Triple 9
(2016) The Code on the Street is Never Black & White | Released
Ratings
52%
6
6.3
53%
Financials
Revenue: $12,600,000
Budget: $20,000,000
Profit: - $-7,400,000
Movie Details
Tag Line: The Code on the Street is Never Black & White
Status: Released
Average Rating: 6
Release Date: Feb 19, 2016
Rating: 2016-02-16
Run Time: 1h 55m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Surefire Capital , Worldview Entertainment , Sierra Pictures , Anonymous Content , MadRiver Pictures
Sources:
Genres
Keywords
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Where to watch Triple 9
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Synopsis
A gang of criminals and corrupt cops plan the murder of a police officer in order to pull off their biggest heist yet across town.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
John Hillcoat
|
| Script Supervisor |
Lori Grabowski
|
|
| First Assistant Director |
Doug Torres
|
|
| Second Assistant Director |
Amir R. Khan
|
|
| Second Second Assistant Director |
Luke Crawford
|
|
| Second Unit Director |
Dan Bradley
|
|
| Writing | Writer |
Matt Cook
|
| Art | Assistant Art Director |
John Moredock
|
| Construction Coordinator |
Curtis Crowe
|
|
| Art Department Assistant |
Kelly Garrett Green
|
|
| Production Design |
Tim Grimes
|
|
| Art Department Coordinator |
Laurie Bookhardt
|
|
| Set Decoration |
Jacqueline Jacobson Scarfo
|
|
| Property Master |
Michael Sabo
Shawn M. Gray
|
|
| Leadman |
Lawrence Heap
|
|
| Assistant Property Master |
Eliot Levin
|
|
| Graphic Designer |
Stephanie Little
|
|
| Editing | Digital Intermediate |
Jeff Cornell
Kevin Vale
Charles Herzfeld
Mark Gethin
Peter Boychuk
|
| Editor |
Dylan Tichenor
|
|
| First Assistant Editor |
Tara Fidler
Beth Moran
|
|
| Crew | Stunt Coordinator |
Mickey Giacomazzi
|
| Special Effects Coordinator |
Caius Man
|
|
| Pilot |
Craig Hosking
Rich Maresco
|
|
| Craft Service |
Dustin Maeno
|
|
| Stunt Driver |
Sarah Reagin
Henry Kingi Jr.
David Alessi
Paul Chappell
Trent Mayo
Thom Williams
|
|
| Unit Publicist |
David Linck
|
|
| Video Assist Operator |
Bob Branam
|
|
| Post Production Supervisor |
Luca Borghese
|
|
| Stunt Double |
Christopher C. Padilla
Nick DeKay
Bayland Rippenkroeger
|
|
| Utility Stunts |
Karin Justman
Laurence Chavez
|
|
| Stunts |
Russell Towery
Keith Splinter Davis
Michael Hansen
Crystal Hooks
Michelle Ladd
T. Ryan Mooney
Hank Amos
|
|
| Costume & Make-Up | Makeup Department Head |
Kimberly Jones
Valli O'Reilly
|
| Hairstylist |
Tiffony Simpson
Lance Aldredge
Nicola Clarke
|
|
| Costume Supervisor |
Suzy Freeman
|
|
| Set Costumer |
Sara Cobbeldick
|
|
| Costume Design |
Margot Wilson
|
|
| Key Makeup Artist |
Sarah Mays
Tina Roesler Kerwin
Frances Hannon
|
|
| Hair Department Head |
Kelvin R. Trahan
|
|
| Makeup Artist |
Denise Tunnell
Lois McIntosh
Bryan Reynolds
|
|
| Key Hair Stylist |
Trish Almeida
Bryan Whisnant
|
|
| Key Set Costumer |
Johnna Thomas
|
|
| Ager/Dyer |
Aimee Campolucci
|
|
| Seamstress |
Oksana Shore
|
|
| Visual Effects | Visual Effects Producer |
Glenn Allen
Richard Friedlander
|
| Visual Effects Supervisor |
Keith Adams
Eran Dinur
|
|
| Camera | Still Photographer |
Bob Mahoney
|
| Camera Operator |
Jim McKinney
Matías Mesa
|
|
| First Assistant Camera |
Jon Lindsay
Adam Castro
|
|
| Director of Photography |
Nicolas Karakatsanis
|
|
| Additional Camera |
Matías Mesa
|
|
| Second Unit Director of Photography |
David Emmerichs
|
|
| Dolly Grip |
Chris D. Chapman
|
|
| Additional Photography |
Raquel Gallego
|
|
| Key Grip |
Doug Cowden
|
|
| Best Boy Grip |
Mike Sannuti
|
|
| Production | Producer |
Anthony Katagas
Bard Dorros
Marc Butan
Keith Redmon
Christopher Woodrow
John Hillcoat
|
| Casting |
Lisa Mae Fincannon
Craig Fincannon
|
|
| Casting Associate |
Kimberly Wistedt
|
|
| ADR Voice Casting |
Dann Fink
Bruce Winant
|
|
| Co-Producer |
Michael Flynn
Jonathan Pavesi
Meryl Emmerton
Adriana Randall
Matt Cook
|
|
| Co-Executive Producer |
Jared Underwood
Andrew C. Robinson
|
|
| Executive Producer |
Tom Ortenberg
Peter Lawson
Molly Conners
Maria Cestone
Sarah E. Johnson
Kimberly Fox
Steve Golin
Paul Green
|
|
| Unit Production Manager |
Anthony Katagas
Michael Flynn
|
|
| Production Supervisor |
Jen Wall
|
|
| Production Accountant |
AnaMarie C. Gonzaga
|
|
| Location Manager |
Andrew L. Ullman
|
|
| Extras Casting |
Patrick Ingram
|
|
| Sound | Music Supervisor |
Tracy McKnight
|
| Sound Re-Recording Mixer |
Michael Patterson
Leslie Shatz
Nicholas Renbeck
|
|
| Foley Artist |
Joanna Fang
Leslie Bloome
|
|
| Original Music Composer |
Claudia Sarne
Leopold Ross
Bobby Krlic
Atticus Ross
|
|
| Supervising ADR Editor |
Lisa J. Levine
Pam DeMetruis-Thomas
|
|
| ADR Recordist |
Michael Rivera
Jeremy Underwood
Nicholas Cochran
|
|
| Production Sound Mixer |
Jay Meagher
|
|
| Dialogue Editor |
Esther Regelson
|
|
| Foley Mixer |
Ryan Collison
|
|
| ADR Coordinator |
Tricia Schultz
|
|
| Foley Editor |
Daniel Ward
|
|
| ADR Mixer |
Chris Navarro
Bobby Johanson
Travis MacKay
|
|
| Sound Recordist |
Jon Flores
|
|
| Boom Operator |
Ross Simpson
|
|
| Utility Sound |
Hunter Moore
|
|
| Sound Designer |
Leslie Shatz
|
|
| Music Editor |
Nicholas Renbeck
|
|
| Lighting | Gaffer |
Ken Shibata
|
| Rigging Gaffer |
Greg Argarin
|
|
| Key Rigging Grip |
Humphrey Jarrod
|
|
| Best Boy Electric |
Ben Bowling
|
|
| Department | Role | Name |
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