Ratings
Financials
Revenue: $369,900,000
Budget: $23,000,000
Profit: + $346,900,000
Movie Details
Tag Line: Love is in the hair.
Status: Released
Average Rating: 7
Release Date: Jul 15, 1998
Rating: 1998-07-15
Run Time: 1h 59m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: 20th Century Fox
Sources:
Genres
Keywords
People Rated This
Where to watch There's Something About Mary
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Synopsis
For Ted, prom night went about as bad as it’s possible for any night to go. Thirteen years later, he finally gets another chance with his old prom date, only to run up against other suitors including the sleazy detective he hired to find her.
Crew
Department | Role | Name |
---|---|---|
Production | Producer |
Charles B. Wessler
Frank Beddor
Michael Steinberg
Bradley Thomas
|
Executive Producer |
Bobby Farrelly
Peter Farrelly
|
|
Casting |
Rick Montgomery
|
|
Unit Production Manager |
Marc S. Fischer
|
|
Co-Producer |
J.B. Rogers
Marc S. Fischer
|
|
Associate Producer |
Mark Charpentier
Patrick Healy
|
|
Casting Associate |
Joe Garcia
|
|
Production Accountant |
Andrea Isaacs
|
|
Production Coordinator |
Sondra Dee Boyachek
|
|
Executive In Charge Of Production |
Thomas A. Imperato
|
|
Production Supervisor |
Garrett Grant
|
|
Location Manager |
Sam Tedesco
|
|
Casting Assistant |
Ed Arenas
|
|
Production Secretary |
Jason Dudek
|
|
Location Casting |
Ellen Jacoby
|
|
ADR Voice Casting |
Terri Douglas
|
|
Assistant Production Coordinator |
Mark Lafata
|
|
First Assistant Accountant |
Deborah Evans
|
|
Art Department Production Assistant |
Liza-Anne Cabral
|
|
Location Assistant |
Josh Gutterman
|
|
Extras Casting |
Ellen Jacoby
|
|
Production Assistant |
Josué D. Aguilar
|
|
Assistant Location Manager |
R. Colette Hailey
|
|
Extras Casting Assistant |
Dana McFadden
|
|
Second Assistant Accountant |
Laura H. Kreft
|
|
Camera | Director of Photography |
Mark Irwin
|
Grip |
Mike Clayton
|
|
Still Photographer |
Glenn Watson
|
|
Key Grip |
Jim Campbell
|
|
First Assistant Camera |
Gary Katsuya Ushino
|
|
Assistant Camera |
Benjamin Centoducati
|
|
Second Assistant Camera |
Egor Davidoff
|
|
Best Boy Grip |
Eugene Rivera
|
|
Dolly Grip |
Jerry Bertolami
|
|
Costume & Make-Up | Costume Design |
Mary Zophres
|
Set Costumer |
Linda S. Cormany
|
|
Key Hair Stylist |
Voni Hinkle
|
|
Costume Supervisor |
Leslie Herman
|
|
Hairstylist |
Steve Battaglia
|
|
Makeup Artist |
Bernadette Mazur
|
|
Seamstress |
Susan Rhoden
|
|
Set Dressing Artist |
Bobby Amor
|
|
Assistant Makeup Artist |
Erin Koplow
|
|
Costumer |
Denverly Grant
|
|
Editing | Editor |
Christopher Greenbury
|
First Assistant Editor |
Larry Madaras
|
|
Color Timer |
Dennis McNeill
|
|
Negative Cutter |
Gary Burritt
|
|
Writing | Screenplay |
Ed Decter
John J. Strauss
Bobby Farrelly
Peter Farrelly
|
Story |
Ed Decter
John J. Strauss
|
|
Directing | Director |
Bobby Farrelly
Peter Farrelly
|
Script Supervisor |
Steve Gehrke
|
|
First Assistant Director |
J.B. Rogers
|
|
Second Unit Director |
Josh Klausner
|
|
Second Second Assistant Director |
Ingrid K. Behrens
|
|
Art | Art Direction |
Arlan Jay Vetter
|
Set Decoration |
Scott Jacobson
|
|
Location Scout |
Leah Sokolowsky
|
|
Construction Coordinator |
Michael Metzel
|
|
Leadman |
Mark Dane
|
|
Construction Foreman |
James Harris
|
|
Greensman |
Terry Butler
|
|
Property Master |
Richard K. Wright
|
|
Set Designer |
Nicklas Farrantello
|
|
Art Department Coordinator |
Rosa Palomo
|
|
Assistant Property Master |
Nicholas J. Romanac
|
|
Head Greensman |
Robert Kopp
|
|
Sound | Original Music Composer |
Jonathan Richman
|
Boom Operator |
Jon Udell
|
|
Music Supervisor |
Happy Walters
|
|
Sound Effects Editor |
Sean Garnhart
|
|
Sound Editor |
Jay Wilkinson
|
|
Sound Mixer |
Jonathon 'Earl' Stein
|
|
Sound Recordist |
Andrea Lakin
Brian D. Lucas
|
|
Assistant Sound Editor |
Catherine Calleson
|
|
Dolby Consultant |
James Wright
|
|
Sound Engineer |
Gary L.G. Simpson
|
|
Supervising Sound Editor |
Michael J. Benavente
|
|
ADR Editor |
Lukas Bower
Scott G.G. Haller
|
|
Supervising ADR Editor |
Vanessa Lapato
|
|
Dialogue Editor |
Allen Hartz
Ulrika Akander
Bob Newlan
|
|
Foley Recordist |
Carrie Cashman
|
|
Foley Mixer |
David Betancourt
|
|
Music Coordinator |
Manish Raval
|
|
Supervising Music Editor |
Lee Scott
|
|
Crew | Special Effects Coordinator |
Kevin Harris
|
Post Production Assistant |
Robert Pawloski
|
|
Stunt Coordinator |
Rick Barker
|
|
Scenic Artist |
Jose Duarte
|
|
Carpenter |
David Alban
|
|
Score Engineer |
Mike Ross-Trevor
|
|
Animatronics Designer |
Tony Gardner
|
|
Set Production Assistant |
Michael Hopkins
|
|
Transportation Coordinator |
Gordie Merrick
|
|
Dialect Coach |
Norene Bini
|
|
Post Production Supervisor |
P. Todd Coe
|
|
Projection |
Jon Glafcke
|
|
Makeup Effects |
Scott Malchus
|
|
Unit Publicist |
Ernie Malik
|
|
Driver |
Scott Mundy
|
|
Craft Service |
Marc H. Katz
|
|
Propmaker |
Martin W. Bell
|
|
Transportation Co-Captain |
Anthony Chiofalo
|
|
Assistant Craft Service |
Kurt Beckler
|
|
Lighting | Rigging Gaffer |
Troy White
|
Rigging Grip |
James Bright
|
|
Best Boy Electric |
Jason Barfield
|
|
Gaffer |
Jay W. Yowler
|
|
Electrician |
Larry Bradshaw
|
|
Key Rigging Grip |
Christian E. Dirkes
|
|
Visual Effects | Digital Compositors |
Jerry Hall
|
Department | Role | Name |