Permanent Midnight
(1998) He had a great job, beautiful wife and a habit the size of Utah. | Released
Ratings
57%
6
6.3
58%
Financials
Revenue: $1,166,199
Budget: $0
Profit: + $1,166,199
Movie Details
Tag Line: He had a great job, beautiful wife and a habit the size of Utah.
Status: Released
Average Rating: 6
Release Date: Sep 16, 1998
Rating: 1998-09-16
Run Time: 1h 28m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Artisan Entertainment , JD Productions
Sources:
Genres
Keywords
People Rated This
Where to watch Permanent Midnight
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Synopsis
Juggling increasing career success and a growing heroin habit, a television comedy writer attempts to go down a path of improvement.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
David Veloz
|
| Script Supervisor |
Lori Grabowski
|
|
| First Assistant Director |
Joel Jeffrey Nishimine
|
|
| Second Assistant Director |
Jaleh Teymourian
|
|
| Writing | Writer |
David Veloz
|
| Novel |
Jerry Stahl
|
|
| Production | Casting |
Richard Hicks
Ronnie Yeskel
|
| Producer |
Don Murphy
Jane Hamsher
|
|
| Co-Producer |
Robert Leveen
|
|
| Executive Producer |
Yalda Tehranian
|
|
| Production Manager |
Susan McNamara
|
|
| Production Coordinator |
Robin Mulcahy Fisichella
|
|
| Production Accountant |
Lynell Bangs
|
|
| Assistant Production Coordinator |
Herb Ankrom
|
|
| Casting Assistant |
Jennifer Levy
|
|
| ADR Voice Casting |
Sandy Holt
|
|
| Art | Production Design |
Jerry Fleming
|
| Art Direction |
Ryan Ong
|
|
| Set Decoration |
Betty Berberian
|
|
| Property Master |
Mark Anderson
|
|
| Assistant Property Master |
Denise Anderson
|
|
| Art Department Coordinator |
Patricia Kruijer
|
|
| Leadman |
Terry Hargis
|
|
| Editing | Editor |
Cara Silverman
Steven Weisberg
|
| Negative Cutter |
Rick Downey
|
|
| Color Timer |
Harry Muller
|
|
| Sound | Music |
Daniel Licht
|
| Music Supervisor |
Jeff Rabhan
|
|
| Supervising Sound Editor |
Stephen Grubbs
Peter Austin
|
|
| Sound Re-Recording Mixer |
David E. Fluhr
Adam Jenkins
Don Digirolamo
|
|
| Sound Recordist |
Aaron Levy
|
|
| Sound Mixer |
Eric Enroth
|
|
| Boom Operator |
Lionel Luna
|
|
| Dialogue Editor |
Barbara Issak
Dennis Gray
Gary Lewis
Paul Longstaffe
|
|
| Sound Effects Editor |
Brian Thomas Nist
Eric A. Norris
Linda Keim
|
|
| ADR Editor |
David Melhase
Peter Austin
|
|
| ADR Mixer |
Lee Tinkham
Dean Drabin
Brian Ruberg
|
|
| ADR Recordist |
Joan Chamberlain
Cary Stratton
|
|
| Music Editor |
Mike Flicker
|
|
| Dolby Consultant |
James Wright
|
|
| Camera | Director of Photography |
Robert D. Yeoman
|
| First Assistant Camera |
Storn Peterson
|
|
| "B" Camera Operator |
Dustin Blauvelt
|
|
| First Assistant "B" Camera |
Tim Barry
|
|
| Still Photographer |
John Johnson
|
|
| Dolly Grip |
Scott Froschauer
|
|
| Costume & Make-Up | Costume Design |
Louise Mingenbach
Lori Eskowitz
|
| Costume Supervisor |
Mary Walbridge
|
|
| Key Costumer |
Andrea Federman
|
|
| Key Makeup Artist |
Christina Bartolucci
|
|
| Key Hair Stylist |
Edward St. George
|
|
| Makeup & Hair |
Heba Thorisdottir
|
|
| Hairstylist |
Lynn Taylor-Wood
|
|
| Crew | Stunt Coordinator |
Eddie Perez
|
| Stunts |
Jeff Cadiente
Clint Jones
Frank Torres
Thomas DeWier
|
|
| Post Production Supervisor |
Beau J. Genot
|
|
| Lighting | Gaffer |
Martin Leeper
|
| Best Boy Electric |
Bryan Booth
|
|
| Electrician |
Dominik Feller
|
|
| Key Rigging Grip |
Erik Capek
|
|
| Department | Role | Name |