The Sorcerer's Apprentice
(2010) It's The Coolest Job Ever. | Released
Ratings
46%
6.1
6.1
40%
Financials
Revenue: $215,283,742
Budget: $150,000,000
Profit: + $65,283,742
Movie Details
Tag Line: It's The Coolest Job Ever.
Status: Released
Average Rating: 6
Release Date: Jul 13, 2010
Rating: PG
Run Time: 1h 49m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Walt Disney Pictures , Jerry Bruckheimer Films , Saturn Films , Broken Road Productions , Junction Entertainment
Genres
Keywords
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Synopsis
Balthazar Blake is a master sorcerer in modern-day Manhattan trying to defend the city from his arch-nemesis, Maxim Horvath. Balthazar can't do it alone, so he recruits Dave Stutler, a seemingly average guy who demonstrates hidden potential, as his reluctant protégé. The sorcerer gives his unwilling accomplice a crash course in the art and science of magic, and together, these unlikely partners work to stop the forces of darkness.
Crew
| Department | Role | Name |
|---|---|---|
| Art | Production Design |
Naomi Shohan
|
| Supervising Art Director |
David Lazan
|
|
| Set Decoration |
George DeTitta Jr.
|
|
| Art Direction |
David Swayze
|
|
| Construction Coordinator |
Ron Petagna
|
|
| Property Master |
James Mazzola
|
|
| Art Department Coordinator |
Claire Kirk
|
|
| Leadman |
Gerald DeTitta
|
|
| Title Designer |
Simon Cassels
|
|
| Location Scout |
Thomas R. Polleri
|
|
| Graphic Designer |
Zachary Zirlin
|
|
| Assistant Property Master |
David Schanker
|
|
| Production | Producer |
Jerry Bruckheimer
|
| Casting |
Ronna Kress
|
|
| Executive Producer |
Mike Stenson
Chad Oman
Nicolas Cage
Barry H. Waldman
Todd Garner
Norman Golightly
|
|
| Associate Producer |
Pat Sandston
|
|
| Unit Production Manager |
Richard Baratta
|
|
| ADR Voice Casting |
Sondra James
Barbara Harris
|
|
| Production Supervisor |
Trevor Waterson
|
|
| Production Coordinator |
John DeSimone
|
|
| Location Manager |
Patty Carey
|
|
| Production Accountant |
Ellen Adolph
|
|
| Costume & Make-Up | Costume Design |
Michael Kaplan
|
| Makeup & Hair |
Ilona Herman
|
|
| Assistant Costume Designer |
Michelle Matland
Marian Toy
|
|
| Hairstylist |
Alan D'Angerio
|
|
| Makeup Department Head |
Bernadette Mazur
|
|
| Costume Supervisor |
Donna Maloney
David Davenport
|
|
| Costumer |
Nicole Greenbaum
Megan Asbee
|
|
| Costume Coordinator |
Alex Bovaird
|
|
| Key Hair Stylist |
Frank Barbosa
|
|
| Key Makeup Artist |
Don Kozma
|
|
| Editing | Editor |
William Goldenberg
Scott Chestnut
|
| Color Timer |
Jim Passon
Kurt Smith
|
|
| First Assistant Editor |
Brett M. Reed
|
|
| Sound | Original Music Composer |
Trevor Rabin
|
| Sound Re-Recording Mixer |
Christopher Boyes
Kevin O’Connell
|
|
| ADR Mixer |
David Boulton
Doc Kane
Greg Steele
|
|
| Sound Effects Designer |
Shannon Mills
|
|
| Sound Mixer |
Tod A. Maitland
|
|
| Sound Effects Editor |
Gary Wright
Suhail Kafity
Adam Kopald
R.J. Palmer
F. Hudson Miller
|
|
| Supervising ADR Editor |
Kimberly Harris
|
|
| Dialogue Editor |
James Matheny
David A. Arnold
|
|
| Foley Artist |
Dan O'Connell
John T. Cucci
|
|
| Music Editor |
Nevin Seus
Robb Boyd
Katie Greathouse
|
|
| Supervising Sound Editor |
George Watters II
|
|
| ADR Editor |
Laura Graham
Michele Perrone
|
|
| Supervising Dialogue Editor |
Teri E. Dorman
|
|
| Foley Editor |
Matthew Harrison
Thomas W. Small
|
|
| Supervising Music Editor |
Jeanette Surga
|
|
| Assistant Sound Editor |
Melissa Lytle
Douglas Parker
|
|
| Foley Supervisor |
Victoria Martin
|
|
| Foley Mixer |
James Ashwill
|
|
| Boom Operator |
Timothy R. Boyce Jr.
|
|
| Writing | Writer |
Lawrence Konner
Mark Rosenthal
Matt Lopez
|
| Screenplay |
Doug Miro
Carlo Bernard
|
|
| Visual Effects | Special Effects Supervisor |
John Frazier
|
| Animation |
Larry White
|
|
| Visual Effects Supervisor |
John Nelson
|
|
| Camera | Director of Photography |
Bojan Bazelli
|
| Second Unit Director of Photography |
Patrick Loungway
|
|
| Steadicam Operator |
Stephen Consentino
|
|
| Camera Operator |
Mark Schmidt
|
|
| Still Photographer |
Robert Zuckerman
|
|
| Dolly Grip |
John Krause
Brendon Malone
|
|
| Directing | Director |
Jon Turteltaub
|
| First Assistant Director |
Geoffrey Hansen
|
|
| Second Unit Director |
Philip G. Atwell
George Marshall Ruge
|
|
| Script Supervisor |
Julie Pitkanen
|
|
| Second Assistant Director |
Peter Thorell
|
|
| Crew | Special Effects Coordinator |
Steven Kirshoff
Mark Hawker
|
| Thanks |
Michael Bloomberg
|
|
| Unit Publicist |
Michael Singer
|
|
| Post Production Supervisor |
Tami Goldman
|
|
| Stunt Coordinator |
George Marshall Ruge
|
|
| Cableman |
Jerry Yuen
|
|
| Utility Stunts |
Don Hewitt Sr.
|
|
| Charge Scenic Artist |
Roland Brooks
|
|
| Video Assist Operator |
Darren Ryan
|
|
| In Memory Of |
August Coppola
|
|
| Lighting | Chief Lighting Technician |
Anthony G. Nakonechnyj
|
| Best Boy Electric |
Richard Neumann
|
|
| Gaffer |
Michael Gallart
|
|
| Rigging Gaffer |
Rocco Palmieri
|
|
| Department | Role | Name |
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