazel d Smith
Mona Turnbull
Chiara Ugolini
Leanne Alison White
Andrew Whiteoak
|
|
| Prosthetic Designer |
Frances Hannon
|
|
| Prosthetics |
Lorraine Hill
Waldo Mason
|
|
| Wigmaker |
Samuel James
|
|
| Special Effects Makeup Artist |
Chris Lyons
|
|
| Editing | Additional Editor |
John Berri
|
| First Assistant Editor |
Sandra Grubb
Daniel M. Nussbaum
|
|
| Assistant Editor |
Christopher Rucinski
|
|
| Editor |
Dirk Westervelt
Michael McCusker
Andrew Buckland
|
|
| Colorist |
Skip Kimball
|
|
| Directing | Script Coordinator |
Emma Sawyer
|
| First Assistant Director |
David Webb
|
|
| Second Unit Director |
Dan Bradley
|
|
| Script Supervisor |
Sheila Waldron
|
|
| Director |
James Mangold
|
|
| Lighting | Best Boy Electric |
Dave Brennan
|
| Rigging Gaffer |
Tom O'Sullivan
|
|
| Department | Role | Name |
