Ratings
Financials
Revenue: $7,300,000
Budget: $25,000,000
Profit: - $-17,700,000
Movie Details
Tag Line: Arthur Miller's timeless tale of truth on trial.
Status: Released
Average Rating: 7
Release Date: Nov 27, 1996
Rating: 1996-11-27
Run Time: 2h 04m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: 20th Century Fox
Sources:
Genres
Keywords
People Rated This
Where to watch The Crucible
Sorry! We currently don't have any streaming links for this tv show yet :(
Check back soon! As soon as one of the many streaming/rental services add it to their catalogue, you will see it reflected here.
Synopsis
A Salem resident attempts to frame her ex-lover's wife for being a witch in the middle of the 1692 witchcraft trials.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Nicholas Hytner
|
| First Assistant Director |
Mike Topoozian
|
|
| Second Assistant Director |
Bob Wagner
Richard Oswald
|
|
| Script Supervisor |
Mary Cybulski
|
|
| Editing | Editor |
Tariq Anwar
|
| Color Timer |
John Stanborough
|
|
| Negative Cutter |
Sylvia Wheeler
|
|
| Sound | Original Music Composer |
George Fenton
|
| Sound Mixer |
Michael Barosky
|
|
| Boom Operator |
Linda Murphy
|
|
| Supervising Sound Editor |
Christopher Ackland
|
|
| Dialogue Editor |
Joe Gilmore
|
|
| Foley Editor |
Stan Fiferman
|
|
| ADR Editor |
Nick Lowe
|
|
| Assistant Sound Editor |
Matt Grimes
Elaine 'Chucks' Thomas
Mark Sale
|
|
| Sound Re-Recording Mixer |
Dean Humphreys
|
|
| Foley Mixer |
Ed Colyer
|
|
| Foley Artist |
Pauline Griffiths
|
|
| Music Coordinator |
Eliza Thompson
|
|
| Camera | Director of Photography |
Andrew Dunn
|
| Camera Operator |
Bruce MacCallum
|
|
| First Assistant Camera |
Patricia Van Over
|
|
| Additional Second Assistant Camera |
Bob Becchio
|
|
| Key Grip |
Eddie Evans
|
|
| Best Boy Grip |
Tom Barrett
|
|
| Grip |
David Larue
William M. Weberg
|
|
| Still Photographer |
Barry Wetcher
|
|
| Writing | Screenplay |
Arthur Miller
|
| Theatre Play |
Arthur Miller
|
|
| Art | Production Design |
Lilly Kilvert
|
| Art Direction |
John Warnke
|
|
| Set Decoration |
Gretchen Rau
|
|
| Set Designer |
Alan S. Kaye
Nick Navarro
|
|
| Leadman |
Patrick Cassidy
|
|
| Construction Coordinator |
Butch West
|
|
| Construction Grip |
David Rotondo
|
|
| Property Master |
David Gulick
|
|
| Greensman |
Stephanie Waldron
|
|
| Art Department Coordinator |
Elizabeth Flaherty
|
|
| Art Department Assistant |
Lori A. Lopes
Anthony D. Parrillo
|
|
| Production Illustrator |
Brick Mason
|
|
| Construction Foreman |
Jess Gonchor
|
|
| Standby Painter |
James Passanante
|
|
| Costume & Make-Up | Costume Design |
Bob Crowley
|
| Key Hair Stylist |
Jan Archibald
|
|
| Hairstylist |
Jerry DeCarlo
Victoria M. Porter
Peggy Schierholz
Anthony Veader
|
|
| Makeup Designer |
Naomi Donne
|
|
| Makeup Artist |
Paula Kelly
Todd Kleitsch
Carla White
|
|
| Costume Supervisor |
Deirdre N. Williams
Lisa R. Frucht
|
|
| Key Costumer |
Amy Andrews
|
|
| Costumer |
Sheila Grover
|
|
| Production | Associate Producer |
Mitchell Levin
|
| Producer |
Robert A. Miller
David V. Picker
|
|
| Co-Producer |
Diana Pokorny
|
|
| Casting |
Donna Isaacson
Daniel Swee
|
|
| Unit Production Manager |
Diana Pokorny
|
|
| Production Supervisor |
Mari-Jo Winkler
|
|
| Location Manager |
Charles Harrington
|
|
| Post Production Coordinator |
Will Weiske
|
|
| Production Accountant |
Jon Davidson
|
|
| Casting Associate |
Christian Kaplan
|
|
| Casting Assistant |
James Calleri
|
|
| Extras Casting Assistant |
Matt Bouldry
|
|
| Crew | Stunts |
Gwynn Turnbull Weaver
Valerie Scott
Laurie Scott
R.L. Tolbert
John R. Favre
Dale Gibson
|
| Unit Publicist |
Anne S. Reilly
|
|
| Stunt Coordinator |
Walter Scott
|
|
| Special Effects Coordinator |
Brian Ricci
|
|
| Special Effects |
Gary L. King
William 'Billy Jack' Jakielaszek
|
|
| Lighting | Gaffer |
Patrick James Grosswendt
|
| Best Boy Electric |
William R. Mayberry
|
|
| Rigging Gaffer |
Blaise Dahlquist
|
|
| Electrician |
Jeff Amaral
Bernard C. Karol
Robert Cuddy
|
|
| Department | Role | Name |







