Pulp Fiction
(2024) You won't know the facts until you've seen the fiction. | Released
Ratings
94%
8.5
8.9
94%
Financials
Revenue: $213,928,762
Budget: $8,500,000
Profit: + $205,428,762
Movie Details
Tag Line: You won't know the facts until you've seen the fiction.
Status: Released
Average Rating: 9
Release Date: Nov 26, 2024
Rating: 1995-07-25
Run Time: 2h 34m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Miramax , A Band Apart , Jersey Films
Sources:
Genres
Keywords
People Rated This
Where to watch Pulp Fiction
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Synopsis
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Screenplay |
Quentin Tarantino
|
| Story |
Roger Avary
Quentin Tarantino
|
|
| Production | Producer |
Lawrence Bender
|
| Executive Producer |
Danny DeVito
Michael Shamberg
Stacey Sher
|
|
| Casting |
Gary M. Zuckerbrod
Ronnie Yeskel
Jeff Olan
|
|
| Production Manager |
Paul Hellerman
|
|
| Co-Executive Producer |
Richard N. Gladstein
Bob Weinstein
Harvey Weinstein
|
|
| Casting Associate |
Ruth Lambert
|
|
| Production Coordinator |
Anna-Lisa Nilsson
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Post Production Coordinator |
Kara Mazzola
|
|
| Assistant Location Manager |
John A. Johnston
|
|
| Location Assistant |
Haley Sweet
|
|
| Assistant Accountant |
Zane
|
|
| Assistant Production Coordinator |
Cheryl Cain
|
|
| Production Secretary |
Bradley Morris
|
|
| Camera | Director of Photography |
Andrzej Sekula
|
| First Assistant Camera |
Ziad Doueiri
|
|
| Camera Operator |
Michael Levine
|
|
| Key Grip |
Mark Shane Davis
|
|
| Grip |
Chris Ahern
|
|
| Steadicam Operator |
Bob Gorelick
|
|
| Best Boy Grip |
Robbie Meckler
|
|
| Camera Loader |
Angelo de la Cruz
|
|
| Dolly Grip |
Alan Parr
|
|
| Second Assistant Camera |
Gregory C. Smith
|
|
| Editing | Editor |
Sally Menke
|
| Assistant Editor |
Donald Likovich
|
|
| Color Timer |
Mike Stanwick
|
|
| First Assistant Editor |
Tatiana S. Riegel
|
|
| Art | Production Design |
David Wasco
|
| Art Direction |
Charles Collum
|
|
| Set Decoration |
Sandy Reynolds-Wasco
|
|
| Art Department Coordinator |
Emily Wolfe
|
|
| Assistant Art Director |
Samantha Gore
|
|
| Construction Coordinator |
Brian Markey
|
|
| Construction Foreman |
Ray Maxwell
|
|
| Lead Painter |
Marc Gillson
|
|
| Leadman |
Peter Borck
|
|
| Location Scout |
Adam Silver
|
|
| Painter |
Giuseppe Maini III
|
|
| Set Designer |
Daniel Bradford
|
|
| Property Master |
Jonathan R. Hodges
|
|
| Assistant Decorator |
Liz Chiz
|
|
| Assistant Property Master |
John Felgate
|
|
| Graphic Designer |
Chris Cullen
|
|
| Swing |
Steve Ingrassia
|
|
| Costume & Make-Up | Costume Design |
Betsy Heimann
|
| Makeup Artist |
Michelle Bühler
|
|
| Wigmaker |
Bill Fletcher
|
|
| Key Hair Stylist |
Audrey Futterman-Stern
|
|
| Costume Supervisor |
Jacqueline Aronson
|
|
| Assistant Costume Designer |
Mary Claire Hannan
|
|
| Set Costumer |
Patia Prouty
|
|
| Hairstylist |
Linda Arnold
|
|
| Hair Designer |
Iain Jones
|
|
| Set Dressing Artist |
Joseph W. Grafmuller
|
|
| Costumer |
Kristin Dangl
|
|
| Lighting | Gaffer |
Vance Trussell
|
| Electrician |
Bruce Jagoda
|
|
| Best Boy Electric |
Anthony Hall
|
|
| Rigging Gaffer |
Marc Meisenheimer
|
|
| Key Rigging Grip |
Michael Stocks
|
|
| Sound | Music Supervisor |
Karyn Rachtman
Kathy Nelson
|
| Sound Editor |
Dean Beville
|
|
| Sound Recordist |
Matthew C. Beville
|
|
| Boom Operator |
Larry Scharf
|
|
| Assistant Sound Editor |
Dana Gustafson
|
|
| Music Editor |
Rolf Johnson
|
|
| Production Sound Mixer |
Ken King
|
|
| Supervising Sound Editor |
Stephen Hunter Flick
|
|
| Assistant Music Supervisor |
Kristen Becht
Billy Gottlieb
|
|
| ADR Mixer |
Jeff Courtie
|
|
| Foley Artist |
Catherine Rowe
|
|
| Foley Mixer |
Ezra Dweck
|
|
| Supervising ADR Editor |
Judee Flick
|
|
| Music Consultant |
Chuck Kelley
|
|
| Music Coordinator |
Mary Ramos
|
|
| Sound |
Rick Ash
|
|
| Crew | Post Production Supervisor |
Heidi Vogel
|
| Stunt Coordinator |
Ken Lesco
|
|
| Thanks |
Jennifer Beals
Lou Arkoff
Agnès B.
Linda R. Chen
Cathryn Jaymes
Stephen Martines
Ricardo Mestres
Mike Simpson
Scott Spiegel
Emanuel Steward
Lee Stollman
Bill Unger
|
|
| Editorial Staff |
Andrew Dickler
|
|
| Carpenter |
Gary L. Brennan
|
|
| Craft Service |
Derek Hurd
|
|
| Driver |
Alonzo Brown Jr.
|
|
| Makeup Effects |
Thomas L. Bellissimo
|
|
| Post Production Assistant |
Ben Parker
|
|
| Security |
Ruben Cortez
|
|
| Set Production Assistant |
Iain Jones
|
|
| Special Effects Coordinator |
Larry Fioritto
|
|
| Stand In |
Cameron
Rory Dauson
|
|
| Stunts |
Cameron
|
|
| Transportation Coordinator |
Derek Raser
|
|
| Unit Publicist |
Deborah Wuliger
|
|
| Special Effects Assistant |
Kevin McTurk
Andrew Ambrose
|
|
| Stunt Double |
Terry Jackson
|
|
| Assistant Craft Service |
Michael Haddad
|
|
| Charge Scenic Artist |
Chris L. Winslow
|
|
| Special Effects Technician |
Kevin McTurk
|
|
| Directing | First Assistant Director |
Francis R. Mahony III
|
| Script Supervisor |
Martin Kitrosser
|
|
| Second Assistant Director |
Kelly Kiernan
|
|
| Second Second Assistant Director |
John W. Hyde Jr.
|
|
| Director |
Quentin Tarantino
|
|
| Department | Role | Name |