There's Something About Mary
(1998) Love is in the hair. | Released
Ratings
69%
6.6
7.1
83%
Financials
Revenue: $369,900,000
Budget: $23,000,000
Profit: + $346,900,000
Movie Details
Tag Line: Love is in the hair.
Status: Released
Average Rating: 7
Release Date: Jul 15, 1998
Rating: R
Run Time: 1h 59m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: 20th Century Fox
Genres
Keywords
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Synopsis
For Ted, prom night went about as bad as it’s possible for any night to go. Thirteen years later, he finally gets another chance with his old prom date, only to run up against other suitors including the sleazy detective he hired to find her.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Christopher Greenbury
|
| First Assistant Editor |
Larry Madaras
|
|
| Color Timer |
Dennis McNeill
|
|
| Negative Cutter |
Gary Burritt
|
|
| Production | Unit Production Manager |
Marc S. Fischer
|
| Co-Producer |
Marc S. Fischer
J.B. Rogers
|
|
| Casting |
Rick Montgomery
|
|
| Executive Producer |
Bobby Farrelly
Peter Farrelly
|
|
| Producer |
Frank Beddor
Michael Steinberg
Bradley Thomas
Charles B. Wessler
|
|
| Associate Producer |
Patrick Healy
Mark Charpentier
|
|
| Production Supervisor |
Garrett Grant
|
|
| ADR Voice Casting |
Terri Douglas
|
|
| Production Secretary |
Jason Dudek
|
|
| Extras Casting |
Ellen Jacoby
|
|
| Location Casting |
Ellen Jacoby
|
|
| Casting Assistant |
Ed Arenas
|
|
| Production Assistant |
Josué D. Aguilar
|
|
| Location Manager |
Sam Tedesco
|
|
| Casting Associate |
Joe Garcia
|
|
| Production Coordinator |
Sondra Dee Boyachek
|
|
| Executive In Charge Of Production |
Thomas A. Imperato
|
|
| Production Accountant |
Andrea Isaacs
|
|
| Art Department Production Assistant |
Liza-Anne Cabral
|
|
| Second Assistant Accountant |
Laura H. Kreft
|
|
| Assistant Location Manager |
R. Colette Hailey
|
|
| Location Assistant |
Josh Gutterman
|
|
| Assistant Production Coordinator |
Mark Lafata
|
|
| Extras Casting Assistant |
Dana McFadden
|
|
| First Assistant Accountant |
Deborah Evans
|
|
| Writing | Screenplay |
Bobby Farrelly
Peter Farrelly
Ed Decter
John J. Strauss
|
| Story |
Ed Decter
John J. Strauss
|
|
| Directing | Director |
Bobby Farrelly
Peter Farrelly
|
| First Assistant Director |
J.B. Rogers
|
|
| Second Unit Director |
Josh Klausner
|
|
| Script Supervisor |
Steve Gehrke
|
|
| Second Second Assistant Director |
Ingrid K. Behrens
|
|
| Camera | Director of Photography |
Mark Irwin
|
| Still Photographer |
Glenn Watson
|
|
| First Assistant Camera |
Gary Katsuya Ushino
|
|
| Dolly Grip |
Jerry Bertolami
|
|
| Key Grip |
Jim Campbell
|
|
| Grip |
Mike Clayton
|
|
| Second Assistant Camera |
Egor Davidoff
|
|
| Assistant Camera |
Benjamin Centoducati
|
|
| Best Boy Grip |
Eugene Rivera
|
|
| Art | Art Direction |
Arlan Jay Vetter
|
| Set Decoration |
Scott Jacobson
|
|
| Art Department Coordinator |
Rosa Palomo
|
|
| Property Master |
Richard K. Wright
|
|
| Construction Foreman |
James Harris
|
|
| Construction Coordinator |
Michael Metzel
|
|
| Assistant Property Master |
Nicholas J. Romanac
|
|
| Head Greensman |
Robert Kopp
|
|
| Set Designer |
Nicklas Farrantello
|
|
| Greensman |
Terry Butler
|
|
| Leadman |
Mark Dane
|
|
| Location Scout |
Leah Sokolowsky
|
|
| Costume & Make-Up | Costume Design |
Mary Zophres
|
| Makeup Artist |
Bernadette Mazur
|
|
| Costumer |
Denverly Grant
|
|
| Costume Supervisor |
Leslie Herman
|
|
| Set Dressing Artist |
Bobby Amor
|
|
| Key Hair Stylist |
Voni Hinkle
|
|
| Assistant Makeup Artist |
Erin Koplow
|
|
| Set Costumer |
Linda S. Cormany
|
|
| Hairstylist |
Steve Battaglia
|
|
| Seamstress |
Susan Rhoden
|
|
| Sound | ADR Editor |
Scott G.G. Haller
Lukas Bower
|
| Supervising Music Editor |
Lee Scott
|
|
| Music Supervisor |
Happy Walters
|
|
| Foley Mixer |
David Betancourt
|
|
| Sound Recordist |
Brian D. Lucas
Andrea Lakin
|
|
| Original Music Composer |
Jonathan Richman
|
|
| Dialogue Editor |
Bob Newlan
Allen Hartz
Ulrika Akander
|
|
| Sound Effects Editor |
Sean Garnhart
|
|
| Sound Editor |
Jay Wilkinson
|
|
| Dolby Consultant |
James Wright
|
|
| Supervising Sound Editor |
Michael J. Benavente
|
|
| Supervising ADR Editor |
Vanessa Lapato
|
|
| Sound Engineer |
Gary L.G. Simpson
|
|
| Sound Mixer |
Jonathon 'Earl' Stein
|
|
| Music Coordinator |
Manish Raval
|
|
| Boom Operator |
Jon Udell
|
|
| Assistant Sound Editor |
Catherine Calleson
|
|
| Foley Recordist |
Carrie Cashman
|
|
| Crew | Stunt Coordinator |
Rick Barker
|
| Animatronics Designer |
Tony Gardner
|
|
| Unit Publicist |
Ernie Malik
|
|
| Special Effects Coordinator |
Kevin Harris
|
|
| Carpenter |
David Alban
|
|
| Craft Service |
Marc H. Katz
|
|
| Assistant Craft Service |
Kurt Beckler
|
|
| Post Production Supervisor |
P. Todd Coe
|
|
| Dialect Coach |
Norene Bini
|
|
| Driver |
Scott Mundy
|
|
| Makeup Effects |
Scott Malchus
|
|
| Post Production Assistant |
Robert Pawloski
|
|
| Projection |
Jon Glafcke
|
|
| Propmaker |
Martin W. Bell
|
|
| Scenic Artist |
Jose Duarte
|
|
| Set Production Assistant |
Michael Hopkins
|
|
| Transportation Co-Captain |
Anthony Chiofalo
|
|
| Transportation Coordinator |
Gordie Merrick
|
|
| Score Engineer |
Mike Ross-Trevor
|
|
| Lighting | Gaffer |
Jay W. Yowler
|
| Rigging Gaffer |
Troy White
|
|
| Best Boy Electric |
Jason Barfield
|
|
| Electrician |
Larry Bradshaw
|
|
| Rigging Grip |
James Bright
|
|
| Key Rigging Grip |
Christian E. Dirkes
|
|
| Visual Effects | Digital Compositors |
Jerry Hall
|
| Department | Role | Name |
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