The Terminator
(1984) Your future is in its hands. | Released
Ratings
83%
7.7
8
100%
Financials
Revenue: $78,371,200
Budget: $6,400,000
Profit: + $71,971,200
Movie Details
Tag Line: Your future is in its hands.
Status: Released
Average Rating: 8
Release Date: Oct 26, 1984
Rating: R
Run Time: 1h 48m
Original Language: English
Website: Link
Production Countries: United Kingdom , United States of America
Production Companies: Orion Pictures , Hemdale , Pacific Western , Cinema 84
Genres
Keywords
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Synopsis
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony. Meanwhile, the human-resistance movement dispatches a lone warrior to safeguard Sarah. Can he stop the virtually indestructible killing machine?
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Gale Anne Hurd
|
| Executive Producer |
Derek Gibson
John Daly
|
|
| Casting |
Stanzi Stokes
Greg Robbins
|
|
| Executive In Charge Of Production |
Bruce M. Kerner
|
|
| Assistant Production Manager |
Polly Apostolof
|
|
| Production Accountant |
Marilyn Tasso
|
|
| Location Manager |
Joseph A. Liuzzi
|
|
| Production Coordinator |
Kathy Breen
|
|
| Writing | Writer |
Gale Anne Hurd
James Cameron
|
| Dialogue |
William Wisher
|
|
| Editing | Editor |
Mark Goldblatt
|
| First Assistant Editor |
Lorna Anderson
|
|
| Associate Editor |
Michael Bloecher
|
|
| Assistant Editor |
Spike Allison Hooper
|
|
| Negative Cutter |
Mary Nelson-Duerrstein
|
|
| Sound | Sound Effects Editor |
James Fritch
Greg Dillon
Karola Storr
James J. Klinger
Mike Le Mare
Gilbert D. Marchant
Gary Shepherd
Horace Manzanares
|
| Original Music Composer |
Brad Fiedel
|
|
| Sound Re-Recording Mixer |
David J. Hudson
Mel Metcalfe
Terry Porter
|
|
| Supervising Sound Editor |
David Campling
|
|
| Boom Operator |
Ken Brocious
|
|
| Foley |
Gordon Daniel
John Post
|
|
| Music Editor |
Emilie Robertson
|
|
| Sound |
Gabriel Guy
|
|
| Music Supervisor |
Robert Randles
|
|
| Directing | Director |
James Cameron
|
| Second Unit Director |
Stan Winston
Jean-Paul Ouellette
|
|
| Script Supervisor |
Brenda Weisman
Sharon Kirkpatrick
|
|
| First Assistant Director |
Betsy Magruder
Thomas A. Irvine
|
|
| Second Assistant Director |
Robert Roda
|
|
| Camera | Director of Photography |
Adam Greenberg
|
| Camera Production Assistant |
Vance Piper
|
|
| Still Photographer |
Joyce Rudolph
|
|
| Camera Operator |
Sean McLin
Anne S. Coffey
|
|
| Second Unit Director of Photography |
Chuck Colwell
|
|
| Dolly Grip |
David Michels
|
|
| Costume & Make-Up | Makeup Department Head |
Jeff Dawn
|
| Costume Supervisor |
Deborah Everton
|
|
| Makeup Artist |
Kyle Sweet
|
|
| Costume Design |
Hilary Wright
|
|
| Hairstylist |
Peter Tothpal
|
|
| Costumer |
Julia Gombert
|
|
| Crew | Thanks |
Harlan Ellison
|
| Stunts |
Glenn R. Wilder
Frank Orsatti
Marian Green
|
|
| Special Effects Coordinator |
Ernest D. Farino
|
|
| Second Unit |
Jean-Paul Ouellette
|
|
| Makeup Effects |
Brian Wade
|
|
| Post Production Supervisor |
Donna Smith
|
|
| Property Master |
Tommy Estridge
|
|
| Scenic Artist |
Amy McGary
Kristen McGary
|
|
| Stunt Coordinator |
Ken Fritz
|
|
| Transportation Coordinator |
Wayne Stone
|
|
| Transportation Captain |
Wayne Nelson
|
|
| Art | Art Direction |
George Costello
Maria Caso
|
| Title Designer |
Ernest D. Farino
|
|
| Assistant Art Director |
Shay Austin
|
|
| Set Decoration |
Maria Caso
|
|
| Leadman |
Gary Schoeneck
|
|
| Visual Effects | Mechanical & Creature Designer |
Bob Williams
|
| Special Effects Supervisor |
Gene Warren Jr.
|
|
| Lighting | Gaffer |
Dennis Bishop
|
| Best Boy Electric |
Tim Morton
|
|
| Electrician |
Mark Morton
Mark Peterson
|
|
| Department | Role | Name |