Terminator 2: Judgment Day
(1991) It's nothing personal. | Released
Ratings
75%
8.1
8.5
100%
Financials
Revenue: $520,000,000
Budget: $102,000,000
Profit: + $418,000,000
Movie Details
Tag Line: It's nothing personal.
Status: Released
Average Rating: 8
Release Date: Jul 3, 1991
Rating: R
Run Time: 2h 17m
Original Language: English
Website: Link
Production Countries: France , United States of America
Production Companies: TriStar Pictures , StudioCanal , Valhalla Entertainment , Lightstorm Entertainment
Genres
Keywords
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Synopsis
Nearly 10 years have passed since Sarah Connor was targeted for termination by a cyborg from the future. Now her son, John, the future leader of the resistance, is the target for a newer, more deadly terminator. Once again, the resistance has managed to send a protector back to attempt to save John and his mother Sarah.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Additional Editing |
Dody Dorn
|
| Editor |
Mark Goldblatt
Richard A. Harris
Conrad Buff IV
|
|
| First Assistant Editor |
Caroline Ross
Jane Kass
|
|
| Stereoscopic Editor |
Reginald Harber Jr.
|
|
| Digital Intermediate Colorist |
Skip Kimball
|
|
| Color Timer |
Art Tostado
|
|
| Negative Cutter |
Roberto McGrath
|
|
| Art | Set Decoration |
John M. Dwyer
|
| Art Direction |
Joseph P. Lucky
|
|
| Production Design |
Joseph C. Nemec III
|
|
| Production Illustrator |
George Jenson
|
|
| Assistant Art Director |
Charles William Breen
Gary Diamond
|
|
| Concept Artist |
Steve Burg
|
|
| Property Master |
Charles Stewart
|
|
| Location Scout |
James Marlowe
|
|
| Sculptor |
Dan Frye
|
|
| Construction Coordinator |
Steve Callas
|
|
| Leadman |
Barton M. Susman
|
|
| Art Department Coordinator |
Carla S. Nemec
|
|
| Standby Painter |
Bill 'Kauhane' Hoyt
|
|
| Storyboard Artist |
Phillip Norwood
|
|
| Set Designer |
Carole Lee Cole
|
|
| Art Department Assistant |
Duncan Kennedy
|
|
| Assistant Property Master |
Linda Waxman
|
|
| Conceptual Illustrator |
David Russell
|
|
| Graphic Designer |
Paul Olsen
|
|
| Production | Executive Producer |
Gale Anne Hurd
Mario Kassar
|
| Casting |
Mali Finn
Abra Edelman
Paul Cruz
|
|
| Producer |
James Cameron
|
|
| Co-Producer |
B.J. Rack
Stephanie Austin
|
|
| Executive Assistant |
Lisa Dennis
|
|
| Casting Associate |
Emily Schweber
|
|
| Executive In Charge Of Post Production |
Ed Jones
|
|
| Executive In Charge Of Production |
Jim Morris
|
|
| Assistant Location Manager |
Robert Foulkes
|
|
| Post Production Coordinator |
Crystal Dowd
|
|
| Production Accountant |
Pam Kaye
|
|
| Key Production Assistant |
Trey Batchelor
|
|
| Unit Production Manager |
Dirk Petersmann
|
|
| Location Manager |
Stephen C. Dawson
|
|
| Production Coordinator |
Beth Block
|
|
| Publicist |
Steve Newman
|
|
| Production Assistant |
Scott Beverly
|
|
| Assistant Production Coordinator |
Dean Wright
|
|
| Payroll Accountant |
Denyse Rossi
|
|
| Location Assistant |
Marc Cohen
|
|
| Sound | Foley Recordist |
Christopher Boyes
|
| Sound Designer |
Gary Rydstrom
Tom Johnson
|
|
| Sound Editor |
Gary Rydstrom
|
|
| Sound Re-Recording Mixer |
Gary Rydstrom
Tom Johnson
Gary Summers
|
|
| Original Music Composer |
Brad Fiedel
|
|
| Boom Operator |
Nicholas R. Allen
|
|
| Supervising Sound Editor |
Gloria S. Borders
|
|
| Sound Supervisor |
Gloria S. Borders
|
|
| Sound Effects Editor |
Richard Hymns
Tim Holland
Teresa Eckton
Ethan van der Ryn
Robert Shoup
Ken Fischer
E. Larry Oatfield
|
|
| Foley Artist |
Dennie Thorpe
|
|
| Foley Editor |
Sandina Bailo-Lape
Marian Wilde
Diana Pellegrini
|
|
| Sound Assistant |
Phil Benson
|
|
| Dialogue Editor |
Gwendolyn Yates Whittle
Ewa Sztompke
Stacey A. Foiles
Sara Bolder
Paige Sartorius
|
|
| Music Editor |
Dan Garde
|
|
| ADR Editor |
Barbara McBane
Michele Perrone
C.J. Appel
|
|
| Sound |
Kevin Rose-Williams
|
|
| Sound Mixer |
Lee Orloff
|
|
| Supervising Music Editor |
Allan K. Rosen
|
|
| Scoring Mixer |
Tim Boyle
|
|
| Sound Engineer |
John Rotondi
|
|
| Directing | Director |
James Cameron
|
| Second Unit Director |
Gary Davis
|
|
| Script Supervisor |
Trudy Ramirez
|
|
| First Assistant Director |
J. Michael Haynie
|
|
| Second Assistant Director |
Dustin Bernard
|
|
| Second Second Assistant Director |
Xochi Blymyer
|
|
| Writing | Writer |
James Cameron
William Wisher Jr.
|
| Camera | Director of Photography |
Adam Greenberg
|
| Steadicam Operator |
J. Michael Muro
|
|
| Camera Operator |
Michael St. Hilaire
Don E. FauntLeRoy
Mike Benson
|
|
| Camera Technician |
Christopher Duddy
|
|
| Second Unit Director of Photography |
Mike Benson
|
|
| Key Grip |
Robert Gray
Scott M. Robinson
|
|
| Aerial Director of Photography |
David L. Butler
|
|
| Additional Still Photographer |
Merie Weismiller Wallace
|
|
| Additional Camera |
Paul C. Babin
|
|
| Still Photographer |
Zade Rosenthal
|
|
| Grip |
Richard Crompton
|
|
| Camera Loader |
Stephen Sfetku
|
|
| Dolly Grip |
Donald L. Hartley
|
|
| First Assistant Camera |
Michael A. FauntLeRoy
|
|
| Best Boy Grip |
Rick Rader
|
|
| Second Assistant Camera |
Gavin Alcott
|
|
| Lighting | Best Boy Electric |
Steven C. McGee
|
| Chief Lighting Technician |
Sal Orefice
Gary Tandrow
|
|
| Gaffer |
George S. Neil
|
|
| Rigging Gaffer |
Kevin J. Lang
|
|
| Electrician |
James M. Cox
|
|
| Rigging Grip |
Rodney Veto
|
|
| Costume & Make-Up | Costume Design |
Marlene Stewart
|
| Makeup Artist |
Ed French
Jeff Dawn
Steve LaPorte
|
|
| Hairstylist |
Robert L. Stevenson
|
|
| Costume Supervisor |
Bruce R. Hogard
|
|
| Set Costumer |
Dawn Y. Line
Greg Hall
|
|
| Key Hair Stylist |
Peter Tothpal
|
|
| Set Dressing Artist |
Craig Baron
|
|
| Visual Effects | Visual Effects |
Dennis Muren
|
| Visual Effects Supervisor |
Dennis Muren
Gene Warren Jr.
|
|
| Visual Effects Assistant Editor |
Jim May
|
|
| Animation |
Andrew Schmidt
|
|
| Visual Effects Coordinator |
Van Ling
Gail Currey
|
|
| Visual Effects Producer |
Alison Savitch
Janet Healy
Leslie Huntley
|
|
| Visual Effects Designer |
John Bruno
|
|
| Pyrotechnic Supervisor |
Joe Viskocil
|
|
| Special Effects Supervisor |
Joe Viskocil
|
|
| Stereoscopic Technical Director |
Rustin Devendorf
|
|
| Roto Supervisor |
Tom Bertino
|
|
| Additional Visual Effects |
Larry Arpin
|
|
| Matte Painter |
Richard Kilroy
|
|
| CG Animator |
Geoff Campbell
|
|
| VFX Artist |
Andrew Kennedy
|
|
| Rotoscoping Artist |
Tim Scannell
|
|
| Crew | Stunts |
Gilbert B. Combs
Bobby Porter
Jeffrey J. Dashnaw
Glenn R. Wilder
Dick Ziker
Doc D. Charbonneau
Cotton Mather
Tommy J. Huff
Lane Leavitt
|
| Stunt Coordinator |
Joel Kramer
Gary Davis
|
|
| Special Effects Coordinator |
Thomas L. Fisher
|
|
| Aerial Coordinator |
Charles A. Tamburro
|
|
| Visual Effects Art Director |
Doug Chiang
|
|
| Makeup Effects |
Stan Winston
|
|
| Cableman |
Knox White
|
|
| Stunt Double |
Debbie Evans
|
|
| Special Effects Assistant |
Scott R. Fisher
|
|
| Visual Effects Editor |
Miller Drake
Michael Gleason
|
|
| Digital Supervisor |
Stuart Robertson
|
|
| Transportation Coordinator |
Gene R. Johnson
|
|
| Post Production Supervisor |
Pamela Easley
|
|
| Propmaker |
Peter Flynn
|
|
| Picture Car Coordinator |
Steve Bonner
|
|
| Weapons Master |
Harry Lu
|
|
| Pyrotechnician |
Robert Hutchins
|
|
| Craft Service |
John Moy
|
|
| Driver |
George Grenier
|
|
| Executive in Charge of Finance |
Marty Shindler
|
|
| Post Production Assistant |
Joseph Berger-Davis
|
|
| Stand In |
Maryellen Aviano
|
|
| Utility Stunts |
Bobby Aldridge
|
|
| Video Assist Operator |
Rick Dungan
|
|
| Special Effects Technician |
Bob Ahmanson
|
|
| Technical Advisor |
Michael Albanese
|
|
| Department | Role | Name |
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