Ratings
Financials
Revenue: $4,942,449
Budget: $5,500,000
Profit: - $-557,551
Movie Details
Tag Line: To save the future he must reshape the past.
Status: Released
Average Rating: 7
Release Date: Aug 28, 2014
Rating:
Run Time: 1h 37m
Original Language: English
Website: Link
Production Countries: Australia
Production Companies: Screen Queensland , Screen Australia , Blacklab Entertainment , Wolfhound Pictures
Genres
Keywords
People Rated This
Main Cast
Crew
Department | Role | Name |
---|---|---|
Writing | Short Story |
Robert A. Heinlein
|
Writer |
Michael Spierig
Peter Spierig
|
|
Production | Executive Producer |
Gary Hamilton
James M. Vernon
Michael Burton
Matt Kennedy
Michael Burton
|
Producer |
Michael Spierig
Peter Spierig
Paddy McDonald
Tim McGahan
|
|
Casting |
Leigh Pickford
|
|
Production Manager |
Yvonne Collins
|
|
Production Secretary |
Mimi Davis-Taylor
|
|
Assistant Accountant |
Gabriel Shipton
|
|
Production Accountant |
Angela Kenny
|
|
Extras Casting |
Clare Chapman
|
|
Directing | Director |
Michael Spierig
Peter Spierig
|
Script Supervisor |
Carmel Torcasio
|
|
First Assistant Director |
Jamie Leslie
|
|
Second Assistant Director |
Angella McPherson
|
|
Third Assistant Director |
Ian 'Scooter' Welbourn
David Fraser Young
|
|
Sound | Original Music Composer |
Peter Spierig
|
Sound Editor |
Glenn Newnham
Alex Francis
|
|
Sound Designer |
Chris Goodes
|
|
Supervising Sound Editor |
Chris Goodes
|
|
Foley |
Mario Vaccaro
|
|
Sound Effects Editor |
Steve Burgess
|
|
Sound Recordist |
Gretchen Thornburn
|
|
Boom Operator |
Cam Eason
Nathalie Resciniti
|
|
ADR Recordist |
Diego Ruiz
|
|
Foley Recordist |
George Alamaras
|
|
Costume & Make-Up | Makeup Effects Designer |
Steven Boyle
|
Costume Design |
Wendy Cork
|
|
Makeup & Hair |
Lynn Wheeler
|
|
Special Effects Key Makeup Artist |
Samantha Lyttle
|
|
Hair Designer |
Tess Natoli
|
|
Makeup Designer |
Tess Natoli
|
|
Key Costumer |
Julie Barton
|
|
Additional Hairstylist |
Selena Pertzel
|
|
Costume Assistant |
Zoe Felice Gymer-Waldron
|
|
Camera | Director of Photography |
Ben Nott
|
Camera Operator |
Darrin Keough
|
|
Steadicam Operator |
Dan Maxwell
|
|
Still Photographer |
Ben King
|
|
First Assistant Camera |
Andrew Jerram
Aaron Farrugia
|
|
Dolly Grip |
Luke Stone
|
|
Best Boy Grip |
Stephen Robinson
|
|
Additional Second Assistant Camera |
Caitlin Dooley
|
|
Assistant Grip |
Ryan Wilson
|
|
Data Wrangler |
Reza Shams Latifi
|
|
Grip |
Jake Hill
|
|
Key Grip |
Craig Dusting
|
|
Second Assistant Camera |
Michelle Marchant
Sarah O'May Turner
|
|
Lighting | Lighting Technician |
John Enright
|
Electrician |
Viliami Topui
Clinton Roche
|
|
Best Boy Electric |
Peni Loloa
|
|
Visual Effects | Special Effects Supervisor |
Brian Pearce
|
Visual Effects Supervisor |
Rangi Sutton
Jeff Gaunt
|
|
Visual Effects Producer |
Flavia Dias Riley
|
|
Editing | Editor |
Matt Villa
|
Dialogue Editor |
James Ashton
|
|
Assistant Editor |
Pip Hart
|
|
Art | Production Design |
Matthew Putland
|
Set Decoration |
Vanessa Cerne
|
|
Art Department Coordinator |
Carly Bojadziski
|
|
Graphic Designer |
George Kabot
|
|
Construction Manager |
Ross Murdoch
|
|
Props |
Nick Pledge
|
|
Painter |
Hanna Nidal
Sam Noack
|
|
Crew | Stand In |
Kasia Kaczmarek
Cecilia Condon
|
Stunt Coordinator |
Mitch Deans
|
|
Fight Choreographer |
Marky Lee Campbell
|
|
Unit Publicist |
Cathy Gallagher
|
|
Armorer |
Scott Warwick
|
|
Video Assist Operator |
Aaron Jones
|
|
Stunt Double |
Chris Weir
|
|
Carpenter |
Morgan Skivving
|
|
Post Production Supervisor |
Harry Avramidis
|
|
Department | Role | Name |
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