Ratings
Financials
Revenue: $330,444,045
Budget: $55,000,000
Profit: + $275,444,045
Movie Details
Tag Line: First comes love. Then comes the interrogation.
Status: Released
Average Rating: 7
Release Date: Oct 6, 2000
Rating: 2000-10-06
Run Time: 1h 48m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Universal Pictures , DreamWorks Pictures , Nancy Tenenbaum Films , Tribeca Productions
Sources:
Genres
Keywords
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Synopsis
Greg Focker is ready to marry his girlfriend, Pam, but before he pops the question, he must win over her formidable father, humorless former CIA agent Jack Byrnes, at the wedding of Pam's sister. As Greg bends over backward to make a good impression, his visit to the Byrnes home turns into a hilarious series of disasters, and everything that can go wrong does, all under Jack's critical, hawklike gaze.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Jay Roach
|
| Assistant Director |
Richard Cowan
|
|
| Script Supervisor |
Eva Z. Cabrera
|
|
| Additional Second Assistant Director |
Deanna Leslie
|
|
| Second Assistant Director |
Amy Lauritsen
|
|
| Second Second Assistant Director |
Jennifer Truelove
|
|
| Second Unit Director |
Marco Schnabel
|
|
| Writing | Screenplay |
Jim Herzfeld
John Hamburg
|
| Original Film Writer |
Greg Glienna
Mary Ruth Clarke
|
|
| Camera | Director of Photography |
Peter James
|
| First Assistant Camera |
Bobby Mancuso
|
|
| Key Grip |
Tom Prate
|
|
| Still Photographer |
Phillip V. Caruso
|
|
| Best Boy Grip |
Kenny Burke
|
|
| Camera Loader |
Caesar S. Carnevale
|
|
| Dolly Grip |
Ronald Burke
|
|
| Second Assistant Camera |
Michael Cambria
|
|
| Editing | Editor |
Jon Poll
Greg Hayden
|
| Color Timer |
Dennis McNeill
|
|
| First Assistant Editor |
Curtis Croeni
|
|
| Assistant Editor |
Kent Blocher
|
|
| Negative Cutter |
Gary Burritt
|
|
| Production | Casting |
Ellen Chenoweth
|
| Producer |
Robert De Niro
Jay Roach
Jane Rosenthal
Nancy Tenenbaum
|
|
| Associate Producer |
Greg Glienna
Jim Vincent
Emo Philips
|
|
| Co-Producer |
Shauna Robertson
Amy Sayres
|
|
| Casting Associate |
Susie Farris
|
|
| Location Manager |
Jeff Flach
|
|
| Production Coordinator |
Kate Kelly
|
|
| Production Manager |
Lenny Vullo
|
|
| Publicist |
Julie Kuehndorf
|
|
| Assistant Location Manager |
Carey DePalma
|
|
| Location Assistant |
Brian Cantaldi
|
|
| Accountant |
Tamara Bally
|
|
| Art Department Production Assistant |
Aleta Shaffer
|
|
| Assistant Production Coordinator |
Juliet D'Annibale
|
|
| Extras Casting |
Grant Wilfley
|
|
| First Assistant Accountant |
Judy Pursley
|
|
| Payroll Accountant |
Susan Silas
|
|
| Production Assistant |
Johnny Egan
|
|
| Second Assistant Accountant |
Steve Ginsburg
|
|
| Production Secretary |
Valentina Aulisi
|
|
| Art | Production Design |
Rusty Smith
|
| Art Direction |
John Kasarda
|
|
| Set Decoration |
Karin Wiesel
|
|
| Art Department Coordinator |
Alyson Wellins
|
|
| Assistant Art Director |
Hyun-joo Kim
|
|
| Construction Coordinator |
Ken Nelson
|
|
| Construction Foreman |
Steven E. Lawler
|
|
| Greensman |
Amy Safhay
|
|
| Location Scout |
Brett Botula
|
|
| Property Master |
Tommy Allen
|
|
| Assistant Property Master |
Eric Cheripka
|
|
| Graphic Designer |
Mike Bundlie
|
|
| Set Dresser |
Christopher Ferraro
Jeffrey Rollins
|
|
| Storyboard Artist |
John Davis
|
|
| Costume & Make-Up | Costume Supervisor |
Daniel Orlandi
|
| Assistant Costume Designer |
John Glaser
|
|
| Hairstylist |
Victor DeNicola
|
|
| Key Hair Stylist |
John Quaglia
|
|
| Makeup Artist |
Michal Bigger
|
|
| Costumer |
David Davenport
|
|
| Wardrobe Supervisor |
Joanna Brett
|
|
| Sound | Original Music Composer |
Randy Newman
|
| Music Supervisor |
Randall Poster
|
|
| Sound Recordist |
Joe DeAngelis
|
|
| Boom Operator |
Frank Graziadei
|
|
| Assistant Sound Editor |
James Morioka
|
|
| Music Editor |
Bruno Coon
|
|
| Sound Effects Editor |
Dennis Drummond
|
|
| Sound Mixer |
Tod A. Maitland
|
|
| Supervising Sound Editor |
George H. Anderson
|
|
| Orchestrator |
Don Davis
|
|
| Foley |
Jonathan Klein
|
|
| ADR Mixer |
David Boulton
|
|
| ADR Recordist |
Jeanette Browning
|
|
| Foley Artist |
Goro Koyama
|
|
| Foley Recordist |
Ron Mellegers
|
|
| Supervising ADR Editor |
Renée Tondelli
|
|
| Music Consultant |
Mark Cross
|
|
| Music Coordinator |
Brenda Heins
|
|
| Dialogue Editor |
Kim Drummond
|
|
| Crew | Stunt Coordinator |
G. A. Aguilar
|
| Carpenter |
Daniel Geary
|
|
| Choreographer |
Julie Arenal
|
|
| Craft Service |
Solange Monnier
|
|
| Driver |
Rocco Curatolo
|
|
| Post Production Assistant |
Kevin Du Toit
|
|
| Post Production Supervisor |
Lisa Rodgers
|
|
| Projection |
Edmund Nardone
|
|
| Scenic Artist |
William Riley
|
|
| Set Medic |
Orin Faison
|
|
| Set Production Assistant |
Cynthia Bauer
|
|
| Special Effects Coordinator |
J.C. Brotherhood
|
|
| Stand In |
Joseph Barry
|
|
| Stunts |
Bill Anagnos
Peter Epstein
|
|
| Transportation Captain |
Edward O'Donnell
|
|
| Transportation Co-Captain |
Maurice Fitzgerald
|
|
| Special Effects Technician |
Jim Lillis
|
|
| Generator Operator |
Ralph G. Crowley
|
|
| Other |
Brian Byers
|
|
| Utility Stunts |
Ron Michaels
|
|
| Lighting | Best Boy Electric |
Bill Almeida
|
| Electrician |
William MacGhee
|
|
| Gaffer |
Morris Flam
|
|
| Rigging Gaffer |
Clay Liversidge
|
|
| Rigging Grip |
Steven Blaho
|
|
| Visual Effects | Visual Effects Supervisor |
David D. Johnson
|
| Department | Role | Name |







