The English Patient
(1996) In love, there are no boundaries. | Released
Ratings
87%
7.2
7.4
84%
Financials
Revenue: $231,976,425
Budget: $27,000,000
Profit: + $204,976,425
Movie Details
Tag Line: In love, there are no boundaries.
Status: Released
Average Rating: 7
Release Date: Nov 14, 1996
Rating: 1996-11-14
Run Time: 2h 42m
Original Language: English
Website: -
Production Countries: United Kingdom , United States of America
Production Companies: Miramax , The Saul Zaentz Company , Tiger Moth Productions
Sources:
Genres
Keywords
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Synopsis
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Michelle Guish
David Rubin
|
| Producer |
Saul Zaentz
|
|
| Executive Producer |
Harvey Weinstein
Bob Weinstein
Scott Greenstein
|
|
| Line Producer |
Alessandro von Norman
|
|
| Unit Production Manager |
Franco Ballati
Lynn Kamern
|
|
| Associate Producer |
Paul Zaentz
Steve E. Andrews
|
|
| Art | Art Direction |
Aurelio Crugnola
|
| Production Design |
Stuart Craig
|
|
| Standby Painter |
Steve Clarke
|
|
| Set Decoration |
Aurelio Crugnola
Stephenie McMillan
|
|
| Assistant Art Director |
Neil Lamont
Franco Fumagalli
|
|
| Assistant Set Decoration |
Alessandra Querzola
John Bush
|
|
| Construction Coordinator |
Luigi Quintili
|
|
| Property Master |
Tony Teiger
|
|
| Title Designer |
Deborah Ross
|
|
| Storyboard Artist |
Tony Wright
|
|
| Sound | Original Music Composer |
Gabriel Yared
|
| Dialogue Editor |
Dianna Stirpe
Sara Bolder
John Nutt
|
|
| Sound Recordist |
Chris Newman
Ivan Sharrock
|
|
| Boom Operator |
Marc-Jon Sullivan
Donald Banks
|
|
| Supervising Sound Editor |
Pat Jackson
|
|
| ADR Supervisor |
Mark Levinson
|
|
| Foley Editor |
Malcolm Fife
|
|
| Foley Mixer |
Richard Duarte
|
|
| Sound Re-Recording Mixer |
Walter Murch
Mark Berger
David Parker
|
|
| Music Editor |
Robert Randles
|
|
| ADR Editor |
Richard Quinn
|
|
| Camera | Director of Photography |
John Seale
|
| Camera Operator |
John Seale
|
|
| Key Grip |
Tommaso Mele
|
|
| Directing | Director |
Anthony Minghella
|
| First Assistant Director |
Steve E. Andrews
|
|
| Second Assistant Director |
Emma Schofield
|
|
| Script Supervisor |
Dianne Dreyer
|
|
| Editing | Editor |
Walter Murch
|
| Negative Cutter |
Gary Burritt
|
|
| Color Timer |
William Pine
|
|
| Writing | Novel |
Michael Ondaatje
|
| Screenplay |
Anthony Minghella
|
|
| Costume & Make-Up | Costume Design |
Ann Roth
|
| Makeup Artist |
Fabrizio Sforza
Louise Constad
Alessandra Sampaolo
Giuseppe Desiato
Antonio Maltempo
|
|
| Co-Costume Designer |
Gary Jones
|
|
| Crew | Unit Publicist |
Larry Kaplan
|
| Choreographer |
Carolyn Choa
|
|
| Lighting | Gaffer |
Morris Flam
|
| Rigging Grip |
Michele Mele
|
|
| Rigging Gaffer |
Giuseppe Meloni
|
|
| Visual Effects | Special Effects Supervisor |
Richard Conway
|
| Department | Role | Name |