Ratings
Financials
Revenue: $9,888,167
Budget: $0
Profit: + $9,888,167
Movie Details
Tag Line: Real badge. Real gun. Fake cop.
Status: Released
Average Rating: 6
Release Date: Apr 20, 1990
Rating: 1990-04-20
Run Time: 1h 37m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Orion Pictures , Tristes Tropiques
Sources:
Genres
Keywords
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Synopsis
After Junior is released from prison, he plans on starting a new life in Miami. But when he kills a man in the airport, he flees the scene and finds Susie, a mild-mannered prostitute searching for stability. The two opposites become romantically involved, and Junior steals a badge and gun from a veteran detective. Using the officer's identity, Junior embarks on a crime spree and convinces Susie that he is the perfect man.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Screenplay |
George Armitage
|
| Novel |
Charles Willeford
|
|
| Directing | Director |
George Armitage
|
| Second Assistant Director |
Kyle McCarthy
|
|
| First Assistant Director |
Ron Bozman
|
|
| Script Supervisor |
Corey B. Yugler
|
|
| Camera | Director of Photography |
Tak Fujimoto
|
| Still Photographer |
Zade Rosenthal
|
|
| First Assistant Camera |
William McConnell
|
|
| Grip |
Kevin Knott
Casey Osborne
|
|
| Camera Operator |
Don Reddy
|
|
| Second Assistant Camera |
Doug Schwartz
|
|
| Key Grip |
Edward Knott III
|
|
| Dolly Grip |
Thomas Smaling
|
|
| Best Boy Grip |
Ed Knott Jr.
|
|
| Steadicam Operator |
Robert Ulland
|
|
| Editing | Editor |
Craig McKay
|
| Color Timer |
Phil Hetos
Dale E. Grahn
|
|
| Negative Cutter |
Donah Bassett
|
|
| First Assistant Editor |
Lisa Bromwell
|
|
| Sound | Original Music Composer |
Gary Chang
|
| Sound Editor |
Bitty O'Sullivan-Smith
|
|
| Sound Re-Recording Mixer |
Tom Fleischman
|
|
| Supervising Sound Editor |
Dan Sable
|
|
| ADR Recordist |
David Boulton
Wallace R. Bearden
|
|
| Apprentice Sound Editor |
Brian Katkin
|
|
| Boom Operator |
Jack Dalton
|
|
| Assistant Sound Editor |
Lynn Sable
Murray Solomon
|
|
| Foley Artist |
Elisha Birnbaum
Brian Vancho
|
|
| Music Coordinator |
Sandy K. Tanaka
|
|
| Sound Effects Editor |
Kevin Lee
|
|
| Music Editor |
Joseph S. DeBeasi
Kevin Lee
|
|
| ADR Editor |
Randall Coleman
Deborah Wallach
|
|
| Music Supervisor |
Sharon Boyle
|
|
| Sound Mixer |
Michael R. Tromer
|
|
| Production | Associate Producer |
William Horberg
|
| Co-Producer |
Kenneth Utt
Ron Bozman
|
|
| Executive Producer |
Fred Ward
Edward Saxon
|
|
| Producer |
Gary Goetzman
Jonathan Demme
|
|
| Unit Production Manager |
Kenneth Utt
|
|
| Casting |
Howard Feuer
Yonit Hamer
|
|
| Extras Casting |
Ed Arenas
|
|
| Casting Associate |
Dennis Osborne
|
|
| Assistant Production Coordinator |
Sondra Dee Boyachek
|
|
| Production Office Coordinator |
Cynthia Streit
|
|
| Production Assistant |
Maria Alaina Mason
Brent Armitage
Jeffrey T. Barabe
|
|
| Location Manager |
Sherry Thorup
|
|
| Location Assistant |
Gloria M. Uribe
|
|
| Art | Production Design |
Maher Ahmad
|
| Set Decoration |
Don K. Ivey
|
|
| Assistant Property Master |
James Robinson II
|
|
| Set Dresser |
Bert Bertolami
|
|
| Art Department Assistant |
Nicklas Farrantello
|
|
| Construction Coordinator |
Harold Collins
|
|
| Property Master |
Nicholas J. Romanac
|
|
| Leadman |
Richard Helfritz
|
|
| Costume & Make-Up | Costume Design |
Eugenie Bafaloukos
|
| Makeup Artist |
Carl Fullerton
Neal Martz
|
|
| Hairstylist |
Alan D'Angerio
|
|
| Wardrobe Supervisor |
Esther Robinson
Robert Musco
|
|
| Assistant Costume Designer |
Lynette Bernay
|
|
| Crew | Thanks |
Gene Hackman
|
| Post Production Supervisor |
Marshall Persinger
|
|
| Carpenter |
Michael Charboneau
James P. Crapser
|
|
| Stunt Coordinator |
Buddy Joe Hooker
|
|
| Transportation Co-Captain |
Michael A. Cherubino
|
|
| Transportation Captain |
Joyce M. Lark
|
|
| Projection |
Kevin Cerchiai
|
|
| Stunts |
Gary McLarty
|
|
| Lighting | Gaffer |
Walter G. Morris Jr.
|
| Electrician |
William Smaling
Peter Demme
|
|
| Department | Role | Name |





