Ratings
Financials
Revenue: $4,554,416
Budget: $5,000,000
Profit: - $-445,584
Movie Details
Tag Line: You gotta go low to get high.
Status: Released
Average Rating: 6
Release Date: Mar 21, 2019
Rating: 2019-06-18
Run Time: 1h 35m
Original Language: English
Website: -
Production Countries: France , Switzerland , United Kingdom , United States of America
Production Companies: Riverstone Pictures , Vice Studios , SPK Pictures , RocketScience , Iconoclast , Anonymous Content , Le Grisbi Productions
Sources:
Genres
Keywords
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Synopsis
An irreverent comedy about the misadventures of Moondog, a rebellious stoner and lovable rogue who lives large.
Crew
| Department | Role | Name |
|---|---|---|
| Art | Art Department Coordinator |
Sarah Arvanites
|
| Leadman |
Jeremy Alan Read
|
|
| Draughtsman |
Jaime A. Marin
|
|
| Property Master |
Philip Schneider
|
|
| Assistant Property Master |
Romain Gateau
|
|
| Art Direction |
J. Mark Harrington
|
|
| Production Design |
Elliott Hostetter
|
|
| Set Decoration |
Adam Willis
|
|
| Production | Executive Producer |
Nik Bower
Emmeline Yang
Chiara Gelardin
Marc Schmidheiny
Deepak Nayar
Eddy Moretti
Thorsten Schumacher
Karl Spoerri
Shane Smith
Will Weiske
Danny Gabai
|
| Unit Production Manager |
George Parra
|
|
| Associate Producer |
Dylan Weathered
|
|
| Co-Producer |
Judd Allison
|
|
| Producer |
Nicolas Lhermitte
Steve Golin
John Lesher
Mourad Belkeddar
Charles-Marie Anthonioz
|
|
| Casting |
Marisol Roncali
LaShawnna Stanley
Mary Vernieu
|
|
| Production Supervisor |
Elayne Keratsis
|
|
| Costume & Make-Up | Assistant Costume Designer |
Katina Danabassis
|
| Key Costumer |
Reno Reeves
|
|
| Costume Supervisor |
Susan Salzano
|
|
| Makeup Artist |
Susie Mendez Pfister
|
|
| Set Costumer |
Sherrie LeMaire
|
|
| Costume Design |
Heidi Bivens
|
|
| Hair Department Head |
Gianna Sparacino
|
|
| Makeup Department Head |
Dolly Hernandez
|
|
| Key Hair Stylist |
Teresa Morgan
|
|
| Sound | Music Supervisor |
Linda Cohen
|
| Supervising Sound Editor |
Aaron Glascock
Byron Wilson
|
|
| Sound Re-Recording Mixer |
Christopher S. Aud
|
|
| Boom Operator |
Frank Collins
|
|
| ADR Mixer |
Chris Navarro
Jason Oliver
|
|
| Sound Effects Editor |
Mitch Osias
|
|
| Sound Mixer |
Scott Clements
|
|
| Music Arranger |
John W. Chapman
|
|
| Sound Designer |
Linda Cohen
|
|
| ADR Recordist |
John Jay Martyn
Fredrick Cuevas
|
|
| Sound Editor |
Ezra Dweck
|
|
| Original Music Composer |
John Debney
|
|
| Crew | Post Production Supervisor |
Michael Tinger
|
| Stunts |
Chick Bernhard
Rosie Bernhard
|
|
| Stunt Coordinator |
Mark Norby
|
|
| Stunt Driver |
Denise Gallo
|
|
| Post Production Assistant |
Clarence Deng
|
|
| Camera | First Assistant "A" Camera |
T. Michael McLean
|
| Key Grip |
Kevin Higgins
|
|
| Dolly Grip |
Jorge Parra
|
|
| Second Assistant "A" Camera |
Billy Wells
|
|
| Still Photographer |
Atsushi Nishijima
|
|
| Camera Loader |
Sean Lunski
|
|
| Director of Photography |
Benoît Debie
|
|
| Camera Operator |
Mike McGowan
|
|
| Directing | Script Supervisor |
Carmen Soriano
|
| Director |
Harmony Korine
|
|
| Second Second Assistant Director |
Reynaldo Rodriguez
|
|
| Second Assistant Director |
Scott August
|
|
| First Assistant Director |
Richard L. Fox
|
|
| Lighting | Gaffer |
Jim Pescrille
|
| Best Boy Electric |
Rick Pilcher
|
|
| Editing | First Assistant Editor |
Monica Salazar
|
| Editor |
Douglas Crise
|
|
| Digital Colorist |
Walter Volpatto
|
|
| Visual Effects | Visual Effects Supervisor |
Marc Dominic Rienzo
|
| Special Effects Supervisor |
Kurt Harris
|
|
| Writing | Screenplay |
Harmony Korine
|
| Department | Role | Name |







