Ratings
Financials
Revenue: $159,000,000
Budget: $25,000,000
Profit: + $134,000,000
Movie Details
Tag Line: His licence renewed. His intelligence restricted.
Status: Released
Average Rating: 6
Release Date: Sep 13, 2018
Rating: 2019-01-08
Run Time: 1h 29m
Original Language: English
Website: Link
Production Countries: United Kingdom , United States of America
Production Companies: Working Title Films , Working Title Films
Genres
Keywords
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Synopsis
Disaster strikes when a criminal mastermind reveals the identities of all active undercover agents in Britain. The secret service can now rely on only one man - Johnny English. Currently teaching at a minor prep school, Johnny springs back into action to find the mysterious hacker. For this mission to succeed, he’ll need all of his skills - what few he has - as the man with yesterday’s analogue methods faces off against tomorrow’s digital technology.
Crew
Department | Role | Name |
---|---|---|
Directing | Director |
David Kerr
|
Assistant Director |
Michael Altoft
Vic Armstrong
Lizzie Maxwell
Katrina Mense-Chase
|
|
Additional Second Assistant Director |
Carole Schmidlin Blanchard
|
|
First Assistant Director |
Phil Booth
Paula C. Frías
Neil Wallace
|
|
Third Assistant Director |
Diane Capo
Élodie Krauss
Dan Marsden
Laura Moloney
Nic Pringle
David Underwood
|
|
Second Assistant Director |
Paul Cathie
Eugenie Lavieille
Phoebe Vale Markham
Gary Richens
|
|
Second Unit Director |
Stephan Pehrsson
Mac Montero
|
|
Script Supervisor |
Phoebe Billington
Katie Harlow
Janet Kellock
Jeanette McGrath
Giulia Patanè
|
|
Writing | Writer |
William Davies
|
Characters |
Neal Purvis
Robert Wade
|
|
Production | Producer |
Tim Bevan
Chris Clark
Eric Fellner
|
Executive Producer |
Liza Chasin
William Davies
|
|
Co-Producer |
Andrew Warren
Raphaël Benoliel
|
|
Casting |
Sarah Crowe
Corinne Renard-Bendjadi
|
|
Unit Production Manager |
Sara Desmond
|
|
Production Manager |
Arnaud Duterque
|
|
Executive In Charge Of Production |
Louis Phillips
|
|
Production Assistant |
Inga Fabian
|
|
Sound | Original Music Composer |
Howard Goodall
|
Music Consultant |
Kirsten Lane
|
|
Supervising Sound Editor |
Glenn Freemantle
|
|
Sound Designer |
Glenn Freemantle
|
|
Foley Editor |
Lilly Blazewicz
|
|
Foley Artist |
Peter Burgis
Zoe Freed
|
|
ADR Mixer |
Mark DeSimone
|
|
Foley Mixer |
Glen Gathard
Jemma Riley-Tolch
Sam Walsh
|
|
Sound Re-Recording Mixer |
Ian Tapp
|
|
Camera | Director of Photography |
Florian Hoffmeister
|
Editing | Editor |
Mark Everson
|
Art | Production Design |
Simon Bowles
|
Supervising Art Director |
Ben Collins
|
|
Art Direction |
Rhys Ifan
Vladimir Kostovic
Justin Warburton-Brown
|
|
Set Decoration |
Liz Griffiths
|
|
Graphic Designer |
Sam Moulsdale
|
|
Visual Effects | VFX Director of Photography |
Gregory Fangeaux
|
Digital Compositor |
Esme Coleman
|
|
Costume & Make-Up | Costume Design |
Annie Hardinge
|
Makeup Artist |
Mona Turnbull
Annette Field
Vicky Voller
Marilyn Rieul
Lois McIntosh
Gabor Kerekes
|
|
Hairstylist |
Lois McIntosh
Sam Bear
|
|
Crew | Post-Production Manager |
James Doyle
|
Set Production Assistant |
Josh Goodman
|
|
Stunts |
Matt Crook
Joe Watts
Sian Milne
Lucy Allen
Greg Powell
Sarah Lochlan
|
|
Visual Effects Editor |
Tom Hannibal
|
|
Department | Role | Name |