Inside Man
(2006) It looked like the perfect bank robbery. But you can’t judge a crime by its cover. | Released
Ratings
76%
7.4
7.6
86%
Financials
Revenue: $186,003,591
Budget: $45,000,000
Profit: + $141,003,591
Movie Details
Tag Line: It looked like the perfect bank robbery. But you can’t judge a crime by its cover.
Status: Released
Average Rating: 7
Release Date: Mar 17, 2006
Rating:
Run Time: 2h 09m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: 40 Acres and a Mule Filmworks , Imagine Entertainment , Universal Pictures
Genres
Keywords
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Synopsis
When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Brian Grazer
|
| Executive Producer |
Jon Kilik
Karen Kehela Sherwood
Kim Roth
Daniel M. Rosenberg
|
|
| Unit Production Manager |
Jonathan Filley
|
|
| Co-Producer |
Jonathan Filley
|
|
| Casting |
Kim Coleman
|
|
| Production Accountant |
Mike Phillips
|
|
| Casting Assistant |
Eve Streger
|
|
| Art Department Production Assistant |
Carmen Cárdenas
|
|
| Production Coordinator |
Diana E. Latham
|
|
| Location Assistant |
Beth Avery
|
|
| Production Manager |
Miguel Ángel Poveda
|
|
| Location Manager |
Joseph White
|
|
| Production Supervisor |
Colin Cumberbatch
|
|
| Assistant Production Coordinator |
Kim Jackson
|
|
| Post Production Accountant |
Yana Collins Lehman
|
|
| Payroll Accountant |
Victoria Brown McCready
|
|
| Assistant Location Manager |
Jean Chien
|
|
| Publicist |
Evelyn Santana
|
|
| Extras Casting Assistant |
Mo Link
|
|
| Production Assistant |
Jill Fazzolare
|
|
| Second Assistant Accountant |
Jennifer Gaston-Gates
|
|
| Art | Production Design |
Wynn Thomas
|
| Title Designer |
Randall Balsmeyer
|
|
| Art Direction |
Chris Shriver
|
|
| Set Decoration |
George DeTitta Jr.
|
|
| Property Master |
Michael Saccio
|
|
| Assistant Art Director |
James C. Feng
|
|
| Art Department Coordinator |
Leann Murphy
|
|
| Construction Coordinator |
Martin Bernstein
|
|
| Location Scout |
Guy Efrat
|
|
| Storyboard Artist |
Dan Maslen
|
|
| Props |
James Klotsas
|
|
| Set Dresser |
Gabu Camilo
|
|
| Key Construction Grip |
Vincent Guarriello
|
|
| Construction Grip |
Arne Olsen
|
|
| Set Decoration Buyer |
Dan DeTitta
|
|
| Construction Foreman |
Timothy Main
|
|
| Assistant Property Master |
Ross Huttick
|
|
| Shop Electric |
Allen Stillman
|
|
| Sound | Sound Effects Designer |
Eugene Gearty
|
| Original Music Composer |
Terence Blanchard
|
|
| ADR Engineer |
David Boulton
|
|
| Supervising Music Editor |
Todd Bozung
|
|
| Orchestrator |
Howard Drossin
|
|
| Foley Artist |
Marko Costanzo
|
|
| Assistant Sound Editor |
Chris Fielder
|
|
| ADR Editor |
Marissa Littlefield
|
|
| Dialogue Editor |
Fred Rosenberg
|
|
| Foley Supervisor |
Frank Kern
|
|
| Supervising Sound Editor |
Philip Stockton
|
|
| Foley Mixer |
Sean Garnhart
|
|
| Additional Sound Re-Recording Mixer |
Bob Chefalas
|
|
| Sound Effects Editor |
Allan Zaleski
|
|
| Production Sound Mixer |
William Sarokin
|
|
| Foley Editor |
Jamie Baker
|
|
| Boom Operator |
George Leong
|
|
| ADR Recordist |
Carlie Bergman
|
|
| ADR Mixer |
Dicken Berglund
|
|
| Apprentice Sound Editor |
Sara Stern
|
|
| Musician |
Mark Adams
|
|
| Camera | Director of Photography |
Matthew Libatique
|
| Camera Operator |
Ricardo Sarmiento
|
|
| Steadicam Operator |
Stephen Consentino
|
|
| "A" Camera Operator |
Stephen Consentino
|
|
| Still Photographer |
David Lee
|
|
| Dolly Grip |
Kurt Rimmel
|
|
| Grip |
Tony Arnaud
|
|
| Key Grip |
Lamont Crawford
|
|
| Best Boy Grip |
Terrence Laron Burke
|
|
| Assistant Camera |
Ethan Borsuk
|
|
| First Assistant Camera |
Pyare Fortunato
|
|
| Camera Loader |
Pierson Silver
|
|
| Camera Production Assistant |
James Parsons
|
|
| Directing | Director |
Spike Lee
|
| Second Second Assistant Director |
Rodney "Bear" Jackson
|
|
| First Assistant Director |
Mike Ellis
|
|
| Continuity |
Shari L. Carpenter
|
|
| Second Assistant Director |
Tracey Hinds
|
|
| Writing | Writer |
Russell Gewirtz
|
| Editing | Editor |
Barry Alexander Brown
|
| Digital Intermediate Editor |
Curtis Lindersmith
|
|
| Additional Editing |
Sam Pollard
|
|
| First Assistant Editor |
Ryan Denmark
|
|
| Assistant Editor |
Alex Jablonski
|
|
| Negative Cutter |
Paul Tanzillo Jr.
|
|
| Digital Intermediate Producer |
Terra Bliss
|
|
| Costume & Make-Up | Costume Design |
Donna Berwick
|
| Key Makeup Artist |
Anita Gibson
|
|
| Costume Supervisor |
Paul A. Simmons Jr.
|
|
| Makeup Artist |
Patricia Regan
|
|
| Key Hair Stylist |
Kenneth Walker
|
|
| Costume Assistant |
Tsigie White
|
|
| Costumer |
Careen Fowles
|
|
| Ager/Dyer |
Meg Thornton
|
|
| Seamstress |
Colleen Morris
|
|
| Assistant Costume Designer |
Laura Sewrey
|
|
| Visual Effects | Special Effects Supervisor |
Steven Kirshoff
|
| Digital Compositor |
Ella Boliver
|
|
| Crew | Dialect Coach |
Carla Meyer
|
| Stunt Coordinator |
Jeff Ward
|
|
| Special Effects Assistant |
Fred Buchholz
|
|
| Stunts |
Linton Alfred
|
|
| Transportation Captain |
Gene O'Neill
|
|
| Transportation Co-Captain |
John Canavan
|
|
| Post Production Supervisor |
Susan Lazarus
|
|
| Special Effects Technician |
Devin Maggio
|
|
| Armorer |
Ryder Washburn
|
|
| Carpenter |
Robert Antalocy
|
|
| Craft Service |
William Sepulveda
|
|
| Set Production Assistant |
Nicholas Brown
|
|
| Stand In |
James Hook
|
|
| Unit Publicist |
Jackie Bazan
|
|
| Video Assist Operator |
Max Frankston
|
|
| Charge Scenic Artist |
Jeffrey L. Glave
|
|
| Intern |
Bridgett Brown
|
|
| Lighting | Rigging Gaffer |
Bill Almeida
|
| Gaffer |
John Velez
|
|
| Best Boy Electric |
Darrin Smith
|
|
| Rigging Grip |
Justin Panzanaro
|
|
| Electrician |
Justin Cheatham
|
|
| Department | Role | Name |
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