Ratings
6
6.1
53%
Financials
Revenue: $102,825,796
Budget: $47,000,000
Profit: + $55,825,796
Movie Details
Tag Line: There's no such thing as free cable.
Status: Released
Average Rating: 6
Release Date: Jun 10, 1996
Rating: 1996-06-14
Run Time: 1h 36m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Columbia Pictures , Brillstein-Grey Entertainment , Licht/Mueller Film Corporation
Sources:
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Ben Stiller
|
| First Assistant Director |
Nilo Otero
|
|
| Second Assistant Director |
Frank Davis
|
|
| Script Supervisor |
Pamela Alch
|
|
| Editing | Editor |
Steven Weisberg
|
| First Assistant Editor |
Gail DuFosse
Paul Karasick
|
|
| Negative Cutter |
Mo Henry
|
|
| Color Timer |
Bob Kaiser
|
|
| Production | Executive Producer |
Brad Grey
Marc Gurvitz
Bernie Brillstein
|
| Producer |
Judd Apatow
Jeffrey A. Mueller
Andrew Licht
|
|
| Casting |
Juel Bestrop
|
|
| Co-Producer |
William S. Beasley
|
|
| Unit Production Manager |
William S. Beasley
|
|
| Production Coordinator |
Sharyn Shimada-Huggins
|
|
| Production Secretary |
Jamie Lynn Arsenault
|
|
| Production Accountant |
Terry Dunn
|
|
| Location Manager |
Steve Dayan
|
|
| Assistant Location Manager |
Ross C. Day
|
|
| Casting Associate |
Karen Meisels
|
|
| Camera | Director of Photography |
Robert Brinkmann
|
| Camera Operator |
Michael Scott
|
|
| First Assistant Camera |
Alex Leyton
|
|
| Second Assistant Camera |
Thomas Vandermillen
|
|
| Steadicam Operator |
Kirk R. Gardner
|
|
| Key Grip |
Joseph Dianda
|
|
| Dolly Grip |
Kenny Davis
Robert J. Studenny
|
|
| Still Photographer |
Melinda Sue Gordon
|
|
| Writing | Screenplay |
Lou Holtz Jr.
|
| Visual Effects | VFX Editor |
Audrey Chang
|
| Visual Effects Supervisor |
John Nelson
|
|
| Visual Effects Producer |
Jennifer Bell
|
|
| Costume & Make-Up | Costume Design |
Erica Edell Phillips
|
| Costume Supervisor |
Amy Stofsky
|
|
| Costumer |
Cheri Reed
Katrina Mastrolia
Joseph T. Mastrolia
|
|
| Key Makeup Artist |
Sheryl Ptak
|
|
| Makeup Artist |
Christy Ann Newquist
|
|
| Key Hair Stylist |
Nina Paskowitz
|
|
| Hairstylist |
Candy L. Walken
Nancy Tong
Pauletta O. Lewis
|
|
| Art | Production Design |
Sharon Seymour
|
| Art Direction |
Jeff Knipp
|
|
| Set Decoration |
Maggie Martin
|
|
| Property Master |
Steven M. Levine
|
|
| Assistant Property Master |
Teri Anne Kopp
|
|
| Construction Coordinator |
Steve A. Hagberg
|
|
| Set Designer |
Jason Weil
|
|
| Assistant Art Director |
Lori Rowbotham
|
|
| Storyboard Artist |
Richard K. Buoen
|
|
| Leadman |
Patrick Lees
|
|
| Lighting | Chief Lighting Technician |
Reinhart Peschke
|
| Assistant Chief Lighting Technician |
David Gamerman
|
|
| Crew | Stunt Coordinator |
Freddie Hice
|
| Special Effects Coordinator |
Matt Sweeney
|
|
| Video Assist Operator |
Michael J. Hogan
|
|
| Transportation Captain |
Dan Marrow
|
|
| Transportation Co-Captain |
Randy Burke
|
|
| Unit Publicist |
David Linck
|
|
| Stunts |
Jon H. Epstein
Troy Robinson
|
|
| Stunt Double |
Bob Brown
Erik Rondell
Tom Elliott
|
|
| Utility Stunts |
Norman Howell
|
|
| Sound | Production Sound Mixer |
Nelson Stoll
|
| Boom Operator |
Scott Kinzey
|
|
| Supervising Sound Editor |
Robert Grieve
Gregory King
|
|
| Sound Effects Editor |
Yann Delpuech
Rob Nokes
|
|
| Sound Re-Recording Mixer |
Scott Millan
Chris David
Tom Perry
|
|
| ADR Editor |
G.W. Brown
Michele Perrone
John Sisti
|
|
| Dialogue Editor |
Alison Fisher
Michael Haight
|
|
| Foley Editor |
John Murray
Daniel Yale
|
|
| Supervising Music Editor |
Lia Vollack
|
|
| Music Editor |
Jeanette Surga
|
|
| Foley Artist |
Alicia Stevenson
Andy Malcolm
|
|
| Foley Mixer |
David W. Alstadter
|
|
| Original Music Composer |
John Ottman
|
|
| Department | Role | Name |
Where to watch The Cable Guy
Sorry! We currently don't have any streaming links for this tv show yet :(
Check back soon! As soon as one of the many streaming/rental services add it to their catalogue, you will see it reflected here.
Join the discussion
Please Log in to comment