Bringing Out the Dead
(1999) Any call can be murder, any stop can be suicide, any night can be the last. | Released
Ratings
70%
6.6
6.8
71%
Financials
Revenue: $16,800,000
Budget: $32,000,000
Profit: - $-15,200,000
Movie Details
Tag Line: Any call can be murder, any stop can be suicide, any night can be the last.
Status: Released
Average Rating: 7
Release Date: Oct 22, 1999
Rating: 1999-10-22
Run Time: 2h 01m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Scott Rudin Productions , Touchstone Pictures , Paramount , Cappa/De Fina Productions , Scott Rudin
Genres
Keywords
People Rated This
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Synopsis
Once called "Father Frank" for his efforts to rescue lives, Frank Pierce sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn't help, yet cannot quit the job on his own.
Crew
| Department | Role | Name |
|---|---|---|
| Camera | Director of Photography |
Robert Richardson
|
| Still Photographer |
Phillip V. Caruso
|
|
| Dolly Grip |
Patrick McGrath
|
|
| Steadicam Operator |
Larry McConkey
|
|
| Additional Grip |
Will Arnot
|
|
| Camera Operator |
Vincent Galindez
|
|
| First Assistant Camera |
Gregor Tavenner
|
|
| Grip |
Howard Davidson
|
|
| Second Assistant Camera |
Jeanne Vienne
|
|
| Camera Loader |
Denise Schwab
|
|
| Key Grip |
Richard Guinness Jr.
|
|
| Best Boy Grip |
Glen Engels
|
|
| Assistant Camera |
Tracey Gudwin
|
|
| Directing | Director |
Martin Scorsese
|
| First Assistant Director |
Joseph P. Reidy
|
|
| Script Supervisor |
Martha Pinson
|
|
| Second Assistant Director |
Christopher Surgent
|
|
| Second Second Assistant Director |
Greg Hale
|
|
| Writing | Screenplay |
Paul Schrader
|
| Story Editor |
Narges Takesh
|
|
| Novel |
Joe Connelly
|
|
| Sound | Sound Effects Designer |
Eugene Gearty
|
| ADR Recording Engineer |
David Boulton
|
|
| Original Music Composer |
Elmer Bernstein
|
|
| Conductor |
Elmer Bernstein
|
|
| Sound Mixer |
James Sabat
|
|
| Foley Editor |
Benjamin Cheah
|
|
| Foley Artist |
Marko Costanzo
|
|
| ADR Editor |
Marissa Littlefield
|
|
| Dialogue Editor |
Fred Rosenberg
Laura Civiello
|
|
| Foley Recordist |
George A. Lara
|
|
| Supervising Sound Editor |
Philip Stockton
|
|
| Sound Re-Recording Mixer |
Tom Fleischman
|
|
| Supervising ADR Editor |
Becky Sullivan
|
|
| Music Editor |
Bobby Mackston
|
|
| Foley Supervisor |
Will Ralston
|
|
| Boom Operator |
Louis Sabat
|
|
| Orchestrator |
Emilie A. Bernstein
|
|
| Assistant Sound Editor |
Kate Eales
|
|
| Apprentice Sound Editor |
Debora Lilavois
|
|
| ADR Recordist |
Alex Raspa
|
|
| Production | Casting |
Ellen Lewis
|
| Producer |
Scott Rudin
Barbara De Fina
|
|
| Associate Producer |
Mark Roybal
Jeff Levine
|
|
| Co-Producer |
Joseph P. Reidy
Eric Steel
|
|
| Executive Producer |
Bruce S. Pustin
Adam Schroeder
|
|
| Unit Production Manager |
Bruce S. Pustin
|
|
| Casting Associate |
Gayle Keller
|
|
| ADR Voice Casting |
Bruce Winant
|
|
| Location Assistant |
Damon Michael Gordon
|
|
| Assistant Location Manager |
James D. Lee
|
|
| Publicist |
Marion Billings
|
|
| Production Supervisor |
Shell Hecht
|
|
| Location Manager |
Len Murach
|
|
| Assistant Production Coordinator |
Karen Koula Sossiadis
|
|
| First Assistant Accountant |
Theresa Marsh
|
|
| Extras Casting Assistant |
Lee Genick
|
|
| Payroll Accountant |
Penni Smith
|
|
| Production Assistant |
Erica Bamforth
|
|
| Production Secretary |
Reid Warman
|
|
| Second Assistant Accountant |
Kellyann Wargo
|
|
| Art | Production Design |
Dante Ferretti
|
| Art Direction |
Robert Guerra
|
|
| Property Master |
James Mazzola
|
|
| Set Decoration |
William F. Reynolds
|
|
| Construction Coordinator |
Glen Pangione
|
|
| Key Construction Grip |
Thomas Yacuk
|
|
| Storyboard Artist |
John Davis
|
|
| Assistant Property Master |
James Bono
|
|
| Set Dresser |
Dennis Causey
|
|
| Construction Grip |
Jay Halligan
|
|
| Editing | Editor |
Thelma Schoonmaker
|
| Consulting Editor |
James Y. Kwei
|
|
| Color Timer |
Bob Kaiser
|
|
| First Assistant Editor |
Scott Brock
|
|
| Visual Effects | Visual Effects Producer |
Jill Brooks
|
| Visual Effects Supervisor |
Michael Owens
|
|
| Visual Effects Coordinator |
Susan Greenhow
|
|
| Visual Effects Production Assistant |
Erin Collins Butler
|
|
| Additional Visual Effects |
Nick Seuser
|
|
| Compositing Supervisor |
Jon Alexander
|
|
| Digital Compositor |
Eric Person
|
|
| Effects Supervisor |
Janos Pilenyi
|
|
| Costume & Make-Up | Costume Design |
Rita Ryack
|
| Hairstylist |
Scott W. Farley
Joseph Coscia
|
|
| Key Makeup Artist |
Linda Grimes
|
|
| Key Costumer |
Kevin Ritter
|
|
| Key Hair Stylist |
William A. Farley
|
|
| Wardrobe Supervisor |
Joanna Brett
|
|
| Wigmaker |
Carol F. Doran
|
|
| Makeup Artist |
Jane DiPersio
Leon Weisinger
|
|
| Crew | Stunt Driver |
Conrad E. Palmisano
Jalil Jay Lynch
|
| Post Production Supervisor |
Kendall McCarthy
|
|
| Stunts |
Peter Epstein
Chris Cenatiempo
|
|
| Stunt Coordinator |
G. A. Aguilar
|
|
| Driver |
Carlos Bernal
|
|
| Carpenter |
James Cappello
|
|
| Chef |
P.J. Haines
|
|
| Set Medic |
Rich Fellegara
|
|
| Special Effects Coordinator |
John Ottesen
|
|
| Transportation Captain |
Timothy Shannon
|
|
| Unit Publicist |
Eric Myers
|
|
| Visual Effects Editor |
John Bartle
|
|
| Production Office Assistant |
Ashlee Burnette
|
|
| Stand In |
Marco Kyris
|
|
| Production Intern |
Will Sweeney
|
|
| Transportation Co-Captain |
Joseph Buonocore
|
|
| Generator Operator |
Ronald Paul
|
|
| Intern |
Rueven Halevi
|
|
| Technical Advisor |
Susan Callahan
Joe Connelly
|
|
| Lighting | Gaffer |
Russell Engels
|
| Electrician |
John Billeci
|
|
| Rigging Gaffer |
Ken Connors
|
|
| Best Boy Electric |
Doug Dalisera
|
|
| Key Rigging Grip |
Billy Kerwick
|
|
| Department | Role | Name |
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