Reservoir Dogs
(1992) Every dog has his day. | Released
Ratings
79%
8.1
8.3
91%
Financials
Revenue: $2,859,750
Budget: $1,200,000
Profit: + $1,659,750
Movie Details
Tag Line: Every dog has his day.
Status: Released
Average Rating: 8
Release Date: Sep 2, 1992
Rating: R
Run Time: 1h 39m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Live Entertainment , Dog Eat Dog Productions
Genres
Keywords
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Synopsis
A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors -- veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie -- unravel.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Quentin Tarantino
|
| Script Supervisor |
Martin Kitrosser
|
|
| First Assistant Director |
Jamie Beardsley
|
|
| Second Assistant Director |
Kelly Kiernan
|
|
| Second Second Assistant Director |
Andy Spilkoman
|
|
| Writing | Writer |
Quentin Tarantino
Roger Avary
|
| Production | Producer |
Lawrence Bender
|
| Production Manager |
Paul Hellerman
|
|
| Co-Producer |
Harvey Keitel
|
|
| Casting |
Ronnie Yeskel
|
|
| Assistant Accountant |
Debra Grieco
|
|
| Executive Producer |
Richard N. Gladstein
Monte Hellman
Ronna B. Wallace
|
|
| Casting Associate |
Peggy Kennedy
|
|
| Production Coordinator |
Enid L. Kantor
|
|
| Location Manager |
Billy A. Fox
|
|
| Production Accountant |
R. Blaine Currier
|
|
| Assistant Location Manager |
Judith E. Goldman
|
|
| Extras Casting |
Mary Santiago
|
|
| Production Assistant |
Wendy Baker
|
|
| Editing | Editor |
Sally Menke
|
| First Assistant Editor |
Kelley Dixon
|
|
| Color Timer |
Chuck Winston
|
|
| Negative Cutter |
Mark Lass
|
|
| Camera | Grip |
Ross Katz
|
| Director of Photography |
Andrzej Sekula
|
|
| Steadicam Operator |
Mark Emery Moore
|
|
| First Assistant Camera |
Ziad Doueiri
|
|
| Key Grip |
Ric Urbauer
|
|
| Best Boy Grip |
Dink Adams
|
|
| Dolly Grip |
Dennis K. Wilson
|
|
| Second Assistant Camera |
Randall Guth
|
|
| Art | Production Design |
David Wasco
|
| Set Decoration |
Sandy Reynolds-Wasco
|
|
| Leadman |
Brett C. Smith
|
|
| Swing |
Jonathan Bobbitt
|
|
| Property Master |
Jonathan R. Hodges
|
|
| Location Scout |
Marino Pascal
|
|
| Crew | Creator |
Roger Avary
|
| Stunt Coordinator |
Ken Lesco
|
|
| Special Effects |
Stephen DeLollis
Rick Yale
|
|
| Special Effects Coordinator |
Larry Fioritto
|
|
| Transportation Coordinator |
James Lowder
|
|
| Stunts |
Marian Green
|
|
| Craft Service |
Jeannie H. Kelly
|
|
| Security |
Bruce Comtois
|
|
| Post Production Assistant |
Jennifer Pyken
|
|
| Dialect Coach |
Suzanne Celeste
|
|
| Driver |
David Coffee
|
|
| Legal Services |
Wayne Alexander
|
|
| Public Relations |
Warren Betts
|
|
| Set Medic |
Melanie Molyneux
|
|
| Transportation Captain |
Ben C. Giller
|
|
| Unit Publicist |
Marina Bailey
|
|
| Thanks |
John Lieberman
|
|
| Generator Operator |
Robert John Speer
|
|
| Key Special Effects |
Pat Domenico
|
|
| Sound | Music Supervisor |
Karyn Rachtman
|
| Sound Re-Recording Mixer |
Ron Bartlett
|
|
| Supervising Sound Editor |
Stephen Hunter Flick
Geoffrey G. Rubay
|
|
| Dolby Consultant |
Steve F.B. Smith
|
|
| Sound Editor |
Curt Schulkey
David E. Stone
Charles Ewing Smith
|
|
| Production Sound Mixer |
Ken Segal
|
|
| Foley Artist |
Mary Louise Rodgers
|
|
| Boom Operator |
Dwayne S. Henkel
|
|
| Assistant Sound Editor |
John Hulsman
|
|
| Foley Mixer |
Cecilia Perna
|
|
| Assistant Music Supervisor |
Nancy Lynn Hurlbut
|
|
| Costume & Make-Up | Costume Design |
Betsy Heimann
|
| Costume Supervisor |
Mary Claire Hannan
|
|
| Makeup Artist |
Michelle Bühler
|
|
| Set Costumer |
Jacqueline Aronson
|
|
| Hair Designer |
Iain Jones
|
|
| Hairstylist |
Rachel Tanner
|
|
| Lighting | Best Boy Electric |
Jay Dahlquist
|
| Electrician |
Joey D. Brown
|
|
| Gaffer |
Greg R. McCullough
|
|
| Department | Role | Name |
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