Ratings
Financials
Revenue: $93,100,000
Budget: $60,000,000
Profit: + $33,100,000
Movie Details
Tag Line: Someone knows too much.
Status: Released
Average Rating: 6
Release Date: Apr 3, 1998
Rating: R
Run Time: 1h 51m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Universal Pictures , Imagine Entertainment
Genres
Keywords
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Synopsis
Renegade FBI agent Art Jeffries protects a nine-year-old autistic boy who has cracked the government's new "unbreakable" code.
Crew
Department | Role | Name |
---|---|---|
Production | Producer |
Brian Grazer
Karen Kehela Sherwood
|
Co-Producer |
Maureen Peyrot
Paul Neesan
|
|
Casting |
Nancy Klopper
|
|
Executive Producer |
Ric Kidney
Joseph Singer
|
|
Unit Production Manager |
David B. Householter
|
|
Casting Associate |
Elizabeth Marx
|
|
Associate Producer |
Thomas J. Mack
|
|
Production Accountant |
Don Orlando
Chris Brown
|
|
ADR Voice Casting |
Barbara Harris
|
|
Location Manager |
Lisa Blok-Linson
|
|
Location Coordinator |
Marcie Friedman
|
|
Production Coordinator |
Jacqui Popelka
|
|
Assistant Location Manager |
Brady Breen
|
|
Art Department Production Assistant |
Brandon Haug
|
|
Assistant Production Coordinator |
Margaret J. Orlando
|
|
Second Assistant Accountant |
Janette Evans
|
|
Location Assistant |
Patricia Ebert
|
|
Assistant Accountant |
Tim Floreen
|
|
Executive Assistant |
Dan Sullivan
|
|
Extras Casting Assistant |
Cody Lassen
|
|
First Assistant Accountant |
Joanie Spates
|
|
Payroll Accountant |
Eamon Buehning
|
|
Production Secretary |
Linda C. Adams
|
|
Crew | Additional Music |
Carter Burwell
|
Unit Publicist |
Bronwyn Preston
|
|
Stunt Driver |
Eddie J. Fernandez
|
|
Post Production Supervisor |
Karen Snow
|
|
Stunt Double |
Bob Brown
Laura Dash
A. Michael Lerner
|
|
Carpenter |
Ray Gardner
|
|
Studio Teachers |
Richard Wicklund
|
|
Stunts |
Stacy Logan
Joyce McNeal
Ritchie Copenhaver
Linda Perlin
Melanie A. Allen
|
|
Transportation Coordinator |
Michael Menapace
|
|
Video Assist Operator |
Michael J. Hogan
|
|
Stunt Coordinator |
Joe Dunne
|
|
Special Effects Coordinator |
Guy Clayton
|
|
Assistant Chef |
P.J. Haines
|
|
Craft Service |
Raymond Bulinski
|
|
Propmaker |
Fred Apolito
|
|
Chef |
Larry Donahue
|
|
Set Production Assistant |
Anne Berger
|
|
Set Medic |
Ross L. Kulma
|
|
Driver |
Daniel Canamar
|
|
Projection |
John Marston
|
|
Transportation Co-Captain |
Kevin Maxwell
|
|
Utility Stunts |
Spitfire Brown
|
|
Visual Effects Editor |
Brett De Carroll
|
|
Special Effects Assistant |
Miguel Atilano
|
|
Special Effects Technician |
Douglas Calli
|
|
Charge Scenic Artist |
John Snow
|
|
Generator Operator |
John Armstrong
|
|
Technical Advisor |
Bennett Leventhal
|
|
Writing | Screenplay |
Lawrence Konner
Mark Rosenthal
|
Novel |
Ryne Douglas Pearson
|
|
Sound | Original Music Composer |
John Barry
|
Conductor |
John Barry
|
|
Production Sound Mixer |
Kim H. Ornitz
|
|
ADR Recordist |
Rick Canelli
|
|
Sound Mixer |
Gregg Landaker
|
|
Music Editor |
Cliff Kohlweck
|
|
Foley Artist |
Kevin Bartnof
|
|
Supervising ADR Editor |
Becky Sullivan
|
|
Sound Editor |
Brian Best
|
|
Supervising Sound Editor |
Terry Rodman
|
|
Boom Operator |
Gary A. Theard
|
|
ADR Editor |
Lee Lemont
|
|
First Assistant Sound Editor |
David Wolowic
|
|
Music Supervisor |
Stephan R. Goldman
|
|
Scoring Mixer |
John Richards
|
|
Assistant Sound Editor |
Bradley Clouse
|
|
Foley Mixer |
Eric Gotthelf
|
|
ADR Mixer |
Thomas J. O'Connell
|
|
Foley Recordist |
Ron Grafton
|
|
Apprentice Sound Editor |
Mike Shuman
|
|
Utility Sound |
Donna Cihak
|
|
Music Coordinator |
Vicki Arkoff
|
|
Art | Production Design |
Patrizia von Brandenstein
|
Set Decoration |
Maria Nay
|
|
Art Direction |
James F. Truesdale
Steve Saklad
|
|
Assistant Art Director |
Lauren E. Polizzi
|
|
Construction Coordinator |
David Elliott
|
|
Art Department Coordinator |
Robert Blasi
|
|
Property Master |
Thomas Saccio
|
|
Set Designer |
Jeff B. Adams Jr.
|
|
Production Illustrator |
Sherman Labby
|
|
Set Decorating Coordinator |
Cece Destefano
|
|
Set Decoration Buyer |
Carl Catanese
|
|
Location Scout |
Jennifer Baron
|
|
Painter |
Alan Broadbent
|
|
Art Department Assistant |
Brandon Haug
|
|
Construction Foreman |
Michael Crowley
|
|
Greensman |
Carlos Medina Jr.
|
|
Standby Painter |
John Hinkle
|
|
Set Painter |
Thomas Moffitt
|
|
Assistant Property Master |
James J. Archer
|
|
Graphic Designer |
Janet Thalken
|
|
Editing | Editor |
Peter Honess
|
First Assistant Editor |
Beth Jochem Besterveld
|
|
Color Timer |
Mike Milliken
|
|
Editorial Production Assistant |
José María Álvarez
|
|
Assistant Editor |
Penny Lee Hallin
|
|
Negative Cutter |
Doug Jones
|
|
Costume & Make-Up | Key Makeup Artist |
Leonard Engelman
|
Costume Design |
Betsy Heimann
|
|
Assistant Makeup Artist |
Art Anthony
|
|
Key Hair Stylist |
Marlene D. Williams
|
|
Costume Supervisor |
Dan Bronson
|
|
Makeup Artist |
Gerald Quist
|
|
Seamstress |
Jane Blank
|
|
Set Dressing Artist |
Anthony Barracca
|
|
Camera | Director of Photography |
Michael Seresin
|
Still Photographer |
Peter Sorel
|
|
First Assistant Camera |
Alan R. Disler
|
|
Grip |
Tony Boura
|
|
Key Grip |
Rick Brown
|
|
Camera Loader |
Kathryn Roberts
|
|
Dolly Grip |
Mike Moad
|
|
Second Assistant Camera |
Makiko Carlson
|
|
Best Boy Grip |
Joseph P. Connelly
|
|
Assistant Camera |
Johnny Karls
|
|
Directing | Director |
Harold Becker
|
First Assistant Director |
Thomas J. Mack
|
|
Second Second Assistant Director |
C.C. Barnes
|
|
Second Assistant Director |
David Kelley
|
|
Lighting | Chief Lighting Technician |
Alphonse Blumenthal
|
Rigging Gaffer |
John P. Friday
|
|
Rigging Grip |
Michael Dronge
|
|
Best Boy Electric |
Ron Ash
|
|
Electrician |
Sam Bertone
|
|
Visual Effects | Visual Effects Supervisor |
Michael Owens
|
Visual Effects Coordinator |
Julie Creighton
|
|
Visual Effects Producer |
Tom Kennedy
|
|
Visual Effects Production Assistant |
David Valentin
|
|
Department | Role | Name |
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