Ratings
Financials
Revenue: $159,300,000
Budget: $60,000,000
Profit: + $99,300,000
Movie Details
Tag Line: How do you stop an assassin who has no identity?
Status: Released
Average Rating: 6
Release Date: Nov 14, 1997
Rating: 1997-11-14
Run Time: 2h 04m
Original Language: English
Website: -
Production Countries: Canada , France , Germany , Japan , United Kingdom , United States of America
Production Companies: Universal Pictures , Mutual Film Company , Alphaville Films , UGC PH , Marubeni , TOHO-TOWA , BBC , Tele München
Sources:
Genres
Keywords
People Rated This
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Synopsis
Hired by a powerful member of the Russian mafia to avenge an FBI sting that left his brother dead, a psychopathic hitman known only as The Jackal proves an elusive target for the people charged with the task of bringing him down: a deputy FBI director, a Russian MVK Major, and a jailed IRA terrorist who can recognize him.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Michael Caton-Jones
Sean Daniel
Kevin Jarre
James Jacks
|
| Casting |
Ellen Chenoweth
|
|
| Executive Producer |
Hal Lieberman
Mark Gordon
Terence A. Clegg
Gary Levinsohn
|
|
| Associate Producer |
Sean T. Stratton
|
|
| Unit Production Manager |
Leila Kirkpatrick
|
|
| Production Coordinator |
Pat McCarthy
|
|
| Unit Manager |
Michel Chauvin
|
|
| Production Manager |
François Sylvestre
|
|
| Executive In Charge Of Production |
Terence A. Clegg
|
|
| Location Manager |
Keith Hatcher
|
|
| Production Accountant |
Dorothy Precious
|
|
| ADR Voice Casting |
Terri Douglas
|
|
| Assistant Location Manager |
Denis Paquette
|
|
| Extras Casting Assistant |
Katie Conkey
|
|
| Casting Assistant |
Mercedes Kelso
|
|
| Location Assistant |
Andrew L. Lanier
|
|
| Key Set Production Assistant |
Rick Kelly
|
|
| Assistant Accountant |
Michael Beaudin
|
|
| Assistant Production Coordinator |
Guylaine Boucher
|
|
| Production Assistant |
Beth-Anne Uston
|
|
| Payroll Accountant |
Kelly Stultz
|
|
| Camera | Director of Photography |
Karl Walter Lindenlaub
|
| Aerial Director of Photography |
Larry Blanford
|
|
| First Assistant Camera |
Simon Hume
|
|
| Grip |
Michael Adams
Tom Barrett
|
|
| Key Grip |
Kelly R. Borisy
|
|
| Camera Operator |
Martin Hume
|
|
| Camera Technician |
Arwell Roberts
|
|
| Steadicam Operator |
Alf Tramontin
|
|
| Still Photographer |
Eli Reed
|
|
| Dolly Grip |
Andreas Crawford
|
|
| Second Assistant Camera |
Mik Allen
|
|
| Best Boy Grip |
Jamie Lagerhausen
|
|
| Camera Trainee |
Ciro Candia
|
|
| Directing | Director |
Michael Caton-Jones
|
| Script Supervisor |
Libbie Barr
|
|
| First Assistant Director |
Bill Westley
|
|
| Second Unit Director |
Buddy Joe Hooker
|
|
| Second Assistant Director |
Adam Goodman
|
|
| Additional Second Assistant Director |
Martin Krauka
|
|
| Third Assistant Director |
Jane Burgess
|
|
| Writing | Screenplay |
Chuck Pfarrer
|
| Editing | Editor |
Jim Clark
|
| Color Timer |
Phil Hetos
|
|
| First Assistant Editor |
Eric O. Schusterman
|
|
| Assistant Editor |
Katie Hedrich
|
|
| Negative Cutter |
Gary Burritt
|
|
| Art | Production Design |
Michael White
|
| Set Decoration |
Kate J. Sullivan
|
|
| Art Department Coordinator |
Stephanie Wertlake
|
|
| Construction Coordinator |
Ray Barrett
|
|
| Painter |
Michael R. Clark
|
|
| Art Direction |
Raymond Dupuis
Ricky Eyres
John Fenner
Bruton Jones
|
|
| Assistant Art Director |
Dennis Bosher
|
|
| Greensman |
Mark David Kersey
|
|
| Location Scout |
Tom Trigo
|
|
| Leadman |
Michael D. Harrell
|
|
| Standby Painter |
Charles Cottrell
|
|
| Property Master |
Philip McDonald
|
|
| Swing |
Alain Gonzalez
|
|
| Graphic Designer |
Peter Menich
|
|
| Assistant Property Master |
Jean Simard
|
|
| Storyboard Artist |
John Greaves
|
|
| Title Designer |
Simon Taylor
|
|
| Construction Buyer |
Jack Dyer
|
|
| Draughtsman |
Alan Hook
|
|
| Sound | Original Music Composer |
Carter Burwell
|
| Assistant Sound Editor |
Catherine Calleson
|
|
| Music Supervisor |
Paul Gillon
|
|
| Sound Effects Editor |
Noah Blough
|
|
| Supervising Sound Editor |
Richard King
|
|
| Boom Operator |
Paul Cridlin
|
|
| Orchestrator |
Sonny Kompanek
|
|
| ADR Supervisor |
Mark Auguste
|
|
| Music Editor |
Todd Kasow
|
|
| Production Sound Mixer |
David John
|
|
| Dialogue Editor |
William Jacobs
James Matheny
Michael Haight
|
|
| ADR Mixer |
Weldon Brown
|
|
| Additional Sound Re-Recordist |
Gary Alexander
|
|
| Foley Mixer |
Nerses Gezalyan
|
|
| Music Consultant |
Paul Gillon
|
|
| ADR Editor |
Cliff Latimer
|
|
| Crew | Post Production Assistant |
Barclay Crenshaw
|
| Stunt Coordinator |
Joe Dunne
|
|
| Video Assist Operator |
Lester Dunton
|
|
| Thanks |
Lisa Banes
|
|
| Propmaker |
Debbie Nolan
|
|
| CG Supervisor |
Ole Dieter Sturm
|
|
| Carpenter |
Stephen McGregor
|
|
| Transportation Coordinator |
Dick Moore
|
|
| Picture Car Coordinator |
Tom Moore
|
|
| Unit Publicist |
Sandy O'Neill
|
|
| Stunts |
Howard 'Stick' Baines
Linda Perlin
Erik Stabenau
Jodi Michelle Pynn
|
|
| Driver |
Vito G. Balenzano
|
|
| Stand In |
Debbie Lane
|
|
| Set Production Assistant |
Heidi Gilbert
|
|
| Transportation Captain |
Bob Foster
|
|
| Stunt Double |
Terry Jackson
|
|
| Special Effects Technician |
Mark Griffin
|
|
| Dialogue Coach |
Brendan Gunn
|
|
| Catering |
Robin Demetriou
|
|
| Weapons Master |
John Sprague
|
|
| Stunt Driver |
Tom Delmar
|
|
| Digital Effects Producer |
Emma Ibbetson
|
|
| Digital Supervisor |
Richard Patterson
|
|
| Pyrotechnician |
David Hill
|
|
| Pilot |
David Gene Gibbs
|
|
| Lighting | Electrician |
Matthew Brookman
Mark 'Rocky' Evans
|
| Gaffer |
Eddie Knight
|
|
| Best Boy Electric |
Bernard Arseneau
|
|
| Visual Effects | Special Effects Supervisor |
Yves De Bono
|
| Visual Effects Coordinator |
Tricia Owen
|
|
| Animation Supervisor |
Richard Malzahn
|
|
| Digital Compositors |
David S. Williams Jr.
|
|
| Costume & Make-Up | Costume Supervisor |
William A. Campbell
|
| Hairstylist |
Eithné Fennel
|
|
| Set Costumer |
Scheris Shephard
|
|
| Key Hair Stylist |
Kathe Swanson
|
|
| Makeup Artist |
Felicity Bowring
|
|
| Assistant Costume Designer |
Lorraine Z. Calvert
|
|
| Set Dressing Artist |
Pamela M. Rogers
|
|
| Costume Design |
Albert Wolsky
|
|
| Key Set Costumer |
Tommy Boyer
|
|
| Costume Assistant |
Minni Härkönen
|
|
| Wardrobe Assistant |
David Crossman
|
|
| Prosthetics |
Gary Archer
|
|
| Department | Role | Name |







