Even Cowgirls Get the Blues
(1994) There have been many great drivers but only one great passenger. | Released
Ratings
4.4
Financials
Revenue: $0
Budget: $8,000,000
Profit: - $-8,000,000
Movie Details
Tag Line: There have been many great drivers but only one great passenger.
Status: Released
Average Rating: 4
Release Date: May 13, 1994
Rating: R
Run Time: 1h 36m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Fourth Vision
Genres
Keywords
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Synopsis
Sissy Hankshaw is born with enormous thumbs that help her hitchhiking through the US from a young age. She becomes a model in advertising and her NY agent 'the Countess' sends her to his ranch in CA to shoot a commercial, set against the background of mating whooping cranes. There, she befriends Bonanza Jellybean, one of the cowgirls at the beauty- ranch.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Unit Production Manager |
Eric McLeod
|
| Line Producer |
Eric McLeod
|
|
| Producer |
Laurie Parker
Lucy Phillips
|
|
| Casting |
Richard Pagano
Sharon Bialy
Debi Manwiller
|
|
| Executive Producer |
Gus Van Sant
|
|
| Production Coordinator |
Beth DePatie
|
|
| Associate Producer |
Mary Ann Marino
|
|
| Assistant Accountant |
Whitney J. Willard
|
|
| Production Accountant |
Gwen Everman
|
|
| Costume & Make-Up | Costume Design |
Beatrix Aruna Pasztor
|
| Hair Designer |
Gina Monaci
|
|
| Makeup Designer |
Gina Monaci
|
|
| Key Hair Stylist |
Anne Morgan
|
|
| Key Makeup Artist |
Leonard MacDonald
|
|
| Directing | Second Second Assistant Director |
David Minkowski
|
| Director |
Gus Van Sant
|
|
| Script Supervisor |
Jane Goldsmith
|
|
| Second Assistant Director |
Shiho Ito
|
|
| First Assistant Director |
Phillip Christon
|
|
| Editing | Editor |
Gus Van Sant
Curtiss Clayton
|
| Associate Editor |
Amy E. Duddleston
|
|
| Color Timer |
Jeff Smithwick
|
|
| First Assistant Editor |
Curtis Croeni
|
|
| Negative Cutter |
Karen Thorndike
|
|
| Writing | Writer |
Gus Van Sant
|
| Novel |
Tom Robbins
|
|
| Camera | Director of Photography |
John J. Campbell
Eric Alan Edwards
|
| Still Photographer |
Abigayle Tarsches
|
|
| Sound | Sound Editor |
Mary Bauer
Peter Appleton
David A. Cohen
Malcolm Fife
E. Larry Oatfield
John Verbeck
|
| Original Music Composer |
k.d. lang
Ben Mink
|
|
| Foley Artist |
Margie O'Malley
Jennifer Myers
|
|
| Sound Designer |
Kelley Baker
|
|
| Supervising Sound Editor |
Kelley Baker
|
|
| Sound Mixer |
Jon Huck
|
|
| Boom Operator |
Charlene Hamer
|
|
| Foley Recordist |
Jim Pasque
|
|
| Art | Production Design |
Missy Stewart
|
| Assistant Property Master |
David Saltzman
|
|
| Construction Coordinator |
Ryan Plucknett
|
|
| Art Direction |
Dan Self
|
|
| Set Decoration |
Nina Bradford
|
|
| Leadman |
Benjamin Hayden
|
|
| Property Master |
Blanche Sindelar
|
|
| Crew | Makeup Effects |
Bill Corso
|
| Stunts |
Jeff Imada
|
|
| Transportation Coordinator |
William 'Fleet' Eakland
|
|
| Stunt Coordinator |
Jake Crawford
|
|
| Post Production Supervisor |
Leslie A. Leitner
Susan J. Dupre
|
|
| Visual Effects | Visual Effects Supervisor |
Chel White
|
| Department | Role | Name |