It Could Happen to You
(1994) A cop. A waitress. A lottery ticket. | Released
Ratings
64%
6.5
6.3
71%
Financials
Revenue: $37,939,757
Budget: $20,000,000
Profit: + $17,939,757
Movie Details
Tag Line: A cop. A waitress. A lottery ticket.
Status: Released
Average Rating: 6
Release Date: Jul 29, 1994
Rating: PG
Run Time: 1h 41m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: TriStar Pictures
Genres
Keywords
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Synopsis
Charlie Lang is a simple, kindhearted New York City cop. When he realizes he has no money to tip waitress Yvonne Biasi, Lang offers her half the winnings of his lottery ticket. Amazingly, the ticket happens to be a winner, in the sum of $4 million. True to his word, Lang proceeds to share the prize money with Biasi, which infuriates his greedy wife, Muriel. Not content with the arrangement, Muriel begins scheming to take all the money.
Crew
| Department | Role | Name |
|---|---|---|
| Costume & Make-Up | Costume Design |
Julie Weiss
|
| Hairstylist |
Alan D'Angerio
Francesca Paris
|
|
| Makeup Artist |
Lizbeth Williamson
|
|
| Assistant Costume Designer |
Suzanne Schwarzer
|
|
| Costume Supervisor |
Kevin P. Faherty
Melissa Stanton
|
|
| Costumer |
Timothy Alberts
|
|
| Production | Extras Casting |
Todd M. Thaler
Judie Fixler
|
| Casting |
John S. Lyons
|
|
| Executive Producer |
Gary Adelson
Craig Baumgarten
Joseph Hartwick
|
|
| Production Coordinator |
Alexis Alexanian
|
|
| Casting Associate |
Christine Sheaks
David Diamond
|
|
| Producer |
Mike Lobell
|
|
| Unit Production Manager |
Joseph Hartwick
|
|
| Location Manager |
Douglas Tirola
Pamela Thur
|
|
| Assistant Production Coordinator |
Betty Chin
|
|
| Assistant Location Manager |
Drew Dillard
|
|
| Production Accountant |
Peter Lombardi
|
|
| Assistant Accountant |
Mara Hade Connolly
|
|
| Post Production Accountant |
Diane L. Langone
|
|
| Sound | Original Music Composer |
Carter Burwell
Joe Mulherin
|
| Dialogue Editor |
Dan Korintus
Laura Civiello
Bitty O'Sullivan-Smith
|
|
| ADR Editor |
Tony Martinez
Jane McCulley
|
|
| Music Editor |
Todd Kasow
Thomas S. Drescher
|
|
| Music Supervisor |
Peter Afterman
|
|
| Foley Artist |
Marko Costanzo
|
|
| Sound Re-Recording Mixer |
Lee Dichter
|
|
| Foley Editor |
Frank Kern
Eliza Paley
|
|
| Apprentice Sound Editor |
Michael W. Mitchell
Michael J. Wechsler
|
|
| Supervising Sound Editor |
Michael Kirchberger
|
|
| Assistant Sound Editor |
Warren Shaw
|
|
| Sound Mixer |
Gary Alper
|
|
| Production Sound Mixer |
Gary Alper
|
|
| Orchestrator |
Sonny Kompanek
|
|
| Sound Editor |
Paul P. Soucek
|
|
| Foley Supervisor |
Bruce Pross
|
|
| Boom Operator |
Marc-Jon Sullivan
|
|
| Sound Recordist |
Michael Schmidt
|
|
| Music Consultant |
Jeffrey Pollack
|
|
| Editing | Editor |
Barry Malkin
|
| Color Timer |
David Orr
|
|
| First Assistant Editor |
Sam Adelman
|
|
| Crew | Stunts |
Manny Siverio
Deborah Habberstad
Peter Bucossi
Gary Tacon
Alex Stevens
Michael Russo
John Cenatiempo
Jim Lovelett
Jeff Ward
Tim Gallin
John Patrick McLaughlin
Norman Douglass
Mike Lisenco
Jeffrey H. Kaufman
Don Hewitt Sr.
Paul Sklar
Steven Arvanites
Gary Cerveny
Suzanne Klein
|
| Stunt Coordinator |
Jeff Habberstad
|
|
| Actor's Assistant |
Jeff Levine
|
|
| Post Production Supervisor |
Paul A. Levin
|
|
| Transportation Captain |
Thomas Reilly
|
|
| Special Effects |
Al Griswold
Bill Traynor
|
|
| Choreographer |
John Carrafa
|
|
| Unit Publicist |
Betsy Sokolow-Sherman
|
|
| Camera | Director of Photography |
Caleb Deschanel
|
| First Assistant Camera |
Scott Rathner
|
|
| Steadicam Operator |
Ted Churchill
|
|
| Camera Operator |
Henry Lynk
|
|
| Still Photographer |
Myles Aronowitz
|
|
| Aerial Camera |
Kurt E. Soderling
|
|
| Key Grip |
Mike Miller
|
|
| Second Assistant Camera |
James R. Belletier
|
|
| Best Boy Grip |
Thomas Jirgal
|
|
| Dolly Grip |
Patrick McGrath
|
|
| Art | Art Direction |
Dennis Bradford
|
| Assistant Art Director |
Nicholas Lundy
|
|
| Set Decoration |
George DeTitta Jr.
|
|
| Art Department Coordinator |
Maria Nay
|
|
| Production Design |
Bill Groom
|
|
| Property Master |
Ann Miller
|
|
| Construction Coordinator |
Martin Bernstein
|
|
| Leadman |
Gerald DeTitta
|
|
| Location Scout |
Robin F. Samson
|
|
| Title Designer |
Nina Saxon
|
|
| Assistant Property Master |
Kathleen Dolan
|
|
| Art Department Assistant |
Laura Lambert
|
|
| Storyboard Artist |
Donald Caruthers
|
|
| Directing | Director |
Andrew Bergman
|
| Script Supervisor |
Robin Squibb
|
|
| First Assistant Director |
Henry J. Bronchtein
|
|
| Second Second Assistant Director |
Julie A. Bloom
|
|
| Second Assistant Director |
Michael DeCasper
|
|
| Writing | Screenplay |
Jane Anderson
|
| Lighting | Gaffer |
Richard Quinlan
|
| Chief Lighting Technician |
Richard Quinlan
|
|
| Best Boy Electric |
Greg Quinlan
|
|
| Department | Role | Name |
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