The Mummy Returns
(2001) The most powerful force on earth is about to be unleashed by the two people who should know better. | Released
Ratings
48%
6.4
6.3
47%
Financials
Revenue: $443,280,904
Budget: $98,000,000
Profit: + $345,280,904
Movie Details
Tag Line: The most powerful force on earth is about to be unleashed by the two people who should know better.
Status: Released
Average Rating: 6
Release Date: May 4, 2001
Rating: 2001-10-02
Run Time: 2h 10m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Universal Pictures , Alphaville Films
Sources:
Genres
Keywords
People Rated This
sam.hall
Compatibility : N/AShared : N/Aharsh.rathore
Compatibility : N/AShared : N/Apaul.saurbier
Compatibility : N/AShared : N/Adavid.nix
Compatibility : N/AShared : N/Adase.jt
Compatibility : N/AShared : N/Ageraldgrayhalo
Compatibility : N/AShared : N/Akrupi
Compatibility : N/AShared : N/Ahary.susanto
Compatibility : N/AShared : N/A
Where to watch The Mummy Returns
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Synopsis
Rick and Evelyn O’Connell, along with their 8-year-old son Alex, discover the key to the legendary Scorpion King’s might: the fabled Bracelet of Anubis. Unfortunately, a newly resurrected Imhotep has designs on the bracelet as well, and isn’t above kidnapping its new bearer, Alex, to gain control of Anubis’s otherworldly army.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Stephen Sommers
|
| Assistant Director |
Adil Abdelwahab
Matthew Sharp
|
|
| Second Assistant Director |
Jamie Christopher
|
|
| First Assistant Director |
Cliff Lanning
|
|
| Script Supervisor |
Sylvie Chesneau
|
|
| Additional Second Assistant Director |
Dan John
|
|
| Third Assistant Director |
William Dodds
|
|
| Second Unit Director |
Greg Michael
|
|
| Camera | Director of Photography |
Adrian Biddle
|
| Still Photographer |
Keith Hamshere
|
|
| Grip |
Philip Murphy
|
|
| Aerial Camera |
Adam Dale
|
|
| Camera Operator |
Roderick Barron
|
|
| First Assistant Camera |
Glyn Williams
|
|
| Steadicam Operator |
Alf Tramontin
|
|
| Key Grip |
John Flemming
|
|
| Focus Puller |
Mik Allen
|
|
| Camera Trainee |
David Mackie
|
|
| Clapper Loader |
Marc Atherfold
|
|
| Assistant Camera |
Brad Larner
|
|
| Writing | Screenplay |
Stephen Sommers
|
| Editing | Editor |
Ray Bushey III
Bob Ducsay
|
| Color Timer |
Jim Passon
|
|
| First Assistant Editor |
Tzarina V. Edillon
|
|
| Assistant Editor |
Michael Gay
|
|
| Colorist |
Michael Healey
|
|
| Production | Producer |
James Jacks
Sean Daniel
|
| Casting |
Joanna Colbert
Kate Dowd
|
|
| Associate Producer |
Megan Moran
|
|
| Executive Producer |
Don Zepfel
Bob Ducsay
|
|
| Production Supervisor |
Jo Burn
|
|
| Unit Manager |
Piers Dunn
|
|
| Location Manager |
Simon McNair Scott
|
|
| Production Accountant |
Alistair Thompson
|
|
| Unit Production Manager |
Hamid Araissi
|
|
| Production Manager |
Philip Kohler
|
|
| Executive In Charge Of Production |
Ron Lynch
|
|
| Production Coordinator |
Bi Benton
|
|
| Finance |
Michele Tandy
|
|
| Casting Assistant |
Leor Mendel
|
|
| Assistant Production Coordinator |
Kate Garbett
|
|
| Post Production Coordinator |
Hunter S. Ellis
|
|
| Extras Casting |
Hamid Ait Timaghrit
|
|
| Key Set Production Assistant |
Rob Burgess
|
|
| Accountant |
Sana El Kilali
|
|
| Assistant Accountant |
Tina Falcone
|
|
| Production Executive |
Ty Warren
|
|
| Assistant Location Manager |
Simon Crook
|
|
| Production Runner |
Luke Boyle
|
|
| Location Assistant |
Mustapha Adidou
|
|
| ADR Voice Casting |
Vanessa Baker
|
|
| Sound | Original Music Composer |
Alan Silvestri
|
| Sound Mix Technician |
Phillip Blackford
|
|
| Sound Effects Editor |
Malcolm Fife
|
|
| Sound Designer |
Leslie Shatz
|
|
| Musician |
John Barclay
|
|
| Orchestrator |
Mark McKenzie
|
|
| Sound Mixer |
Ronald Bailey
|
|
| Boom Operator |
Shaun Mills
|
|
| Sound Recordist |
Eddie Bydalek
|
|
| Production Sound Mixer |
Peter Glossop
|
|
| Assistant Sound Editor |
Andrew Bock
|
|
| Sound Re-Recording Mixer |
Rick Ash
|
|
| Music Editor |
John Finklea
|
|
| Sound Editor |
Valerie Davidson
|
|
| ADR Editor |
David A. Cohen
|
|
| Supervising Dialogue Editor |
Michael Magill
|
|
| Foley Recordist |
Carolyn Tapp
|
|
| Foley Artist |
Alyson Dee Moore
|
|
| ADR Mixer |
Greg Steele
|
|
| ADR Recordist |
Martin Schloemer
|
|
| Conductor |
Alan Silvestri
|
|
| Music Producer |
Glen Ballard
|
|
| Costume & Make-Up | Costume Design |
John Bloomfield
|
| Key Hair Stylist |
Tricia Cameron
|
|
| Hairstylist |
Beatrice De Alba
|
|
| Set Costumer |
Steve O'Sullivan
|
|
| Key Makeup Artist |
Aileen Seaton
|
|
| Makeup Artist |
Sonia Akouz
|
|
| Assistant Makeup Artist |
Laura McIntosh
|
|
| Contact Lens Technician |
Jemma Scott-Knox-Gore
|
|
| Key Costumer |
Neil Murphy
|
|
| Costume Coordinator |
Dulcie Scott
|
|
| Costumer |
Margaret Pescott
|
|
| Costume Assistant |
Lahcen Abbana
|
|
| Wardrobe Assistant |
Philip Goldsworthy
|
|
| Visual Effects | Visual Effects Coordinator |
Jeanie King
Lucy Killick
|
| Special Effects Supervisor |
Neil Corbould
|
|
| 3D Artist |
Glenn Cotter
|
|
| Visual Effects Supervisor |
Craig Barron
|
|
| Visual Effects Producer |
Jennifer Bell
|
|
| Animation Supervisor |
Daniel Jeannette
|
|
| Creature Design |
Derek Thompson
|
|
| Visual Effects Compositor |
Grady Cofer
|
|
| Compositing Supervisor |
Thomas Rosseter
|
|
| Visual Effects Production Assistant |
Leigh Ann Fan
|
|
| VFX Artist |
Pat Conran
|
|
| CG Animator |
Louis Dunlevy
|
|
| Compositing Artist |
Matt Kasmir
|
|
| Matte Painter |
Ivo Horvat
|
|
| Visual Effects Assistant Editor |
Carey Burens
|
|
| Lead Animator |
Marjolaine Tremblay
|
|
| Digital Compositor |
Julie Adrianson-Neary
|
|
| Senior Animator |
Rudi Bloss
|
|
| Art | Production Design |
Allan Cameron
|
| Art Direction |
Ahmed Abounouom
Giles Masters
Tony Reading
|
|
| Set Decoration |
Peter Young
|
|
| Props |
Marlon Cole
|
|
| Standby Painter |
Paul Couch
|
|
| Production Illustrator |
Jacques Rey
|
|
| Assistant Art Director |
Gary Tomkins
|
|
| Leadman |
Erik Krumrey
|
|
| Sculptor |
Paul Spateri
|
|
| Painter |
Stephanie Conrad
|
|
| Property Master |
David Balfour
|
|
| Art Department Coordinator |
Chloé Barbier
|
|
| Construction Manager |
Andy Evans
|
|
| Set Designer |
Aric Cheng
|
|
| Construction Buyer |
Robert Allen
|
|
| Storyboard Artist |
Dean Clegg
|
|
| Graphic Designer |
Danny Rogers
|
|
| Title Designer |
Kyle Cooper
|
|
| Art Department Assistant |
Sarah Bicknell
|
|
| Dressing Prop |
Paul Cheesman
|
|
| Draughtsman |
Alex Cameron
|
|
| Crew | Post Production Supervisor |
Sean T. Stratton
|
| Visual Effects Editor |
Tabitha Dean
|
|
| Scenic Artist |
James Gemmill
|
|
| Unit Publicist |
Geoff Freeman
|
|
| Armorer |
Charles Bodycomb
|
|
| Propmaker |
Jakub Durkoth
|
|
| Stunts |
Eugenio Alonso Yenes
Lynda Van Den Berg
Amanda Foster
Kelly Dent
Krystal Archer
Stephanie Lelievre
Rowley Irlam
|
|
| Executive Visual Effects Producer |
Drew Jones
|
|
| Stunt Coordinator |
Steve Dent
|
|
| Utility Stunts |
Ben Dimmock
|
|
| Animatronic and Prosthetic Effects |
Chris Barton
|
|
| Transportation Coordinator |
Hicham Regragui
|
|
| Carpenter |
Lee Biggs
|
|
| Special Effects Coordinator |
Carol McAulay
|
|
| Driver |
Mark Russell
|
|
| Compositor |
Michael Conte
|
|
| Sequence Supervisor |
Ed Kramer
|
|
| Special Effects |
Jason McCameron
|
|
| Stand In |
Joanna Hamer
|
|
| Transportation Captain |
Phil Allchin
|
|
| Special Effects Technician |
Alistair Anderson
|
|
| Stunt Double |
Nicola 'Nikki' Berwick
Kelly Dent
Lynda Van Den Berg
|
|
| Supervising Armorer |
Richard Hooper
|
|
| Floor Runner |
Ben Lanning
|
|
| Special Effects Assistant |
Christopher Brennan
|
|
| Lighting | Electrician |
Steve Casey
|
| Rigging Gaffer |
Simon Lucas
|
|
| Gaffer |
Michael Chambers
|
|
| Best Boy Electric |
Andrew Watson
|
|
| Department | Role | Name |
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