Ratings
Financials
Revenue: $209,196,298
Budget: $78,000,000
Profit: + $131,196,298
Movie Details
Tag Line: To understand the origin of evil, you must go back to the beginning.
Status: Released
Average Rating: 7
Release Date: Oct 2, 2002
Rating: 2002-09-30
Run Time: 2h 04m
Original Language: English
Website: -
Production Countries: Germany , Italy , United States of America
Production Companies: Universal Pictures , Metro-Goldwyn-Mayer , Mikona Productions , DDL Cinematografica
Sources:
Genres
Keywords
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Synopsis
Former FBI Agent Will Graham, who was once almost killed by the savage Hannibal 'The Cannibal' Lecter, now has no choice but to face him again, as it seems Lecter is the only one who can help Graham track down a new serial killer.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Brett Ratner
|
| First Assistant Director |
James M. Freitag
|
|
| Second Assistant Director |
Jonathan McGarry
|
|
| Script Supervisor |
Martin Kitrosser
|
|
| Second Second Assistant Director |
Bac DeLorme
|
|
| Production | Producer |
Martha De Laurentiis
Dino De Laurentiis
|
| Executive Producer |
Andrew Z. Davis
|
|
| Associate Producer |
James M. Freitag
|
|
| Casting |
Francine Maisler
|
|
| Casting Associate |
Kathy Driscoll-Mohler
|
|
| Unit Production Manager |
JoAnn Perritano
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Writing | Novel |
Thomas Harris
|
| Screenplay |
Ted Tally
|
|
| Editing | Editor |
Mark Helfrich
|
| Negative Cutter |
Gary Burritt
|
|
| Color Timer |
Jim Passon
|
|
| Sound | Original Music Composer |
Danny Elfman
|
| Production Sound Mixer |
Kim H. Ornitz
|
|
| Boom Operator |
Mychal D. Smith
|
|
| Sound Mixer |
Steve Maslow
Gregg Landaker
|
|
| Supervising Sound Editor |
Gregory King
Darren King
|
|
| Sound Designer |
Craig Henighan
|
|
| Foley Supervisor |
Dan Yale
|
|
| ADR Mixer |
Jeff Gomillion
|
|
| ADR Recordist |
Philip Rogers
|
|
| Foley Artist |
Andy Malcolm
Goro Koyama
|
|
| Music Editor |
Ellen Segal
|
|
| Foley Mixer |
Ron Mellegers
Don White
|
|
| Camera | Director of Photography |
Dante Spinotti
|
| Camera Operator |
J. Michael Muro
|
|
| Steadicam Operator |
J. Michael Muro
|
|
| Crew | Stunts |
Keii Johnston
Steven Lambert
Dick Ziker
Denney Pierce
Kurt D. Lott
Brad Martin
J.P. Romano
Monica Staggs
Harry Wowchuk
|
| Stunt Coordinator |
Conrad E. Palmisano
|
|
| Post Production Supervisor |
Lisa Rodgers
|
|
| Special Effects Coordinator |
Ken Pepiot
|
|
| Stunt Double |
Barbara Anne Klein
|
|
| Art | Art Direction |
Steve Saklad
|
| Assistant Art Director |
Lori Rowbotham
Paul Sonski
|
|
| Set Decoration |
Karen O'Hara
|
|
| Art Department Coordinator |
Patti McNulty
|
|
| Production Design |
Kristi Zea
|
|
| Assistant Set Decoration |
Andrea Mae Fenton
|
|
| Property Master |
Brad Einhorn
|
|
| Costume & Make-Up | Costume Design |
Betsy Heimann
|
| Assistant Costume Designer |
Autumn Saville
|
|
| Makeup Department Head |
Julie L. Pearce
|
|
| Key Makeup Artist |
Randy Westgate
|
|
| Hair Department Head |
Kelvin R. Trahan
|
|
| Hairstylist |
Fríða Aradóttir
|
|
| Prosthetics |
Gary Archer
|
|
| Lighting | Gaffer |
Jeffrey W. Petersen
|
| Department | Role | Name |







