Mission to Mars
(2000) For centuries we've been looking for the origin of life on Earth. We've been looking on the wrong planet. | Released
Ratings
34%
6
5.6
25%
Financials
Revenue: $60,900,000
Budget: $90,000,000
Profit: - $-29,100,000
Movie Details
Tag Line: For centuries we've been looking for the origin of life on Earth. We've been looking on the wrong planet.
Status: Released
Average Rating: 6
Release Date: Mar 10, 2000
Rating:
Run Time: 1h 54m
Original Language: English
Website: -
Production Countries: Canada , France , United States of America
Production Companies: Red Horizon Productions , Touchstone Pictures , Spyglass Entertainment , The Jacobson Company , StudioCanal
Genres
Keywords
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Synopsis
When contact is lost with the crew of the first Mars expedition, a rescue mission is launched to discover their fate.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Production Manager |
Crys Forsyth-Smith
|
| Executive Producer |
Sam Mercer
|
|
| Casting |
Denise Chamian
|
|
| Co-Producer |
David S. Goyer
Justis Greene
Jim Wedaa
|
|
| Associate Producer |
Jacqui Lopez
Ted Tally
Chris Soldo
|
|
| Producer |
Tom Jacobson
|
|
| Casting Associate |
Sean Cossey
|
|
| Production Coordinator |
Mandy Tankenson
|
|
| Location Manager |
Connie Kennedy
|
|
| Unit Production Manager |
Heather Meehan
|
|
| General Manager |
Jules Roman
|
|
| Production Supervisor |
Lynn Andrews
|
|
| Production Assistant |
Frank Annunziata
|
|
| Production Accountant |
Sue Brunell-Edwards
|
|
| First Assistant Accountant |
Doreen Beaulac
|
|
| Extras Casting |
Andrea Brown
|
|
| Assistant Accountant |
Peggy Tison
|
|
| Assistant Location Manager |
Marnie Gee
|
|
| Location Assistant |
Shaher Nawaf
|
|
| Location Coordinator |
Joseph Milijian
|
|
| Payroll Accountant |
Dave Harvey
|
|
| Second Assistant Accountant |
Michelle Hamilton
|
|
| Sound | Sound Effects Designer |
Harry Cohen
|
| Original Music Composer |
Ennio Morricone
|
|
| Conductor |
Ennio Morricone
|
|
| ADR Mixer |
David Boulton
|
|
| Foley Mixer |
Nerses Gezalyan
|
|
| Foley Recordist |
Greg Zimmerman
|
|
| Sound Effects Editor |
Kerry Ann Carmean
|
|
| Dialogue Editor |
Louis Cerborino
|
|
| Sound Re-Recording Mixer |
Tom Fleischman
|
|
| Supervising Sound Editor |
Maurice Schell
|
|
| Music Editor |
Nicholas Meyers
|
|
| Sound Mixer |
Rob Young
|
|
| ADR Editor |
Gina Alfano
|
|
| Boom Operator |
Charles O'Shea
|
|
| Supervising ADR Editor |
Harriet Fidlow
|
|
| Sound Mix Technician |
Phillip Fuller
|
|
| Assistant Dialogue Editor |
Joshua Landis
|
|
| Art | Concept Artist |
Syd Mead
|
| Production Design |
Ed Verreaux
|
|
| Art Direction |
Andrew Neskoromny
Thomas Valentine
|
|
| Set Decoration |
Lin MacDonald
|
|
| Lead Painter |
Laurah Grijalva
|
|
| Property Master |
Dan Sissons
|
|
| Art Department Assistant |
Jennifer Donaldson
|
|
| Sculptor |
Jack Gauvreau
|
|
| Conceptual Design |
Miles Teves
|
|
| Storyboard Artist |
Gabriel Hardman
|
|
| Set Designer |
Peter Clemens
|
|
| Location Scout |
Ken Hovgaard
|
|
| Production Illustrator |
James Clyne
|
|
| Title Designer |
Nina Saxon
|
|
| Construction Foreman |
Richard Dobbin
|
|
| Leadman |
Keith Burk
|
|
| Art Department Coordinator |
Colman McMahon
|
|
| Assistant Art Director |
John Marcynuk
|
|
| Construction Coordinator |
John G. Anderson
|
|
| Greensman |
Gary Brooks
|
|
| Painter |
Ted Van Dorn
|
|
| Set Decoration Buyer |
Gordon Clapp
|
|
| Assistant Property Master |
Colin Matthews
|
|
| Head Greensman |
Erich Hepnar
|
|
| Writing | Screenplay |
Jim Thomas
John Thomas
Graham Yost
|
| Story |
Jim Thomas
John Thomas
Lowell Cannon
|
|
| Directing | Director |
Brian De Palma
|
| Second Unit Director |
Eric Schwab
|
|
| Second Assistant Director |
Paul Barry
|
|
| Script Supervisor |
Portia Tickell
|
|
| First Assistant Director |
Chris Soldo
|
|
| Additional Second Assistant Director |
Dave 'Foots' Footman
|
|
| Third Assistant Director |
Berengaria Tomkies
|
|
| Camera | Director of Photography |
Stephen H. Burum
|
| Dolly Grip |
Bill Pearson
|
|
| Steadicam Operator |
Larry McConkey
|
|
| Still Photographer |
Rob McEwan
|
|
| Camera Operator |
Gordon Hayman
|
|
| Second Assistant Camera |
Sean Elliott
|
|
| Camera Intern |
Avo Zohrab
|
|
| Camera Technician |
Shawn Jolicoeur
|
|
| First Assistant Camera |
Ron Annunziata
|
|
| Grip |
Stephen Berg
|
|
| Assistant Camera |
Clayton J. McCallum DuBois
|
|
| Best Boy Grip |
Randy Crawford
|
|
| Costume & Make-Up | Costume Design |
Sanja Milković Hays
|
| Hairstylist |
Benjamin Robin
|
|
| Makeup Artist |
Charles Porlier
Jeanne Van Phue
|
|
| Costume Supervisor |
Garet Reilly
|
|
| Costume Set Supervisor |
Donna Christiano
|
|
| Wigmaker |
Stacey Butterworth
|
|
| Key Hair Stylist |
Kandace Loewen
|
|
| Set Dressing Artist |
Denyse Nelson
|
|
| Hair Assistant |
Andrea Simpson
|
|
| Costume Coordinator |
Diana Patterson
|
|
| Costumer |
Steve Oben
|
|
| Seamstress |
Linda Chow
|
|
| Crew | Stunt Coordinator |
Jeff Habberstad
Melissa R. Stubbs
|
| Stunts |
Erik Stabenau
Marny Eng
Owen Walstrom
|
|
| Choreographer |
Adam Shankman
|
|
| Stunt Double |
James Bamford
Doug Chapman
|
|
| Set Production Assistant |
Eva Amurri Martino
|
|
| Makeup Effects |
Greg Nicotero
Luke Khanlian
Jake Garber
Scott Patton
|
|
| Post Production Supervisor |
Kendall McCarthy
|
|
| Post Production Assistant |
Ulysses Guidotti
|
|
| Scenic Artist |
Barry Kootchin
|
|
| Unit Publicist |
Lorraine Jamison
|
|
| Executive Visual Effects Producer |
C. Marie Davis
|
|
| Production Controller |
Allen E. Taylor
|
|
| Projection |
Roxanne Dorman
|
|
| Visual Effects Art Director |
Alexander Laurant
|
|
| CG Supervisor |
Scott Gordon
|
|
| Visual Effects Editor |
Melissa Bretherton
|
|
| Systems Administrators & Support |
James Healy
|
|
| Special Effects Coordinator |
Randy Shymkiw
|
|
| Special Effects Technician |
Dan Clark
|
|
| Machinist |
John Lisman
|
|
| Carpenter |
Alden Bateham
|
|
| Craft Service |
Sara Barnes
|
|
| Digital Effects Supervisor |
Darin Hollings
|
|
| Driver |
Stephen Carr
|
|
| Propmaker |
Stephen Tyler
|
|
| Transportation Captain |
Rodney Beech
|
|
| Studio Teachers |
Mary Jo Macvey
|
|
| Digital Producer |
Robert Schajer
|
|
| Generator Operator |
Jay Anderson
|
|
| Special Effects Assistant |
Ashraf Mashaleh
|
|
| Editing | Editor |
Paul Hirsch
|
| Color Timer |
David Orr
|
|
| Assistant Editor |
Glenn Allen
|
|
| First Assistant Editor |
Guy Barresi
|
|
| Negative Cutter |
Andrea Biklian
|
|
| Digital Color Timer |
Elisabeth Cotter
|
|
| Project Manager |
Jim Adamson
|
|
| Visual Effects | Animation |
Aaron Pfau
|
| Visual Effects Producer |
Jacqui Lopez
|
|
| Animation Supervisor |
Matthew O'Callaghan
|
|
| Visual Effects Supervisor |
John Knoll
Brennan Doyle
|
|
| CG Artist |
Michael Baltazar
Craig Lyn
|
|
| Special Effects Supervisor |
Garry Elmendorf
|
|
| Visual Effects |
Merrick Rustia
|
|
| Senior Animator |
John Murrah
|
|
| Visual Effects Production Manager |
Julie Creighton
|
|
| Digital Compositors |
Julie Adrianson-Neary
|
|
| Visual Effects Coordinator |
Jodi Birdsong
|
|
| Rotoscoping Artist |
Krystin Johnson
|
|
| Lead Animator |
Patrick Bonneau
|
|
| Compositing Supervisor |
Dorne Huebler
|
|
| Visual Effects Production Assistant |
Camille Eden
|
|
| Matte Painter |
Allen Battino
|
|
| Lighting | Lighting Supervisor |
Mark Fattibene
|
| Best Boy Electric |
David Cochrane
|
|
| Electrician |
Tim Heller
|
|
| Gaffer |
Scott Campbell
|
|
| Rigging Grip |
Julian Bosse
|
|
| Chief Lighting Technician |
Kelly Moore
|
|
| Key Rigging Grip |
Steve Ringwood
|
|
| Rigging Gaffer |
David R. Anderson
|
|
| Department | Role | Name |
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