The English Patient
(1996) In love, there are no boundaries. | Released
Ratings
87%
7.2
7.4
84%
Financials
Revenue: $231,976,425
Budget: $27,000,000
Profit: + $204,976,425
Movie Details
Tag Line: In love, there are no boundaries.
Status: Released
Average Rating: 7
Release Date: Nov 5, 1996
Rating: R
Run Time: 2h 42m
Original Language: English
Website: -
Production Countries: United Kingdom , United States of America
Production Companies: Miramax , Tiger Moth Productions
Genres
Keywords
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Synopsis
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Walter Murch
|
| Negative Cutter |
Gary Burritt
|
|
| Color Timer |
William Pine
|
|
| Sound | Sound Re-Recording Mixer |
Walter Murch
Mark Berger
David Parker
|
| Sound Recordist |
Chris Newman
Ivan Sharrock
|
|
| Original Music Composer |
Gabriel Yared
|
|
| Supervising Sound Editor |
Pat Jackson
|
|
| Dialogue Editor |
John Nutt
Dianna Stirpe
Sara Bolder
|
|
| ADR Editor |
Richard Quinn
|
|
| Foley Editor |
Malcolm Fife
|
|
| Music Editor |
Robert Randles
|
|
| Boom Operator |
Marc-Jon Sullivan
Donald Banks
|
|
| Foley Mixer |
Richard Duarte
|
|
| ADR Supervisor |
Mark Levinson
|
|
| Production | Executive Producer |
Bob Weinstein
Harvey Weinstein
Scott Greenstein
|
| Producer |
Saul Zaentz
Paul Zaentz
Steve E. Andrews
|
|
| Line Producer |
Alessandro von Norman
|
|
| Casting |
Michelle Guish
David Rubin
|
|
| Unit Production Manager |
Lynn Kamern
Franco Ballati
|
|
| Writing | Screenplay |
Anthony Minghella
|
| Novel |
Michael Ondaatje
|
|
| Directing | Director |
Anthony Minghella
|
| First Assistant Director |
Steve E. Andrews
|
|
| Script Supervisor |
Dianne Dreyer
|
|
| Second Assistant Director |
Emma Schofield
|
|
| Camera | Director of Photography |
John Seale
|
| Camera Operator |
John Seale
|
|
| Key Grip |
Tommaso Mele
|
|
| Art | Production Design |
Stuart Craig
|
| Art Direction |
Aurelio Crugnola
|
|
| Set Decoration |
Aurelio Crugnola
Stephenie McMillan
|
|
| Assistant Set Decoration |
Alessandra Querzola
John Bush
|
|
| Assistant Art Director |
Franco Fumagalli
Neil Lamont
|
|
| Standby Painter |
Steve Clarke
|
|
| Title Designer |
Deborah Ross
|
|
| Property Master |
Tony Teiger
|
|
| Storyboard Artist |
Tony Wright
|
|
| Construction Coordinator |
Luigi Quintili
|
|
| Costume & Make-Up | Costume Design |
Ann Roth
|
| Makeup Artist |
Alessandra Sampaolo
Fabrizio Sforza
Louise Constad
Antonio Maltempo
Giuseppe Desiato
|
|
| Co-Costume Designer |
Gary Jones
|
|
| Visual Effects | Special Effects Supervisor |
Richard Conway
|
| Lighting | Gaffer |
Morris Flam
|
| Rigging Gaffer |
Giuseppe Meloni
|
|
| Rigging Grip |
Michele Mele
|
|
| Crew | Unit Publicist |
Larry Kaplan
|
| Choreographer |
Carolyn Choa
|
|
| Department | Role | Name |
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