The Beach Bum
(2019) You gotta go low to get high. | Released
Ratings
5.6
5.5
56%
Financials
Revenue: $4,600,000
Budget: $5,000,000
Profit: - $-400,000
Movie Details
Tag Line: You gotta go low to get high.
Status: Released
Average Rating: 6
Release Date: Mar 21, 2019
Rating:
Run Time: 1h 35m
Original Language: English
Website: -
Production Countries: France , Switzerland , United Kingdom , United States of America
Production Companies: Anonymous Content , Iconoclast , Riverstone Pictures , Vice Studios , Le Grisbi Productions
Genres
Keywords
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Synopsis
An irreverent comedy about the misadventures of Moondog, a rebellious stoner and lovable rogue who lives large.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Steve Golin
Charles-Marie Anthonioz
John Lesher
Nicolas Lhermitte
Mourad Belkeddar
|
| Casting |
Mary Vernieu
Marisol Roncali
LaShawnna Stanley
|
|
| Executive Producer |
Deepak Nayar
Karl Spoerri
Eddy Moretti
Will Weiske
Shane Smith
Marc Schmidheiny
Nik Bower
Thorsten Schumacher
Danny Gabai
Emmeline Yang
Chiara Gelardin
|
|
| Unit Production Manager |
George Parra
|
|
| Production Supervisor |
Elayne Keratsis
|
|
| Associate Producer |
Dylan Weathered
|
|
| Co-Producer |
Judd Allison
|
|
| Sound | Original Music Composer |
John Debney
|
| Sound Editor |
Ezra Dweck
|
|
| Sound Designer |
Linda Cohen
|
|
| Music Supervisor |
Linda Cohen
|
|
| ADR Recordist |
John Jay Martyn
Fredrick Cuevas
|
|
| Sound Re-Recording Mixer |
Christopher S. Aud
|
|
| Supervising Sound Editor |
Aaron Glascock
Byron Wilson
|
|
| ADR Mixer |
Chris Navarro
Jason Oliver
|
|
| Sound Mixer |
Scott Clements
|
|
| Music Arranger |
John W. Chapman
|
|
| Sound Effects Editor |
Mitch Osias
|
|
| Boom Operator |
Frank Collins
|
|
| Camera | Director of Photography |
Benoît Debie
|
| Still Photographer |
Atsushi Nishijima
|
|
| Camera Operator |
Mike McGowan
|
|
| Camera Loader |
Sean Lunski
|
|
| Dolly Grip |
Jorge Parra
|
|
| First Assistant "A" Camera |
T. Michael McLean
|
|
| Key Grip |
Kevin Higgins
|
|
| Second Assistant "A" Camera |
Billy Wells
|
|
| Editing | Editor |
Douglas Crise
|
| Digital Colorist |
Walter Volpatto
|
|
| First Assistant Editor |
Monica Salazar
|
|
| Directing | First Assistant Director |
Richard L. Fox
|
| Director |
Harmony Korine
|
|
| Second Second Assistant Director |
Reynaldo Rodriguez
|
|
| Script Supervisor |
Carmen Soriano
|
|
| Second Assistant Director |
Scott August
|
|
| Writing | Screenplay |
Harmony Korine
|
| Costume & Make-Up | Hair Department Head |
Gianna Sparacino
|
| Key Hair Stylist |
Teresa Morgan
|
|
| Costume Design |
Heidi Bivens
|
|
| Costume Supervisor |
Susan Salzano
|
|
| Assistant Costume Designer |
Katina Danabassis
|
|
| Makeup Artist |
Susie Mendez Pfister
|
|
| Set Costumer |
Sherrie LeMaire
|
|
| Makeup Department Head |
Dolly Hernandez
|
|
| Key Costumer |
Reno Reeves
|
|
| Art | Set Designer |
Adam Willis
|
| Production Design |
Elliott Hostetter
|
|
| Art Direction |
J. Mark Harrington
|
|
| Leadman |
Jeremy Alan Read
|
|
| Property Master |
Philip Schneider
|
|
| Assistant Property Master |
Romain Gateau
|
|
| Draughtsman |
Jaime A. Marin
|
|
| Art Department Coordinator |
Sarah Arvanites
|
|
| Crew | Stunt Coordinator |
Mark Norby
|
| Post Production Supervisor |
Michael Tinger
|
|
| Stunts |
Chick Bernhard
Rosie Bernhard
|
|
| Post Production Assistant |
Clarence Deng
|
|
| Stunt Driver |
Denise Gallo
|
|
| Visual Effects | Special Effects Supervisor |
Kurt Harris
|
| Visual Effects Supervisor |
Marc D. Rienzo
|
|
| Lighting | Gaffer |
Jim Pescrille
|
| Best Boy Electric |
Rick Pilcher
|
|
| Department | Role | Name |
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