Ratings
25%
5.5
5.6
29%
Financials
Revenue: $15,427,192
Budget: $6,000,000
Profit: + $9,427,192
Movie Details
Tag Line: The death of Mona Dearly wasn't so much a whodunnit, as a who didn't.
Status: Released
Average Rating: 5
Release Date: Mar 3, 2000
Rating: 2000-03-03
Run Time: 1h 36m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Neverland Films , Code Entertainment
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Nick Gomez
|
| Script Supervisor |
Patti Dalzell
|
|
| Second Second Assistant Director |
Stacey Holmes
|
|
| First Assistant Director |
John M. Nelson
|
|
| Second Assistant Director |
Wendi Lampassi
|
|
| Writing | Writer |
Peter Steinfeld
|
| Sound | Original Music Composer |
Michael Tavera
|
| Production Sound Mixer |
Mark Weingarten
|
|
| Boom Operator |
Lawrence L. Commans
|
|
| Supervising Sound Editor |
Jeff Kushner
|
|
| Sound Designer |
Jeff Kushner
|
|
| Foley Editor |
Christopher Flick
|
|
| Sound Effects Editor |
Donald Flick
Evan T. Chen
|
|
| ADR Supervisor |
Mary Ruth Smith
|
|
| Dialogue Editor |
David E. Stone
Mary Andrews
|
|
| Sound Recordist |
Ryan Murphy
|
|
| Additional Sound Re-Recording Mixer |
Patrick Giraudi
|
|
| Sound Re-Recording Mixer |
Jeffrey Perkins
Samuel Lehmer
|
|
| Foley Artist |
Ken Dufva
David Lee Fein
|
|
| Foley Recordist |
Marty Church
|
|
| ADR Mixer |
Mark McBryde
Jamie Baker
|
|
| Music Editor |
Terry Delsing
Bunny Andrews
|
|
| Dolby Consultant |
Bryan Pennington
|
|
| Scoring Mixer |
Scott Cochran
|
|
| Camera | Director of Photography |
Bruce Douglas Johnson
|
| "A" Camera Operator |
William Webb
|
|
| Steadicam Operator |
William Webb
|
|
| Key Grip |
David A. Santos
|
|
| Best Boy Grip |
Rocky Ford
|
|
| Still Photographer |
Peter Sorel
|
|
| Second Unit Director of Photography |
Bengt Jonsson
|
|
| Editing | Editor |
Richard Pearson
|
| Associate Editor |
Jeff Kushner
|
|
| Negative Cutter |
Mo Henry
|
|
| Production | Casting |
Monika Mikkelsen
|
| Producer |
Bart Rosenblatt
Eugene Musso
Al Corley
|
|
| Executive Producer |
Danny DeVito
Michael Shamberg
Stacey Sher
Jonathan Weisgal
|
|
| Production Supervisor |
Douglas Jones
|
|
| Production Coordinator |
Jimmy Holcomb
|
|
| Assistant Production Coordinator |
Erin Borel
|
|
| Production Manager |
Bart Rosenblatt
|
|
| Location Manager |
George Herthel
|
|
| Production Accountant |
Marsha L. Swinton
|
|
| Payroll Accountant |
Mylan Stepanovich
|
|
| Casting Assistant |
Leah Buono
|
|
| Art | Production Design |
Richard Toyon
|
| Set Decoration |
Karen Agresti
|
|
| Leadman |
Nya Patrinos
|
|
| Set Designer |
Betty Krul
|
|
| Storyboard Artist |
Andrea Dietrich
|
|
| Property Master |
Scott Buckwald
|
|
| Costume & Make-Up | Costume Design |
Terry Dresbach
|
| Wardrobe Supervisor |
Pie Lombardi
|
|
| Key Costumer |
Bega Metzner
|
|
| Makeup Department Head |
Carol Strong
|
|
| Makeup Artist |
Angela Johnson
Denise Pugh-Ruiz
|
|
| Hair Department Head |
Audrey Futterman-Stern
|
|
| Key Hair Stylist |
Thomas Opitz
|
|
| Special Effects Makeup Artist |
Thomas R. Burman
Bari Dreiband-Burman
|
|
| Crew | Stunt Coordinator |
Cindy Folkerson
|
| Stunt Double |
Jeff Smolek
Dane Farwell
Randall Huber
Kent W. Luttrell
Brian J. Williams
Cindy Folkerson
|
|
| Unit Publicist |
Michael Klastorin
|
|
| Post Production Supervisor |
Spike Allison Hooper
|
|
| Special Effects |
John Hartigan
|
|
| Special Effects Coordinator |
David Waine
|
|
| Transportation Coordinator |
John W. Barbee
|
|
| Transportation Captain |
Jimmie K. Turner
|
|
| Set Medic |
David Falicki
|
|
| Studio Teacher |
Jim Hartz
Wendy Wilhite Chatley
Maura Gannett
|
|
| Dialect Coach |
Robert Easton
|
|
| Stunt Driver |
Brian Maynard
|
|
| Lighting | Gaffer |
Steve Belsky
|
| Visual Effects | Visual Effects Supervisor |
Bruce Douglas Johnson
|
| Rotoscoping Artist |
Adam Stern
|
|
| Compositing Supervisor |
Michael Adkisson
|
|
| Department | Role | Name |
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