Ratings
69%
7.4
7.5
84%
Financials
Revenue: $4,942,449
Budget: $5,500,000
Profit: - $-557,551
Movie Details
Tag Line: To save the future he must reshape the past.
Status: Released
Average Rating: 7
Release Date: Aug 28, 2014
Rating: 2014-03-08
Run Time: 1h 38m
Original Language: English
Website: Link
Production Countries: Australia
Production Companies: Screen Queensland , Screen Australia , Blacklab Entertainment , Wolfhound Pictures
Sources:
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Crew | Stunt Coordinator |
Mitch Deans
|
| Unit Publicist |
Cathy Gallagher
|
|
| Armorer |
Scott Warwick
|
|
| Video Assist Operator |
Aaron Jones
|
|
| Carpenter |
Morgan Skivving
|
|
| Post Production Supervisor |
Harry Avramidis
|
|
| Fight Choreographer |
Marky Lee Campbell
|
|
| Stunt Double |
Chris Weir
|
|
| Stand In |
Cecilia Condon
Kasia Kaczmarek
|
|
| Art | Set Decoration |
Vanessa Cerne
|
| Production Design |
Matthew Putland
|
|
| Art Department Coordinator |
Carly Bojadziski
|
|
| Construction Manager |
Ross Murdoch
|
|
| Props |
Nick Pledge
|
|
| Graphic Designer |
George Kabot
|
|
| Painter |
Sam Noack
Hanna Nidal
|
|
| Camera | Camera Operator |
Darrin Keough
|
| Director of Photography |
Ben Nott
|
|
| Still Photographer |
Ben King
|
|
| Steadicam Operator |
Dan Maxwell
|
|
| First Assistant Camera |
Andrew Jerram
Aaron Farrugia
|
|
| Key Grip |
Craig Dusting
|
|
| Additional Second Assistant Camera |
Caitlin Dooley
|
|
| Second Assistant Camera |
Michelle Marchant
Sarah O'May Turner
|
|
| Assistant Grip |
Ryan Wilson
|
|
| Dolly Grip |
Luke Stone
|
|
| Data Wrangler |
Reza Shams Latifi
|
|
| Grip |
Jake Hill
|
|
| Best Boy Grip |
Stephen Robinson
|
|
| Writing | Writer |
Peter Spierig
Michael Spierig
|
| Short Story |
Robert A. Heinlein
|
|
| Directing | Director |
Peter Spierig
Michael Spierig
|
| First Assistant Director |
Jamie Leslie
|
|
| Second Assistant Director |
Angella McPherson
|
|
| Third Assistant Director |
Ian 'Scooter' Welbourn
David Fraser Young
|
|
| Script Supervisor |
Carmel Torcasio
|
|
| Production | Executive Producer |
Gary Hamilton
Michael Burton
James M. Vernon
Matt Kennedy
Michael Burton
|
| Producer |
Tim McGahan
Paddy McDonald
Michael Spierig
Peter Spierig
|
|
| Casting |
Leigh Pickford
|
|
| Production Manager |
Yvonne Collins
|
|
| Production Accountant |
Angela Kenny
|
|
| Production Secretary |
Mimi Davis-Taylor
|
|
| Assistant Accountant |
Gabriel Shipton
|
|
| Extras Casting |
Clare Chapman
|
|
| Sound | Foley |
Mario Vaccaro
|
| Original Music Composer |
Peter Spierig
|
|
| Sound Designer |
Chris Goodes
|
|
| Supervising Sound Editor |
Chris Goodes
|
|
| Sound Effects Editor |
Steve Burgess
|
|
| Sound Editor |
Alex Francis
Glenn Newnham
|
|
| Foley Recordist |
George Alamaras
|
|
| Boom Operator |
Cam Eason
Nathalie Resciniti
|
|
| ADR Recordist |
Diego Ruiz
|
|
| Sound Recordist |
Gretchen Thornburn
|
|
| Editing | Editor |
Matt Villa
|
| Dialogue Editor |
James Ashton
|
|
| Assistant Editor |
Pip Hart
|
|
| Costume & Make-Up | Costume Design |
Wendy Cork
|
| Makeup Designer |
Tess Natoli
|
|
| Key Costumer |
Julie Barton
|
|
| Hair Designer |
Tess Natoli
|
|
| Costume Assistant |
Zoe Felice Gymer-Waldron
|
|
| Additional Hairstylist |
Selena Pertzel
|
|
| Special Effects Key Makeup Artist |
Samantha Lyttle
|
|
| Makeup & Hair |
Lynn Wheeler
|
|
| Makeup Effects Designer |
Steven Boyle
|
|
| Visual Effects | Visual Effects Supervisor |
Jeff Gaunt
Rangi Sutton
|
| Visual Effects Producer |
Flavia Dias Riley
|
|
| Special Effects Supervisor |
Brian Pearce
|
|
| Lighting | Best Boy Electric |
Peni Loloa
|
| Electrician |
Viliami Topui
Clinton Roche
|
|
| Lighting Technician |
John Enright
|
|
| Department | Role | Name |
Where to watch Predestination
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