Ratings
Financials
Revenue: $186,003,591
Budget: $45,000,000
Profit: + $141,003,591
Movie Details
Tag Line: It looked like the perfect bank robbery. But you can’t judge a crime by its cover.
Status: Released
Average Rating: 7
Release Date: Mar 17, 2006
Rating:
Run Time: 2h 09m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: 40 Acres and a Mule Filmworks , Imagine Entertainment , Universal Pictures
Genres
Keywords
People Rated This
Main Cast
Crew
Department | Role | Name |
---|---|---|
Production | Producer |
Brian Grazer
|
Executive Producer |
Jon Kilik
Karen Kehela Sherwood
Kim Roth
Daniel M. Rosenberg
|
|
Unit Production Manager |
Jonathan Filley
|
|
Co-Producer |
Jonathan Filley
|
|
Casting |
Kim Taylor-Coleman
|
|
Production Accountant |
Mike Phillips
|
|
Casting Assistant |
Eve Streger
|
|
Art Department Production Assistant |
Carmen Cárdenas
|
|
Production Coordinator |
Diana E. Latham
|
|
Location Assistant |
Beth Avery
|
|
Production Manager |
Miguel Ángel Poveda
|
|
Location Manager |
Joseph White
|
|
Production Supervisor |
Colin Cumberbatch
|
|
Assistant Production Coordinator |
Kim Jackson
|
|
Post Production Accountant |
Yana Collins Lehman
|
|
Payroll Accountant |
Victoria Brown McCready
|
|
Assistant Location Manager |
Jean Chien
|
|
Publicist |
Evelyn Santana
|
|
Extras Casting Assistant |
Mo Link
|
|
Production Assistant |
Jill Fazzolare
|
|
Second Assistant Accountant |
Jennifer Gaston-Gates
|
|
Art | Production Design |
Wynn Thomas
|
Title Designer |
Randall Balsmeyer
|
|
Art Direction |
Chris Shriver
|
|
Set Decoration |
George DeTitta Jr.
|
|
Property Master |
Michael Saccio
|
|
Assistant Art Director |
James C. Feng
|
|
Art Department Coordinator |
Leann Murphy
|
|
Construction Coordinator |
Martin Bernstein
|
|
Location Scout |
Guy Efrat
|
|
Storyboard Artist |
Dan Maslen
|
|
Props |
James Klotsas
|
|
Set Dresser |
Gabu Camilo
|
|
Key Construction Grip |
Vincent Guarriello
|
|
Construction Grip |
Arne Olsen
|
|
Set Decoration Buyer |
Dan DeTitta
|
|
Construction Foreman |
Timothy Main
|
|
Assistant Property Master |
Ross Huttick
|
|
Shop Electric |
Allen Stillman
|
|
Sound | Sound Effects Designer |
Eugene Gearty
|
Original Music Composer |
Terence Blanchard
|
|
ADR Engineer |
David Boulton
|
|
Supervising Music Editor |
Todd Bozung
|
|
Orchestrator |
Howard Drossin
|
|
Foley Artist |
Marko Costanzo
|
|
Assistant Sound Editor |
Chris Fielder
|
|
ADR Editor |
Marissa Littlefield
|
|
Dialogue Editor |
Fred Rosenberg
|
|
Foley Supervisor |
Frank Kern
|
|
Supervising Sound Editor |
Philip Stockton
|
|
Foley Mixer |
Sean Garnhart
|
|
Additional Sound Re-Recording Mixer |
Bob Chefalas
|
|
Sound Effects Editor |
Allan Zaleski
|
|
Production Sound Mixer |
William Sarokin
|
|
Foley Editor |
Jamie Baker
|
|
Boom Operator |
George Leong
|
|
ADR Recordist |
Carlie Bergman
|
|
ADR Mixer |
Dicken Berglund
|
|
Apprentice Sound Editor |
Sara Stern
|
|
Musician |
Mark Adams
|
|
Camera | Director of Photography |
Matthew Libatique
|
Camera Operator |
Ricardo Sarmiento
|
|
Steadicam Operator |
Stephen Consentino
|
|
"A" Camera Operator |
Stephen Consentino
|
|
Still Photographer |
David Lee
|
|
Dolly Grip |
Kurt Rimmel
|
|
Grip |
Tony Arnaud
|
|
Key Grip |
Lamont Crawford
|
|
Best Boy Grip |
Terrence Laron Burke
|
|
Assistant Camera |
Ethan Borsuk
|
|
First Assistant Camera |
Pyare Fortunato
|
|
Camera Loader |
Pierson Silver
|
|
Camera Production Assistant |
James Parsons
|
|
Directing | Director |
Spike Lee
|
Second Second Assistant Director |
Rodney "Bear" Jackson
|
|
First Assistant Director |
Mike Ellis
|
|
Continuity |
Shari L. Carpenter
|
|
Second Assistant Director |
Tracey Hinds
|
|
Writing | Writer |
Russell Gewirtz
|
Editing | Editor |
Barry Alexander Brown
|
Digital Intermediate Editor |
Curtis Lindersmith
|
|
Additional Editing |
Sam Pollard
|
|
First Assistant Editor |
Ryan Denmark
|
|
Assistant Editor |
Alex Jablonski
|
|
Negative Cutter |
Paul Tanzillo Jr.
|
|
Digital Intermediate Producer |
Terra Bliss
|
|
Costume & Make-Up | Costume Design |
Donna Berwick
|
Key Makeup Artist |
Anita Gibson
|
|
Costume Supervisor |
Paul A. Simmons Jr.
|
|
Makeup Artist |
Patricia Regan
|
|
Key Hair Stylist |
Kenneth Walker
|
|
Costume Assistant |
Tsigie White
|
|
Costumer |
Careen Fowles
|
|
Ager/Dyer |
Meg Thornton
|
|
Seamstress |
Colleen Morris-Glennon
|
|
Assistant Costume Designer |
Laura Sewrey
|
|
Visual Effects | Special Effects Supervisor |
Steven Kirshoff
|
Digital Compositor |
Ella Boliver
|
|
Crew | Dialect Coach |
Carla Meyer
|
Stunt Coordinator |
Jeff Ward
|
|
Special Effects Assistant |
Fred Buchholz
|
|
Stunts |
Linton Alfred
|
|
Transportation Captain |
Gene O'Neill
|
|
Transportation Co-Captain |
John Canavan
|
|
Post Production Supervisor |
Susan Lazarus
|
|
Special Effects Technician |
Devin Maggio
|
|
Armorer |
Ryder Washburn
|
|
Carpenter |
Robert Antalocy
|
|
Craft Service |
William Sepulveda
|
|
Set Production Assistant |
Nicholas Brown
|
|
Stand In |
James Hook
|
|
Unit Publicist |
Jackie Bazan
|
|
Video Assist Operator |
Max Frankston
|
|
Charge Scenic Artist |
Jeffrey L. Glave
|
|
Intern |
Bridgett Brown
|
|
Lighting | Rigging Gaffer |
Bill Almeida
|
Gaffer |
John G. Velez
|
|
Best Boy Electric |
Darrin Smith
|
|
Rigging Grip |
Justin Panzanaro
|
|
Electrician |
Justin Cheatham
|
|
Department | Role | Name |
Join the discussion
Please Log in to comment