Bringing Out the Dead
(1999) Any call can be murder, any stop can be suicide, any night can be the last. | Released
Ratings
70%
6.6
6.8
71%
Financials
Revenue: $16,797,191
Budget: $32,000,000
Profit: - $-15,202,809
Movie Details
Tag Line: Any call can be murder, any stop can be suicide, any night can be the last.
Status: Released
Average Rating: 7
Release Date: Oct 22, 1999
Rating: 1999-10-22
Run Time: 2h 01m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Scott Rudin Productions , Touchstone Pictures , Paramount Pictures , Cappa/De Fina Productions , Scott Rudin
Sources:
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Keywords
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Synopsis
Once called "Father Frank" for his efforts to rescue lives, Frank Pierce sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn't help, yet cannot quit the job on his own.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Martin Scorsese
|
| Script Supervisor |
Martha Pinson
|
|
| First Assistant Director |
Joseph P. Reidy
|
|
| Second Assistant Director |
Christopher Surgent
|
|
| Second Second Assistant Director |
Greg Hale
|
|
| Writing | Screenplay |
Paul Schrader
|
| Story Editor |
Narges Takesh
|
|
| Novel |
Joe Connelly
|
|
| Editing | Editor |
Thelma Schoonmaker
|
| Color Timer |
Bob Kaiser
|
|
| First Assistant Editor |
Scott Brock
|
|
| Consulting Editor |
James Y. Kwei
|
|
| Camera | Director of Photography |
Robert Richardson
|
| Still Photographer |
Phillip V. Caruso
|
|
| Camera Operator |
Vincent Galindez
|
|
| First Assistant Camera |
Gregor Tavenner
|
|
| Steadicam Operator |
Larry McConkey
|
|
| Camera Loader |
Denise Schwab
|
|
| Dolly Grip |
Patrick McGrath
|
|
| Key Grip |
Richard Guinness Jr.
|
|
| Grip |
Howard Davidson
|
|
| Additional Grip |
Will Arnot
|
|
| Assistant Camera |
Tracey Gudwin
|
|
| Best Boy Grip |
Glen Engels
|
|
| Second Assistant Camera |
Jeanne Vienne
|
|
| Production | Producer |
Scott Rudin
Barbara De Fina
|
| Co-Producer |
Eric Steel
Joseph P. Reidy
|
|
| Casting |
Ellen Lewis
|
|
| Associate Producer |
Jeff Levine
Mark Roybal
|
|
| Executive Producer |
Bruce S. Pustin
Adam Schroeder
|
|
| Production Supervisor |
Shell Hecht
|
|
| Casting Associate |
Gayle Keller
|
|
| Location Manager |
Len Murach
|
|
| Publicist |
Marion Billings
|
|
| Unit Production Manager |
Bruce S. Pustin
|
|
| ADR Voice Casting |
Bruce Winant
|
|
| Assistant Production Coordinator |
Karen Koula Sossiadis
|
|
| Assistant Location Manager |
James D. Lee
|
|
| Location Assistant |
Damon Michael Gordon
|
|
| Extras Casting Assistant |
Lee Genick
|
|
| First Assistant Accountant |
Theresa Marsh
|
|
| Payroll Accountant |
Penni Smith
|
|
| Production Assistant |
Erica Bamforth
|
|
| Production Secretary |
Reid Warman
|
|
| Second Assistant Accountant |
Kellyann Wargo
|
|
| Sound | Original Music Composer |
Elmer Bernstein
|
| Boom Operator |
Louis Sabat
|
|
| Music Editor |
Bobby Mackston
|
|
| Orchestrator |
Emilie A. Bernstein
|
|
| Sound Re-Recording Mixer |
Tom Fleischman
|
|
| Supervising Sound Editor |
Philip Stockton
|
|
| Sound Mixer |
James Sabat
|
|
| Conductor |
Elmer Bernstein
|
|
| ADR Editor |
Marissa Littlefield
|
|
| Apprentice Sound Editor |
Debora Lilavois
|
|
| Assistant Sound Editor |
Kate Eales
|
|
| Foley Editor |
Benjamin Cheah
|
|
| Sound Effects Designer |
Eugene Gearty
|
|
| Supervising ADR Editor |
Becky Sullivan
|
|
| Dialogue Editor |
Fred Rosenberg
Laura Civiello
|
|
| ADR Recording Engineer |
David Boulton
|
|
| ADR Recordist |
Alex Raspa
|
|
| Foley Artist |
Marko Costanzo
|
|
| Foley Recordist |
George A. Lara
|
|
| Foley Supervisor |
Will Ralston
|
|
| Art | Production Design |
Dante Ferretti
|
| Set Decoration |
William F. Reynolds
|
|
| Art Direction |
Robert Guerra
|
|
| Construction Coordinator |
Glen Pangione
|
|
| Assistant Property Master |
James Bono
|
|
| Set Dresser |
Dennis Causey
|
|
| Property Master |
James Mazzola
|
|
| Construction Grip |
Jay Halligan
|
|
| Key Construction Grip |
Thomas Yacuk
|
|
| Storyboard Artist |
John Davis
|
|
| Costume & Make-Up | Costume Design |
Rita Ryack
|
| Hairstylist |
Joseph Coscia
Scott W. Farley
|
|
| Key Hair Stylist |
William A. Farley
|
|
| Makeup Artist |
Jane DiPersio
Leon Weisinger
|
|
| Wigmaker |
Carol F. Doran
|
|
| Key Costumer |
Kevin Ritter
|
|
| Key Makeup Artist |
Linda Grimes
|
|
| Wardrobe Supervisor |
Joanna Brett
|
|
| Crew | Stunt Coordinator |
G. A. Aguilar
|
| Carpenter |
James Cappello
|
|
| Chef |
P.J. Haines
|
|
| Driver |
Carlos Bernal
|
|
| Set Medic |
Rich Fellegara
|
|
| Special Effects Coordinator |
John Ottesen
|
|
| Stunts |
Chris Cenatiempo
Peter Epstein
Blaise Corrigan
|
|
| Transportation Captain |
Timothy Shannon
|
|
| Unit Publicist |
Eric Myers
|
|
| Visual Effects Editor |
John Bartle
|
|
| Post Production Supervisor |
Kendall McCarthy
|
|
| Production Office Assistant |
Ashlee Burnette
|
|
| Stand In |
Marco Kyris
|
|
| Production Intern |
Will Sweeney
|
|
| Transportation Co-Captain |
Joseph Buonocore
|
|
| Stunt Driver |
Jalil Jay Lynch
Conrad E. Palmisano
|
|
| Generator Operator |
Ronald Paul
|
|
| Intern |
Rueven Halevi
|
|
| Technical Advisor |
Susan Callahan
Joe Connelly
|
|
| Visual Effects | Visual Effects Supervisor |
Michael Owens
|
| Visual Effects Producer |
Jill Brooks
|
|
| Visual Effects Coordinator |
Susan Greenhow
|
|
| Additional Visual Effects |
Nick Seuser
|
|
| Visual Effects Production Assistant |
Erin Collins Butler
|
|
| Compositing Supervisor |
Jon Alexander
|
|
| Digital Compositor |
Eric Person
|
|
| Effects Supervisor |
Janos Pilenyi
|
|
| Lighting | Best Boy Electric |
Doug Dalisera
|
| Electrician |
John Billeci
|
|
| Gaffer |
Russell Engels
|
|
| Rigging Gaffer |
Ken Connors
|
|
| Key Rigging Grip |
Billy Kerwick
|
|
| Department | Role | Name |
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