Ratings
67%
7.3
7.7
78%
Financials
Revenue: $23,932,055
Budget: $5,000,000
Profit: + $18,932,055
Movie Details
Tag Line: Can you change your whole life in one day?
Status: Released
Average Rating: 7
Release Date: Dec 19, 2002
Rating: 2002-12-19
Run Time: 2h 15m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Touchstone Pictures , 40 Acres and a Mule Filmworks
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Camera | Camera Operator |
Christopher Norr
Jody Williams
|
| Director of Photography |
Rodrigo Prieto
|
|
| First Assistant Camera |
Heather Norton
James R. Belletier
|
|
| Steadicam Operator |
Andrew Casey
Jim McConkey
|
|
| Still Photographer |
David Lee
|
|
| Dolly Grip |
Rick Marroquin
Gregory Cahill
|
|
| Key Grip |
Lamont Crawford
|
|
| Second Assistant Camera |
Caesar S. Carnevale
Kris Enos
|
|
| Best Boy Grip |
Chris Skutch
|
|
| Production | Producer |
Tobey Maguire
Jon Kilik
Spike Lee
Julia Chasman
|
| Unit Production Manager |
Jon Kilik
|
|
| Executive Producer |
Nick Wechsler
|
|
| Casting |
Aisha Coley
|
|
| Production Coordinator |
Angela Quiles
Betty Chin
|
|
| Associate Producer |
Jeff Sommerville
|
|
| Payroll Accountant |
Joan Devilla
|
|
| Crew | Thanks |
Bruce Springsteen
|
| Stunt Coordinator |
Jeff Ward
|
|
| Post Production Supervisor |
Paul Leonardo Jr.
Colin Cumberbatch
|
|
| Charge Scenic Artist |
Roland Brooks
|
|
| Unit Publicist |
Jackie Bazan
|
|
| Directing | Director |
Spike Lee
|
| First Assistant Director |
Mike Ellis
|
|
| Second Second Assistant Director |
Michael A. Pinckney
|
|
| Script Supervisor |
Shari L. Carpenter
|
|
| Second Assistant Director |
Tracey Hinds
|
|
| Sound | Original Music Composer |
Terence Blanchard
|
| ADR Engineer |
David Boulton
|
|
| Music Editor |
Todd Bozung
|
|
| Foley Editor |
Kam Chan
Frank Kern
|
|
| Foley Artist |
Marko Costanzo
Leslie Bloome
David Warzynski
|
|
| Assistant Sound Editor |
Chris Fielder
Igor Nikolic
Nani Schumann
|
|
| Foley Mixer |
Matthew Haasch
|
|
| ADR Editor |
Marissa Littlefield
Hal Levinsohn
|
|
| Boom Operator |
Stuart Deutsch
|
|
| Dialogue Editor |
Fred Rosenberg
|
|
| Foley Recording Engineer |
George A. Lara
|
|
| Supervising Sound Editor |
Philip Stockton
|
|
| Sound Re-Recording Mixer |
Michael Barry
Sean Garnhart
|
|
| Sound Effects Editor |
Sean Garnhart
|
|
| Sound Effects Designer |
Sean Garnhart
|
|
| Sound Editor |
Jesse Ehredt
|
|
| Dolby Consultant |
Thomas Kodros
|
|
| Sound Mixer |
Rolf Pardula
|
|
| Utility Sound |
Karl Wasserman
|
|
| ADR Recordist |
Alex Raspa
|
|
| Editing | Editor |
Barry Alexander Brown
|
| First Assistant Editor |
K.A. Miille
|
|
| Negative Cutter |
Noëlle Penraat
|
|
| Art | Production Design |
James Chinlund
|
| Set Decoration |
Ondine Karady
|
|
| Art Direction |
Nicholas Lundy
|
|
| Assistant Art Director |
Charley Beal
Dan Kuchar
Ellen Waggett
|
|
| Property Master |
King Orba
Tim Oravetz
|
|
| Construction Coordinator |
Richard Hebrank
|
|
| Assistant Set Decoration |
Alison Froling
|
|
| Art Department Coordinator |
Alexander Wei
|
|
| Leadman |
Robin Koenig
|
|
| Assistant Property Master |
Akeo Ihara
|
|
| Writing | Screenplay |
David Benioff
|
| Novel |
David Benioff
|
|
| Visual Effects | Visual Effects Supervisor |
Randall Balsmeyer
|
| Costume & Make-Up | Costume Design |
Sandra Hernandez
|
| Key Makeup Artist |
Ellie Winslow
|
|
| Costume Supervisor |
Sukari McGill
Joanna Brett
|
|
| Hairstylist |
Fríða Aradóttir
|
|
| Key Hair Stylist |
Mary Cooke
|
|
| Makeup Artist |
Julie L. Pearce
|
|
| Lighting | Key Rigging Grip |
Robert M. Andres
|
| Gaffer |
Robby Baumgartner
|
|
| Rigging Gaffer |
Peter Walts
|
|
| Department | Role | Name |
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