Birdman or (The Unexpected Virtue of Ignorance)
(2014) How did we end up here? | Released
Ratings
88%
7.5
7.8
92%
Financials
Revenue: $103,215,094
Budget: $18,000,000
Profit: + $85,215,094
Movie Details
Tag Line: How did we end up here?
Status: Released
Average Rating: 7
Release Date: Oct 17, 2014
Rating:
Run Time: 2h 00m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: TSG Entertainment , Worldview Entertainment , New Regency Pictures , M Productions , Le Grisbi Productions
Genres
Keywords
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Synopsis
A fading actor best known for his portrayal of a popular superhero attempts to mount a comeback by appearing in a Broadway play. As opening night approaches, his attempts to become more altruistic, rebuild his career, and reconnect with friends and family prove more difficult than expected.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Alejandro González Iñárritu
|
| First Assistant Director |
Peter Kohn
|
|
| Script Supervisor |
Eva Z. Cabrera
|
|
| Second Assistant Director |
Amy Lauritsen
|
|
| Second Second Assistant Director |
Catherine Feeny
|
|
| Production | Producer |
Alejandro González Iñárritu
Arnon Milchan
James W. Skotchdopole
John Lesher
|
| Casting |
Francine Maisler
|
|
| Associate Producer |
Nicolás Giacobone
Alexander Dinelaris
Drew P. Houpt
Christina Won
|
|
| Executive Producer |
Molly Conners
Christopher Woodrow
Sarah E. Johnson
|
|
| Post Production Coordinator |
Matthew Wells
|
|
| Writing | Writer |
Alejandro González Iñárritu
Armando Bo
Nicolás Giacobone
Alexander Dinelaris
|
| Short Story |
Raymond Carver
|
|
| Camera | Additional Photography |
Rodrigo Prieto
|
| Director of Photography |
Emmanuel Lubezki
|
|
| Still Photographer |
Atsushi Nishijima
Alison Cohen Rosa
|
|
| Steadicam Operator |
Chris Haarhoff
|
|
| First Assistant Camera |
Gregor Tavenner
|
|
| Key Grip |
Mitchell Andrew Lillian
|
|
| Second Assistant Camera |
Rebecca Venezia
|
|
| Best Boy Grip |
Paul Candrilli
|
|
| Dolly Grip |
James Heerdegen
|
|
| Digital Imaging Technician |
Abby Levine
|
|
| Grip |
Simon Vincent
|
|
| Editing | Editor |
Stephen Mirrione
Douglas Crise
|
| Digital Intermediate |
Michael Dillon
Bob Schneider
|
|
| First Assistant Editor |
Corey Bayes
|
|
| Sound | Sound Re-Recording Mixer |
Skip Lievsay
Tom Ozanich
Frank A. Montaño
Jon Taylor
Bill Meadows
|
| Foley Artist |
Catherine Harper
Jeffrey Wilhoit
Gary Marullo
|
|
| Sound Effects Editor |
Roland N. Thai
|
|
| Dialogue Editor |
Albert Gasser
Glynna Grimala
Michele Perrone
|
|
| Foley Mixer |
Nerses Gezalyan
|
|
| Foley Editor |
Joe Dzuban
|
|
| Production Sound Mixer |
Thomas Varga
|
|
| Sound Designer |
Jeremy Peirson
Aaron Glascock
Martín Hernández
|
|
| Music Editor |
Will Kaplan
Martín Hernández
|
|
| Supervising ADR Editor |
Michelle Pazer
Thierry J. Couturier
|
|
| Supervising Dialogue Editor |
Michelle Pazer
Thierry J. Couturier
|
|
| ADR Editor |
Michele Perrone
|
|
| Sound Recordist |
Bradford Bell
Sean Madsen
Mark Purcell
|
|
| Original Music Composer |
Antonio Sánchez
|
|
| Costume & Make-Up | Costume Design |
Albert Wolsky
|
| Key Makeup Artist |
Rondi Scott
|
|
| Set Costumer |
Winsome G. McKoy
Monica Ruiz-Ziegler
|
|
| Hair Department Head |
Jerry Popolis
|
|
| Makeup Department Head |
Judy Chin
|
|
| Key Hair Stylist |
Kat Drazen
|
|
| Costume Supervisor |
Marcia Patten
|
|
| Set Dressing Manager |
Jolie Scherberger
|
|
| Art | Property Master |
Martin Lasowitz
|
| Assistant Art Director |
Chris Shriver
David Meyer
|
|
| Set Decoration |
George DeTitta Jr.
|
|
| Production Design |
Kevin Thompson
|
|
| Construction Grip |
Geoffrey D. Pound
Chris Marzulli
|
|
| Art Direction |
Stephen H. Carter
|
|
| Construction Coordinator |
Joseph A. Alfieri Jr.
|
|
| Assistant Property Master |
Joel Custer
Travis Quegan
|
|
| Leadman |
Gerald DeTitta
|
|
| Art Department Coordinator |
Gay Howard
|
|
| Set Decoration Buyer |
Judy Gurr
|
|
| Set Dresser |
Timothy Joliat
Matthew DeTitta
|
|
| Assistant Set Decoration |
Dan DeTitta
|
|
| Graphic Designer |
Eric Helmin
|
|
| Key Carpenter |
Michael Acevedo
|
|
| Key Construction Grip |
Steve Fratianni
|
|
| Crew | Stunts |
Declan Mulvey
Mick O'Rourke
Jason Silvis
Peter Epstein
Christopher Place
George B. Colucci Jr.
Drew Leary
Paul Lacovara
Jeremy Sample
Victor Paguia
Kim Rideout
Tim Gallin
Aja Frary
Scott Burik
Nicole Callender
Balint Pinczehelyi
Shawnna Thibodeau
Caroline Vexler
Josh Lakatos
Thomas La Marche
Thomas Place
Natalie M. Meyer
Heidi Germaine Schnappauf
Stacy Courtney
J.C. Robaina
Desira Pesta
|
| Stunt Double |
Benjamin Kanes
Trampas Thompson
|
|
| Stunt Coordinator |
Stephen A. Pope
|
|
| Transportation Coordinator |
Daniel Matthews
|
|
| Unit Publicist |
Emma Cooper
|
|
| Special Effects Coordinator |
Johann Kunz
|
|
| Visual Effects Editor |
Francis Clément
|
|
| CG Supervisor |
Sebastien Francoeur
|
|
| Loader |
Jon Sandin
|
|
| Generator Operator |
Matthew Rohn
|
|
| Lighting | Gaffer |
Robert Sciretta
|
| Rigging Gaffer |
Thomas O'Connor
|
|
| Key Rigging Grip |
James Boniece
|
|
| Rigging Grip |
Michael A. McFadden
Cooper Boniece
Joseph Fleming
|
|
| Best Boy Electric |
Peter Colavito
|
|
| Electrician |
George Selden
Luis Contreras
Sean Sciretta
|
|
| Visual Effects | Visual Effects Producer |
Ivy Agregan
Isabelle Langlois
|
| Visual Effects Production Manager |
Adam O'Brien-Locke
David Crawford
|
|
| Visual Effects Supervisor |
Ara Khanikian
|
|
| Animation |
Raphael Letertre
Soal Givord
Jocelyn Hudon
|
|
| Modeling |
Carl Gagnon
Patrice Poissant
Guillaume Champagne
|
|
| Visual Effects Production Assistant |
Vincent Bergeron
William Cote
Amelie Thomas
Jill Miller
|
|
| VFX Director of Photography |
Robert Bock
|
|
| Compositing Supervisor |
Eloi Brunelle
|
|
| Matte Painter |
Matthieu Veillette
|
|
| Digital Compositor |
Jean-Michel St-Pierre Lapierre
Alice Pépujol
Alexis Belanger
|
|
| Department | Role | Name |
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