Ratings
Financials
Revenue: $369,900,000
Budget: $23,000,000
Profit: + $346,900,000
Movie Details
Tag Line: Love is in the hair.
Status: Released
Average Rating: 7
Release Date: Jul 15, 1998
Rating: 1998-07-15
Run Time: 1h 59m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: 20th Century Fox
Sources:
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Charles B. Wessler
Frank Beddor
Michael Steinberg
Bradley Thomas
|
| Executive Producer |
Bobby Farrelly
Peter Farrelly
|
|
| Casting |
Rick Montgomery
|
|
| Unit Production Manager |
Marc S. Fischer
|
|
| Co-Producer |
J.B. Rogers
Marc S. Fischer
|
|
| Associate Producer |
Mark Charpentier
Patrick Healy
|
|
| Casting Associate |
Joe Garcia
|
|
| Production Accountant |
Andrea Isaacs
|
|
| Production Coordinator |
Sondra Dee Boyachek
|
|
| Executive In Charge Of Production |
Thomas A. Imperato
|
|
| Production Supervisor |
Garrett Grant
|
|
| Location Manager |
Sam Tedesco
|
|
| Casting Assistant |
Ed Arenas
|
|
| Production Secretary |
Jason Dudek
|
|
| Location Casting |
Ellen Jacoby
|
|
| ADR Voice Casting |
Terri Douglas
|
|
| Assistant Production Coordinator |
Mark Lafata
|
|
| First Assistant Accountant |
Deborah Evans
|
|
| Art Department Production Assistant |
Liza-Anne Cabral
|
|
| Location Assistant |
Josh Gutterman
|
|
| Extras Casting |
Ellen Jacoby
|
|
| Production Assistant |
Josué D. Aguilar
|
|
| Assistant Location Manager |
R. Colette Hailey
|
|
| Extras Casting Assistant |
Dana McFadden
|
|
| Second Assistant Accountant |
Laura H. Kreft
|
|
| Camera | Director of Photography |
Mark Irwin
|
| Grip |
Mike Clayton
|
|
| Still Photographer |
Glenn Watson
|
|
| Key Grip |
Jim Campbell
|
|
| First Assistant Camera |
Gary Katsuya Ushino
|
|
| Assistant Camera |
Benjamin Centoducati
|
|
| Second Assistant Camera |
Egor Davidoff
|
|
| Best Boy Grip |
Eugene Rivera
|
|
| Dolly Grip |
Jerry Bertolami
|
|
| Costume & Make-Up | Costume Design |
Mary Zophres
|
| Set Costumer |
Linda S. Cormany
|
|
| Key Hair Stylist |
Voni Hinkle
|
|
| Costume Supervisor |
Leslie Herman
|
|
| Hairstylist |
Steve Battaglia
|
|
| Makeup Artist |
Bernadette Mazur
|
|
| Seamstress |
Susan Rhoden
|
|
| Set Dressing Artist |
Bobby Amor
|
|
| Assistant Makeup Artist |
Erin Koplow
|
|
| Costumer |
Denverly Grant
|
|
| Editing | Editor |
Christopher Greenbury
|
| First Assistant Editor |
Larry Madaras
|
|
| Color Timer |
Dennis McNeill
|
|
| Negative Cutter |
Gary Burritt
|
|
| Writing | Screenplay |
Ed Decter
John J. Strauss
Bobby Farrelly
Peter Farrelly
|
| Story |
Ed Decter
John J. Strauss
|
|
| Directing | Director |
Bobby Farrelly
Peter Farrelly
|
| Script Supervisor |
Steve Gehrke
|
|
| First Assistant Director |
J.B. Rogers
|
|
| Second Unit Director |
Josh Klausner
|
|
| Second Second Assistant Director |
Ingrid K. Behrens
|
|
| Art | Art Direction |
Arlan Jay Vetter
|
| Set Decoration |
Scott Jacobson
|
|
| Location Scout |
Leah Sokolowsky
|
|
| Construction Coordinator |
Michael Metzel
|
|
| Leadman |
Mark Dane
|
|
| Construction Foreman |
James Harris
|
|
| Greensman |
Terry Butler
|
|
| Property Master |
Richard K. Wright
|
|
| Set Designer |
Nicklas Farrantello
|
|
| Art Department Coordinator |
Rosa Palomo
|
|
| Assistant Property Master |
Nicholas J. Romanac
|
|
| Head Greensman |
Robert Kopp
|
|
| Sound | Original Music Composer |
Jonathan Richman
|
| Boom Operator |
Jon Udell
|
|
| Music Supervisor |
Happy Walters
|
|
| Sound Effects Editor |
Sean Garnhart
|
|
| Sound Editor |
Jay Wilkinson
|
|
| Sound Mixer |
Jonathon 'Earl' Stein
|
|
| Sound Recordist |
Andrea Lakin
Brian D. Lucas
|
|
| Assistant Sound Editor |
Catherine Calleson
|
|
| Dolby Consultant |
James Wright
|
|
| Sound Engineer |
Gary L.G. Simpson
|
|
| Supervising Sound Editor |
Michael J. Benavente
|
|
| ADR Editor |
Lukas Bower
Scott G.G. Haller
|
|
| Supervising ADR Editor |
Vanessa Lapato
|
|
| Dialogue Editor |
Allen Hartz
Ulrika Akander
Bob Newlan
|
|
| Foley Recordist |
Carrie Cashman
|
|
| Foley Mixer |
David Betancourt
|
|
| Music Coordinator |
Manish Raval
|
|
| Supervising Music Editor |
Lee Scott
|
|
| Crew | Special Effects Coordinator |
Kevin Harris
|
| Post Production Assistant |
Robert Pawloski
|
|
| Stunt Coordinator |
Rick Barker
|
|
| Scenic Artist |
Jose Duarte
|
|
| Carpenter |
David Alban
|
|
| Score Engineer |
Mike Ross-Trevor
|
|
| Animatronics Designer |
Tony Gardner
|
|
| Set Production Assistant |
Michael Hopkins
|
|
| Transportation Coordinator |
Gordie Merrick
|
|
| Dialect Coach |
Norene Bini
|
|
| Post Production Supervisor |
P. Todd Coe
|
|
| Projection |
Jon Glafcke
|
|
| Makeup Effects |
Scott Malchus
|
|
| Unit Publicist |
Ernie Malik
|
|
| Driver |
Scott Mundy
|
|
| Craft Service |
Marc H. Katz
|
|
| Propmaker |
Martin W. Bell
|
|
| Transportation Co-Captain |
Anthony Chiofalo
|
|
| Assistant Craft Service |
Kurt Beckler
|
|
| Lighting | Rigging Gaffer |
Troy White
|
| Rigging Grip |
James Bright
|
|
| Best Boy Electric |
Jason Barfield
|
|
| Gaffer |
Jay W. Yowler
|
|
| Electrician |
Larry Bradshaw
|
|
| Key Rigging Grip |
Christian E. Dirkes
|
|
| Visual Effects | Digital Compositors |
Jerry Hall
|
| Department | Role | Name |
Where to watch There's Something About Mary
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