Silver Linings Playbook
(2012) Watch For The Signs | Released
Ratings
81%
7.1
7.8
92%
Financials
Revenue: $236,412,453
Budget: $21,000,000
Profit: + $215,412,453
Movie Details
Tag Line: Watch For The Signs
Status: Released
Average Rating: 7
Release Date: Nov 16, 2012
Rating: 2013-04-30
Run Time: 2h 02m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: The Weinstein Company
Sources:
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Keywords
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Where to watch Silver Linings Playbook
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Synopsis
After spending eight months in a mental institution, a former teacher moves back in with his parents and tries to reconcile with his ex-wife.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
David O. Russell
|
| Script Supervisor |
Karen Golden
|
|
| First Assistant Director |
Michele Ziegler
|
|
| Second Assistant Director |
Xanthus Valan
|
|
| Second Second Assistant Director |
Timothy Blockburger
|
|
| Production | Executive Producer |
Bob Weinstein
George Parra
Bradley Cooper
Harvey Weinstein
Michelle Raimo Kouyate
|
| Casting |
Mary Vernieu
Lindsay Graham Ahanonu
Patty Connolly
|
|
| Producer |
Jonathan Gordon
Donna Gigliotti
Bruce Cohen
|
|
| Production Coordinator |
David Raynor
|
|
| Executive In Charge Of Production |
Tim Clawson
|
|
| Production Assistant |
Weston Middleton
|
|
| Co-Executive Producer |
Renee Witt
|
|
| Unit Production Manager |
Mark Kamine
George Parra
|
|
| Co-Producer |
Mark Kamine
|
|
| Editing | Editor |
Jay Cassidy
Crispin Struthers
|
| Art | Art Direction |
Jesse Rosenthal
|
| Production Design |
Judy Becker
|
|
| Set Decoration |
Heather Loeffler
|
|
| Art Department Coordinator |
Marjorie Eber
|
|
| Sound | Original Music Composer |
Danny Elfman
|
| Music Supervisor |
Susan Jacobs
|
|
| Music Editor |
Philip Tallman
Dick Bernstein
|
|
| Supervising Sound Editor |
Odin Benitez
|
|
| Sound Effects Editor |
Jeff Sawyer
Angelo Palazzo
|
|
| Sound Re-Recording Mixer |
John Ross
Myron Nettinga
Kaspar Hugentobler
|
|
| ADR Editor |
Christopher T. Welch
|
|
| Sound Mixer |
Tom Nelson
|
|
| Dialogue Editor |
Mike Szakmeister
Susan Kurtz
Frank Smathers
|
|
| Supervising Dialogue Editor |
Eliza Pollack Zebert
|
|
| Supervising ADR Editor |
Eliza Pollack Zebert
|
|
| Writing | Novel |
Matthew Quick
|
| Screenplay |
David O. Russell
|
|
| Costume & Make-Up | Costume Design |
Mark Bridges
|
| Makeup Artist |
Diane Heller
Maya Hardinge
|
|
| Set Costumer |
Angeline Zeigler
Rhea Lowenthal
|
|
| Hairstylist |
Jerry Popolis
Lori McCoy-Bell
Patricia Grande
|
|
| Costume Supervisor |
Lynda Foote
|
|
| Crew | Special Effects Coordinator |
Drew Jiritano
|
| Thanks |
Anthony Minghella
Sydney Pollack
|
|
| Stunt Coordinator |
Ben Hernandez Bray
|
|
| Stunts |
Jen Weissenberg
Chris Cenatiempo
|
|
| Post Production Supervisor |
Tim Pedegana
|
|
| Stunt Double |
Jennifer Lamb
|
|
| Camera | Director of Photography |
Masanobu Takayanagi
|
| Still Photographer |
JoJo Whilden
|
|
| Steadicam Operator |
David J. Thompson
|
|
| "A" Camera Operator |
David J. Thompson
|
|
| First Assistant "A" Camera |
Donald Burghardt
|
|
| Second Assistant "A" Camera |
Julian J. Delacruz
|
|
| "B" Camera Operator |
Chris Reynolds
|
|
| First Assistant "B" Camera |
Glenn Kaplan
|
|
| Second Assistant "B" Camera |
Anthony DeFrancesco
|
|
| Clapper Loader |
Jason Rihaly
|
|
| Lighting | Rigging Gaffer |
Richie Ford
|
| Department | Role | Name |