Ratings
Financials
Revenue: $21,921,551
Budget: $40,000,000
Profit: - $-18,078,449
Movie Details
Tag Line: The greatest murder ever staged
Status: Released
Average Rating: 6
Release Date: Sep 9, 2022
Rating: 2022-11-01
Run Time: 1h 39m
Original Language: English
Website: Link
Production Countries: United Kingdom , United States of America
Production Companies: Searchlight Pictures , DJ Films , TSG Entertainment
Genres
Keywords
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Synopsis
In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered. When world-weary Inspector Stoppard and eager rookie Constable Stalker take on the case, the two find themselves thrown into a puzzling whodunit within the glamorously sordid theater underground, investigating the mysterious homicide at their own peril.
Crew
Department | Role | Name |
---|---|---|
Directing | Director |
Tom George
|
First Assistant Director |
Neil Wallace
|
|
Script Supervisor |
Natalie Scicluna
|
|
Second Assistant Director |
Helen Fraser
|
|
Writing | Writer |
Mark Chappell
|
Production | Producer |
Damian Jones
Gina Carter
|
Line Producer |
Thomas Darby-Evans
|
|
Casting |
Yesi Ramirez
|
|
Unit Production Manager |
Liza Carmel
|
|
Production Manager |
John Palfery Smith
|
|
Post Production Coordinator |
Robert Platt-Higgins
|
|
Executive Producer |
Sarada McDermott
|
|
Sound | Music Supervisor |
Sarah Bridge
|
Original Music Composer |
Daniel Pemberton
|
|
Second Assistant Sound |
Julian Bale
|
|
Production Sound Mixer |
Martin Beresford
|
|
Sound Designer |
Paul Carter
|
|
Sound Re-Recording Mixer |
Paul Carter
Paul Cotterell
|
|
ADR Mixer |
Patrick Christensen
Mark DeSimone
Chris Navarro
Mike Tehrani
|
|
Foley Mixer |
Keith Partridge
|
|
Dialogue Editor |
Kasper Pedersen
|
|
ADR Recordist |
Jennie Shea
Alex Stylianou
|
|
Supervising Sound Editor |
Danny Sheehan
|
|
Foley Supervisor |
Barnaby Smyth
|
|
Orchestrator |
Mark Baechle
Richard Bronskill
|
|
Music Editor |
Robin Baynton
Andy Patterson
|
|
Editing | Editor |
Gary Dollner
Peter Lambert
|
First Assistant Editor |
Monika Radwańska
|
|
Digital Intermediate Producer |
Suhaila Mahmoud
|
|
Art | Production Design |
Amanda McArthur
|
Standby Art Director |
Robert Haynes
|
|
Art Direction |
Abbie Bellwood
Daniel Kearns
|
|
Supervising Art Director |
John Reid
|
|
Set Decoration |
Celia De La Hey
|
|
Assistant Set Decoration |
Sophia Millar
Amy Lockwood
Amy Diamond
|
|
Set Dresser |
Piotr Micyk
|
|
Art Department Coordinator |
Tabitha Boyd
|
|
Camera | Director of Photography |
Jamie D. Ramsay
|
Costume & Make-Up | Hair Designer |
Nadia Stacey
|
Makeup Designer |
Nadia Stacey
|
|
Costume Design |
Odile Dicks-Mireaux
|
|
Makeup Supervisor |
Carolyn Cousins
|
|
Makeup Artist |
Zainab Jaye
Kerieann London
|
|
Costume Standby |
Charlotte Ashworth
|
|
Set Costumer |
Marianna Bourmpoula
|
|
Assistant Costume Designer |
Emma Burnand
Luan Placks
|
|
Costume Assistant |
Kashca Garwood-Walker
|
|
Costumer |
Holly McLean
Tom O’Dell
Amy Pollitt
Hannah Warren
|
|
Costume Supervisor |
Alex Watherston
|
|
Crew | Post Production Supervisor |
Louise Seymour
|
Visual Effects Editor |
Elliot Barrett
James Devlin
|
|
Compositor |
Nino Oz
|
|
Stunt Double |
Sarah Lochlan
Andrew Burford
Charlie Pawlett
David Newton
Anthony Skrimshire
|
|
Stunts |
Matt Da Silva
Grace Franzl
Justin Pearson
Adam Smith
|
|
Stunt Coordinator |
Sarah Franzl
|
|
Visual Effects | Pipeline Technical Director |
Thomas Ashby
|
Digital Compositor |
Jonathan Atkins-Pott
Callum Mcnulty
|
|
Visual Effects Supervisor |
Tim Barter
James D. Etherington
|
|
Rotoscoping Artist |
Blanca Del Pozo Cavallé De Moya
|
|
Visual Effects Producer |
Zafar Janjua
|
|
Compositing Lead |
Dan Victoire
|
|
VFX Artist |
Jonathan Jean-Marie Wannyn
Siân Venables
Antonio Pavlov
|
|
VFX Editor |
James Devlin
|
|
Lighting | Gaffer |
Carolina Schmidtholstein
|
Department | Role | Name |